School of Historical and Philosophical Studies - Theses

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    From knowledge to resistance: emerging themes, developments, strategies and agendas for religious Jewish women in Israel today
    Meath, Lauren E. ( 2016)
    This study examines three areas in which religious Jewish women are challenging and changing gender-based inequality in Israel. Israeli women effectively live in two realities. The first is a liberal democracy that has championed legislative policies to advance the status of women and has pushed for gender-based equality from its formation. The second is a nation in which religious law and culturally evolving traditions of Orthodox Jewish practice are not restricted to the private sphere. Instead, such laws and behaviors hold significant power and sway in public space and everyday life. Within this reality, some view the exclusion and subordination of women as a basic tenet of religious Jewish norms. Women are removed, segregated and discriminated again. In the past thirty years, religious Jewish women in Israel have been engaged in an education revolution, gaining access to sacred knowledge and texts previously barred to women and integrating themselves into positions of religious leadership. Their demand for equality, however, has also prompted groups of these women to confront instances of gender-based discrimination on a national level; using legal appeals, public demonstrations, civil disobedience and pluralistic alliances to generate change. Such groups are working to expand ritual, social and civil rights for women in Israel. This study acts to illuminate groups of these women; their engagement with feminism and faith, their confrontation of spaces of inequality and their demand for respect as both Jewish women and Israeli citizens. Little time has been spent examining religious Jewish feminist groups in Israel. There has also been limited academic engagement with the challenges faced by these women as they relate to the Israeli landscape. To this effect, there have been significant gaps in the critical literature regarding women in Israel. Such gaps diminish academic understandings of both the place and position held by women in this country and the strains that evolving religious cultural norms have placed on Israel’s national identity. Situated from a constructionist framework and informed by the academic discipline of Jewish studies, this study utilizes a variety of resources. Previous scholarship, Israeli-based English language newspapers, group-generated publications, United Nations’ reports, NGO reports, legal petitions and rulings, interviews and presentations at a prominent transnational Orthodox feminist conference were all used to illuminate emerging themes, strategies and developments for groups of religious Jewish women in Israel. This is a new methodological approach in a small field and thus offers new perspectives on an underrepresented area of study. Doing so adds to our critical understandings of women’s rights in Israel, Jewish feminism, Orthodoxy in Israel and Israeli national identity.
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    The women are most laborious: the role of female slaves on the Gold Coast in the age of abolition, 1833 – 1874
    Gorman, Julia ( 2016-05-17)
    The British idea of slavery, and by extension emancipation, was irrelevant to the realities of slaves on the Gold Coast of West Africa between 1833 - 1874. Slavery was the foundation of social structure and women made up a large proportion of these. A study of female slaves sheds light on the fundamental role slaves played in the structures of Gold Coast society and parallels can be drawn between slavery and issues women still face today.
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    How to be a good wife in the Renaissance: a man's perspective
    Blanck, Shari ( 2015)
    Women’s role in Renaissance Florence was defined by their marital status, and most women were married by their twentieth birthday. Finding a virtuous wife was a priority for those of elite status, and a number of texts written for an educated audience discuss the “ideal” or “good” wife. This thesis analyses this good wife in elite Renaissance Florentine families, in the period of 1361 to 1527, the timeframe from which the selected primary texts are from. This thesis also illuminates and evaluates the qualities that a good wife must possess, as prescribed by prominent Renaissance humanists, clerics and literary writers. This thesis draws from a number of Florentine sources that make reference to the good wife, overtly and didactically, or through implication. The sources range from the overtly circumscribable humanist and clerical tracts such as De Re Uxoria by Francesco Barbaro and Regola del Governo di Cura Familiare by Giovanni Dominici, essays written for instruction and circulation. This thesis also uses literary sources, such as Boccaccio’s De Mulieribus Claris and the Decamerone, Leon Battista Alberti’s I Libri della famiglia and Machiavelli’s Clizia and La Mandragola, and his short novella, Belfagor arcidiavolo. It also analyses less formal sources, such as San Bernardino’s 1427 Lenten sermons in order to gain an understanding of the advice given at all levels. These sources provide an insight into the behaviour, demeanour, and especially virtues that were encouraged by leading writers and social norms. There are a number of virtues considered to be ‘feminine’ virtues, all of which are marked by control and passivity. The aim of this thesis is to understand the importance placed on being a good wife, and the prescribed behaviour for married women in the Renaissance, especially in regards to the feminine virtues being encouraged and idealised. There are three virtues which are consistent across the nine sources studied, which this thesis focuses on in detail; obedience, chastity and love.
