Faculty of Education - Theses
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Item'Ways of seeing': the positioning of the visual in subject English curricula, 2000 - 2017( 2018)The proliferation of visual texts in the lives of young people since the turn of the twenty-first century has created new opportunities and demands for curriculum developers. Since 2000, subject English curricula in Australia have acknowledged the importance of students’ engagement with visual texts, yet systematic approaches to the positioning of viewing and the visual in curriculum documents are not always evident. With the inclusion of less traditional texts such as graphic novels in the senior English text lists in recent years (Victorian Curriculum and Assessment Authority, 2014), the explicit addressing of the visual from the early to the final years of compulsory schooling has become crucial. This thesis presents analyses of four mandated curriculum iterations in the Australian state of Victoria from 2000 to 2017 focusing on the positioning of the visual in subject English. In revealing these positionings, some of the understandings about what subject English in the twenty-first century is, and should do, are interrogated. Aspects of Gee’s Building Tasks of Language (2010, 2011, 2014) have been drawn on to frame this analysis. Theoretical frameworks linked to subject English and literacy pedagogy have also been used to identify and analyse the positioning of the visual in subject English, and in turn, to posit aspects of what constitutes ‘English’ in the selected curricula.
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ItemTeaching the live: the pedagogies of performance analysis( 2016)Theatre as an artform is ephemeral in nature and offers a lived, aesthetic experience. Attending theatre and analysing theatre performance is a key component of the study of drama in senior secondary education systems in Australia, and in many international education systems. The senior secondary drama curriculum in Victoria offers a unique context for analysing live theatre performances. Lists of performances are prescribed for teachers and students to select from and attend. The year prior to the lists being created, theatre companies are invited to submit productions for consideration. The written curriculum determines that students write a written analysis of one production. This task assesses students’ knowledge, skills and understanding of what they experience at school level, and they are assessed again in an end-of-year‘ high-stakes’ examination, the results of which contributes to students’ overall graduating academic score. Methodologically, this study used case study methods to investigate the pedagogies of performance analysis, selecting four cases as a collective case study approach. Over a period of fourteen months the study investigated how the lists of performances were generated, how teachers and students selected a performance to attend, how teachers taught the analysis of live theatre performance to senior drama students in a high-stakes assessment environment, and critically examined the role of theatre companies within these processes. The data comprised document analysis, participant observation, field notes, semi-structured individual and focus group interviews, and researcher reflective journal. Specifically the study examined pedagogy and how teachers’ pedagogical choices moved the written curriculum towards enacted and experienced curriculum. It explored what influenced and impacted these pedagogies in order to consider what constitutes effective pedagogies for teaching the analysis of live theatre performance within the research context and, more broadly, wherever the analysis of theatre performance is included in senior drama curricula. The findings indicate that while the teachers who participated in the study sought to create rich educational experiences for their senior drama students, they needed to take a reductive approach and employ teaching strategies that reinforced capacities relevant to the exam rather than those that engaged with the live arts experience or recognised and incorporated the embodied practices of drama education. Consequently, the study questions the purpose of examining performance analysis. The study also revealed how theatre company practices impact the teaching of performance analysis. As a way to structure an effective pedagogy for teaching performance analysis the study recommends that a purposeful, structured and sustained community of practice be established between curriculum authorities, theatre companies and schools. It is one that acknowledges the four stages of pedagogy identified and is a model that has potential application in curriculum where performance analysis is part of studying drama and theatre.
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ItemIntroducing instrumental students to improvisation( 2012)Improvisation has been an integral component of music practice throughout a variety of world musics, such as the Indonesian Gamelan, Japanese Kabuki Theatre, African drumming, Australian Indigenous music, Klezmer music, the Indian Raga, Jazz and Popular music. Instrumental tuition, within the present system of Western Education, on the other hand, tends to emphasise an early and ongoing commitment to the reading of notated music. Some of the literature in the area suggests that the emphasis for instrumental tuition should be concerned with improvisation thus producing opportunities to achieve a more personalised and independent result with music expression. By including improvisation within regular tuition the student instrumentalist could feel more at one with his or her own voice and imagination, rather than attempting to take on the role of reproducing the character and style of another person's notation. This thesis focussed on the development and provision of improvised music activities with high school students from Years 10 and 11. Consideration was given to how these improvised music activities might have impacted not only their improvisational skills but also broader attitudes to music. The study included a specifically designed curriculum emphasising improvisational techniques. It was constructed and implemented over a ten-week period with accompanying interviews, questionnaire and video. The aim of the study was to assess the impact of the implementation of this curriculum and how it could assist the learning and teaching of improvisation. The study's performance-ensemble consisted of rhythm and lead instrumentalists where all participants had the opportunity to engage with specific instrumental techniques that assisted the expression of improvisation. Simultaneously, all participants had the liberty of managing the lesson-content with original extemporised melody and composition. The results showed the participants experienced increased confidence with improvisation. The conclusion suggests that improvisation be viewed as an integral component within the teaching and learning of instrumental music.
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ItemThinking about historical thinking in the Australian Curriculum: History( 2012)This study analyses and evaluates the approach to historical thinking in the Australian Curriculum: History. This research study adopts interpretative discipline based pedagogy, with a document content analysis method. The study draws upon the research of Peter Lee (1983) on historical substantive and procedural concepts which have influenced the models of historical thinking by Wineburg (2000), Seixas (2006), Lévesque (2008) and historical reasoning by Van Drie and Van Boxtel (2008). These models provide a theoretical frame to critically evaluate the relationship and application of the disciplinary structures in the Australian Curriculum: History. Historical methods and procedures engage students in the process of historical construction through active historical thinking and reasoning. Research judgments are made on the effectiveness of the curriculum and its design in understanding and communicating the relationship between the substantive and procedural concepts of history as a discipline. The research findings indicate that the curriculum fails to recognize the importance and distinctiveness of substantive concepts as the building blocks of historical knowledge that make historical inquiry meaningful and intelligible. The analysis of substantive concepts in the Australian Curriculum: History using unique, organizational and thematic concepts reflects a curriculum that does not always pay attention to historical context. The study revealed that the curriculum fails to make explicit the interrelationship between substantive and procedural concepts in the Historical Knowledge and Understanding strand and the Historical Skills strand. This has resulted in a curriculum that does not enact the analytical and evaluative nature of procedural concepts such as historical significance, continuity and change, etc. Also, there is limited understanding of the method of application of procedural concepts like historical perspectives, contestability and empathy in the curriculum and as a result this undermines the role of these concepts in facilitating historical thinking. From this analysis a new pedagogical model, “Framework for Historical Reasoning” emerges which relates the historical substantive and procedural concepts and historical skills as a unified pedagogical approach. This model provides a framework which teachers can use to engage with the enacted curriculum and facilitate student historical inquiry and understanding.