This dissertation investigates how Turks endeavour to preserve their cultural identity while living in Australia. Based on research carried out between 2013 and 2017 in Broadmeadows, a suburb of Melbourne and historic centre for the resettlement of Turkish immigrants, the dissertation explores a number of themes which frame each chapter: nostalgia for the homeland and for the earlier times of arrival; overseas marriages; gossip and rumour; Turkish film and television; return visits to Turkey; multiculturalism and integration; and homeland politics. Consonant with the ethnographic approach deployed, these themes were selected on the bases of what research informants identified as being especially important and meaningful aspects of their lives in diaspora. However, while eschewing a central argument, the thesis reflects on how these themes relate directly or indirectly to matters of cultural preservation and very widespread anxieties that Turkish-Australians have about losing their culture. The dissertation’s author is clinically blind. So, whilst the issue of blindness is not a conscious concern in the dissertation, it is framed by a blind sensibility. It relies upon the author’s capacity for listening, rather than being, as per convention for anthropological work, observational. And, its data and findings are conditioned significantly by the way Turkish people conceptualise and treat blind people and this author in particular.