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    Innocent ingénues, virtuous mothers, and ‘semi-respectable girls’: complicating Australian attitudes toward female sexual desire during the Great War
    Smith, Madeline ( 2015)
    The Great War was a period in which competing ideations of female sexuality, modest and immodest, came into contact and overlapped. Middle-class girls and married women, though seemingly immune to this new sexualised articulation of womanhood, were nevertheless guarded more intently, lest they too succumb to a now presupposed base instinct. What had been mere shadows of suspicions around the working-class girl were now projected onto a national framework, and supported the supposition that honest young women could, and did, pursue sex outside of marriage. The resulting confusion paved the way for more complex articulations of female desire that rejected a dualistic organisation. Despite the arguments of scholars who suggest that the influence of the war was negligible in the twentieth-century reimagining of female desire, this thesis demonstrates that a close study reveals a clamorous discussion around the nature of sexual womanhood. While the Madonna/whore duality may still have held sway after the war, a contemporary observer could no longer say that women were categorically dispassionate.
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    Eyes on Albania: sex and empire in the British imagination
    Dempsey, Carolyn Teresa ( 2014)
    In the 19th and 20th centuries, British travellers began to explore Albania and publish their impressions of the country. While this 'textual universe' has often been used as an objective window into an exotic past, these impressions were indelibly coloured by the conditions of their construction.This thesis examines Albania as the British imagined it, and Britain as it is revealed through Albania, with an emphasis on this as a gendered exchange.
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    Homefront hostilities: the first world war and domestic violence in Victoria
    NELSON, ELIZABETH ( 2004)
    This thesis examines the influence of the First World War on domestic violence in Victoria, Australia. A reading of court cases, newspaper reports, official records and oral testimonies reveals a connection between the war and individuals' violent behaviour within marriage, apparent during the war and in the decade following the cessation of hostilities. This connection explains what appears to be an increased incidence of domestic violence in the immediate aftermath of the war. A link between veterans' war trauma and domestic violence - frequently assumed in the historiography - existed, but this was just one aspect of the war's impact on domestic violence and did not account for all cases of returned-soldier wife abuse. The war contributed to both veterans' and civilian men's wife abuse by idealising male aggression and by provoking a range of experiences that personally disempowered men. Against the masculine ideal of the fearless Anzac, many men's self-esteem diminished. Failure to enlist, failure to fight, and failure to cope with horrifying memories of battle were some of the ways in which men fell short of their own and society's expectations of manliness. Male insecurity was further exacerbated by women's increased self-assertions. The war afforded many women greater social and economic autonomy, a situation which made wives' separation from violent husbands more viable. The war was influential, too, in shaping social responses to domestic violence. The new masculine hierarchy of wartime affected judicial determination of who was, and who was not, accountable for acts of violence. Official leniency towards returned-soldier perpetrators was noticeable both during and after the war, and in the post-war years such leniency also extended to civilian defendants. While the outbreak of war sparked renewed enthusiasm for male chivalry towards women, this ideal disappeared rapidly after 1918. ln a context of male antagonism towards women's apparent advancement, a new male ambivalence towards wife abuse emerged within the public realm. The notion of men as victims, rather than as brutal tyrants, informed much official reaction to actual cases of domestic violence. Greater official indifference to men's violence against their wives after the First World War was the result not only of men's fears of female encroachment on male privilege, but of a changing interpretation of the causes of domestic violence. The widespread phenomenon of shell shock in soldiers served to further the currency of psychological theories of human behaviour. In the post-war decade, the stereotype of the disturbed violent veteran both emerged from, and influenced, the proceedings of cases of domestic violence in Victorian courts. The idea that returned-soldier violence was a product of battle nerves weighed on cases of wife abuse, regardless of whether the facts of individual cases evinced such a connection. The violence of civilian men also increasingly came to be understood in a psychological framework during the 1920s. As the community's awareness of psychological factors burgeoned, the belief that domestic violence was an outcome of extraordinary stresses on ordinary men's minds began to prevail in the public sphere. Such an understanding helped to dismantle the dominant pre-war stereotype of the working-class 'wife-beater'.
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    Mobilising the Third Reich: the final phase: an analysis of Joseph Goebbels' role as Reich Plenipotentiary for the total war effort, July 1944 - March 1945
    Fitzmaurice, Camielle Jean ( 2014)
    The final ten months of the Second World War have been characterised as a time of bureaucratic and military chaos. However, this thesis demonstrates than in his role as Reich Plenipotentiary for the Total War Effort, from July 1944 until March 1945 Joseph Goebbels was able to implement a program for the total mobilisation of all human and material resources towards the war effort to some success. Combining his continuing role as Propaganda Minister with his new role as Plenipotentiary his approach to the program for total war can be characterised as one that maintained a primary emphasis on ‘propaganda and the ‘spoken word as the most powerful weapons’. However, not without an element of realism in the acknowledgement that ‘soldiers, weapons and raw materials’ now determined the outcome of warfare in the twentieth century.
