...The material available to the student of the theatrical history of this State and Nation, is relatively sparse, and extremely scattered. Much has been covered in newspaper articles, but no attempt has ever been made to pull the material together and show it as part of a continuous story, superimposed upon the background of the political, social and economic history of the State. That is what I now attempt to do. If it does nothing more than bring the basic information within reasonable compass, I will not feel I have failed. If, on the other hand, it should arouse an interest in either the history or the practice of Theatre, in its widest sense, so that a multitude of young men and women may be rescued from the slough of saccharine sentimentality into which Hollywood has led them, to an increasing interest in legitimate Theatre, the development of which is considered by some to be a concomitant of National greatness, then I shall feel that I have indeed succeeded. (From introduction)