Faculty of Education - Theses
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ItemSearching for a fair assessment( 1995)The full implementation of the VCE in 1992 represented significant changes to senior secondary schooling in Victoria. These changes were strikingly evident in the new assessment methods and procedures of the Art test CAT. The difference between the HSC Art Appreciation examination process and the 1992 VCE Art test CAT assessment was more than a difference in practices and methods. The ideological foundations of the two examination systems were vastly different. The HSC system served to rank students so that universities could select the best candidates. The BOS promoted the VCE as more 'equitable', 'accountable' and 'inclusive 'than the HSC. These concepts derived from the recommendations of the Blackburn Report (1985) which advocated major reform of the senior curricula and assessment. I interviewed five experienced Art Appreciation examiners in order to acquire a perspective of the two examination systems during' a time of change (1987-92) and ultimately focused upon the fairness values that were evident in the examination process. I compared published policy statements regarding fairness and equity with the examination practices that the five examiners described and analysed during our interviews. The theories of Foucault and Bourdieu enabled me to understand that examinations are part of a systematic social selection process. How can 'fairness' be defined and embodied in examination practices if examinations inherently represent a form of social power? Bourdieu and Foucault nourished this type of reflection. The Blackburn Report, the views of the five examiners and the social theories of Foucault and Bourdieu led me to consider the Art test CAT (1992) as a representation of the equity values that were defended by the BOS. Fullan's theories revealed that disorder usually accompanies educational change and added -another dimension to this investigation of 'fairness and justice' in the Art Appreciation examination (1987-92). In addition, this research study evaluates the practice of the BOS policy regarding equity and fairness, as evident in the VCE Art test CAT assessment process (1992), because the Board promoted the view that the VCE would provide greater equity and fairness to all Victorian students than the HSC.
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ItemArt and the art of coping( 1998)Consider the conscious not as a purely passive but as an independent active factor... artistic forms not as a facade but as an extremely important mechanism and technique... and include in its sphere of investigation the sum total of human life... Art is the social technique of emotion, a tool of society which brings the most intimate and personal aspects of our being into the circle of social life. (Vygotsky, 1971, p. 249). This thesis reports how young adolescents increased their awareness of themselves and their coping skills experientially through the arts in the context of a teacher/student relationship. Through a series of art sessions the students become aware of significant issues in their lives. The unfolding of meanings occurred in relationship with a teacher or in collaboration with peers. The relationship became a key to self-understanding: this key is called 'intersubjectivity'. Facilitating students' shift in awareness and uncovering the meaning made by the students of their experiences was grounded in the methodology and procedures of existential, experiential phenomenology. This thesis is a study of three case studies. In these case studies the students communicated metaphorically through the arts their feelings and thoughts about concerns and how they cope with these concerns. This communication occurred in the context of a relationship with a teacher and/or peers. The students explored their lived-experience, concerns and ways of coping with concerns through the arts, that is in drawing, painting, pottery, movement, dialogue and written form. Students explored their coping skills also by completing the Adolescent Coping Scale (Frydenberg & Lewis, 1993) and reflecting on their experiences of coping through the arts. The next level of the experience for the student involved them reviewing their art and text and describing themes and the essence(s) of their experiences, this was mostly a creative and reflective process in the arts. This study illuminates the processes that facilitate the development of awareness and coping skills. It marks arts expressions as modes of inquiry and validates the significance of the intersubjective relationship in developing young people's awareness of themselves and their coping skills. The intersubjective relationship in this study was empathic, didactic and encouraging; the teacher reflected student's expressions, and encouraged and taught skills, while maintaining a focus on coping.
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ItemThe construction of art in the secondary classroom: an investigation of the theories of Pierre Bourdieu( 1996)This thesis examines aspects of the theories of Pierre Bourdieu as they apply to art education. The study investigates whether Bourdieu's theories are supported by the real life histories of teachers and students. The research utilises the life history approach to investigate three factors which Bourdieu argues are significant in determining a student's chances of success in art education. The three factors are the socio-economic background of the student, the way in which art education tends to construct correct ways of making art and viewing art, and the values of art and schooling as reproduced through the family. This thesis shows how complex the structures are which construct what is taught in schools, and argues that altering the way teachers teach art does not necessarily alter what is valued by the teacher within the art classroom. The thesis discusses the way boundaries are constructed for students and that these boundaries influence the way students make and talk about art. This thesis argues, therefore, that for students to be successful within art education they must adhere to the parameters set by the teachers and the school.