Faculty of Education - Theses

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    The morning after : a novella based on a study of a drama performance exploring young people's views of teenage pregnancy
    Saunders, Carey ( 2004)
    This thesis is in two parts. Firstly I describe my research, which centred on a Drama performance devised for the 2002 Monash Schools Drama Festival. The performance project was coordinated by myself, as the school Drama teacher, and involved twelve students from Years 9 and 10. The performance focused on the theme of teenage pregnancy and explored some of the difficulties a young girl encounters when faced with an unplanned pregnancy. The story created for the performance project then became the basis for the second part of this thesis, a novella - 'The Morning After'. As a practitioner teacher-researcher, I collected data through interviews with my students and observations of their work in drama as they created the storyline and constructed the performance for the Monash Drama Festival. Through the process of discussion and improvisation, students revealed their perceptions, life experiences, questions and concerns around the issue of teenage pregnancy. These insights were reflected in the play and then this data was analyzed, organized into themes, interpreted and transformed into the novella - The Morning After'. This study reveals a need for more effective forums for discussing sex education and teenage relationships and pregnancy with young people in schools. The Morning After' aims to preserve the story at the heart of the students' play by offering it in fictional form to other young people.
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    The impact of the group dynamic in the drama classroom
    Hlengwa, Amanda I. ( 2004)
    This study investigated the impact of the group dynamic in the collaborative context of the drama classroom. Involved in the study were seventeen year nine and ten students (ages 14 to 15) enrolled in an elective subject "Community Drama" at a coeducational Secondary College in Melbourne, Australia. I spent a semester as a 'student' in the class integrally involved in all classroom activities. Literature in the field of Drama in Education mentions participants working in group formation but it appears that drama educators do not overtly incorporate group development theory in their teaching practice. The study explores the benefits of incorporating group development theory in the context of Drama in Education, and invites drama educators to consider explicitly using group development theory in their work with students and participants in their classrooms and workshops. The study focuses on the patterns of group development for this class. Using ethnographic methods, I set out to describe and interpret the patterns of meaning that informed the student's actions and made up the culture of the group. Participant observation techniques, interviews, audience and completion surveys were used as part of the data collection process to expose the theme of belonging that governed the behaviour of the class.