Faculty of Education - Theses
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ItemTeaching the live: the pedagogies of performance analysis( 2016)Theatre as an artform is ephemeral in nature and offers a lived, aesthetic experience. Attending theatre and analysing theatre performance is a key component of the study of drama in senior secondary education systems in Australia, and in many international education systems. The senior secondary drama curriculum in Victoria offers a unique context for analysing live theatre performances. Lists of performances are prescribed for teachers and students to select from and attend. The year prior to the lists being created, theatre companies are invited to submit productions for consideration. The written curriculum determines that students write a written analysis of one production. This task assesses students’ knowledge, skills and understanding of what they experience at school level, and they are assessed again in an end-of-year‘ high-stakes’ examination, the results of which contributes to students’ overall graduating academic score. Methodologically, this study used case study methods to investigate the pedagogies of performance analysis, selecting four cases as a collective case study approach. Over a period of fourteen months the study investigated how the lists of performances were generated, how teachers and students selected a performance to attend, how teachers taught the analysis of live theatre performance to senior drama students in a high-stakes assessment environment, and critically examined the role of theatre companies within these processes. The data comprised document analysis, participant observation, field notes, semi-structured individual and focus group interviews, and researcher reflective journal. Specifically the study examined pedagogy and how teachers’ pedagogical choices moved the written curriculum towards enacted and experienced curriculum. It explored what influenced and impacted these pedagogies in order to consider what constitutes effective pedagogies for teaching the analysis of live theatre performance within the research context and, more broadly, wherever the analysis of theatre performance is included in senior drama curricula. The findings indicate that while the teachers who participated in the study sought to create rich educational experiences for their senior drama students, they needed to take a reductive approach and employ teaching strategies that reinforced capacities relevant to the exam rather than those that engaged with the live arts experience or recognised and incorporated the embodied practices of drama education. Consequently, the study questions the purpose of examining performance analysis. The study also revealed how theatre company practices impact the teaching of performance analysis. As a way to structure an effective pedagogy for teaching performance analysis the study recommends that a purposeful, structured and sustained community of practice be established between curriculum authorities, theatre companies and schools. It is one that acknowledges the four stages of pedagogy identified and is a model that has potential application in curriculum where performance analysis is part of studying drama and theatre.