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    Glory boxes: femininity, domestic consumption and material culture in Australia, 1930-1960
    McFadzean, Moya Patricia ( 2009)
    This thesis investigates glory boxes as cultural sites of consumption, production, femininity, sexuality, economy and transnationalism between 1930 and 1960 in Australia, a period of considerable economic and social change. Glory boxes were the containers and collections kept and accumulated by many young single women in anticipation of their future married and domestic lives. The nature and manifestations of the glory box tradition have uniquely Australian qualities, which had its roots in many European and British customs of marriage preparation and female property. This study explores a number of facets of women's industrial, communal, creative and sexual lives within Australian and international historical contexts. These contexts influenced glory box traditions in terms of industrialisation, changing consumer practices, the economics of depression and war, and evolving social definitions of femininity and female sexuality. Glory boxes provide an effective prism through which to scrutinise these broad social and economic developments during a thirty year period, and to highlight the participation of young women in cultural practices relating to glory box production in preparation for marriage. Oral testimony from migrant and Australian-born women, the material culture of glory boxes and the objects collected, and popular contemporary magazines and newspapers provide important documentation of the significance of glory box practices for many Australian women in the mid-twentieth century. Glory boxes track twentieth-century shifts in Australia in terms of a producer and consumer economy at both collective and individual levels. They reveal the enduring social expectations until at least the 1960s that the role of women was seen as primarily that of wives, mothers and domestic household managers. Nonetheless, a close investigation of the meanings of glory box collections for women has uncovered simultaneous and contradictory social values that recognised the sexual potential of women, while shrouding their bodies in secrecy. This thesis suggests that a community of glory box practitioners worked through a variety of collective female environments which crossed time, place, generation and culture. It demonstrates the impact of the act of migrating on glory box practices which were brought in the luggage and memories of many post-war migrant women to Australia. These practices were maintained, adapted and lost through the pragmatics of separation, relocation and acts of cultural integration. This research has identified the experiences of young single women as critical to expanding understandings of the history of domestic consumption in Australia, and the gendered associations it was accorded within popular culture. It has also repositioned the glory box tradition as an important, widely practised female activity within feminist historiography, by recognising its legitimacy as female experience, and as a complex and ambivalent symbol which defies simplistic interpretations.
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    In her gift: activism and altruism in Australian women's philanthropy 1880-2005
    Lemon, Barbara ( 2008)
    This thesis examines the experiences of Australian women philanthropists who donated money to social causes and public institutions in the decades from the late nineteenth to the beginning of the twenty-first century. In a colonial society where wealth generation and its disposal was essentially the province of men, a small but significant number of women who were wives and daughters of men of substance found themselves in a position to use family resources for their own chosen philanthropic ends. They did so in a context of colonial women's activism through women's associations, and derived motivation from their religious faith. Australian women's philanthropy drew upon British and American traditions. The remarkable wealth generation of the industrialising United States underwrote philanthropic women's very considerable donations, deployed with a moral authority that was fostered by evangelical Protestantism. Likewise, in Britain, evangelical work was supplemented by funding from elite wealthy women who could access familial fortunes. Australian women's philanthropy was distinctive because, despite the country's comparatively modest prosperity, the energetic and pragmatic association of women around philanthropic causes, often with a religious imperative, emboldened women of independent means to become exceptional givers. In the first half of the twentieth century, possibilities for women's active involvement in philanthropy expanded. Women in Australia gained political citizenship for federal elections in 1902, and by 1908, had been awarded political rights in each state. The 'new woman citizen' was able to assume a stronger profile in the workforce, in the professions and in business; social change that was mirrored in the activism of women philanthropists. Rapid economic growth after World War Two, and a developing national consciousness of the importance of philanthropic endeavours saw the backgrounds of women philanthropists diversify, just as a new women's movement arose to challenge and reshape women's public roles. There are undeniable continuities in women's philanthropy from the late nineteenth and twentieth centuries: in direct giving and fundraising, in commitment to women's causes, and in the influence of religion. Nevertheless, by 2005, women were sustaining an unprecedented and outstanding presence, not only as individual philanthropists, but in the highest levels of decision-making in an arena increasingly referred to as the 'third sector' of the economy. They have assumed a central role in the growing number of Australian philanthropic foundations and in the shaping of policies on funding for social change. Moreover there are clear signs that the influence of women in philanthropy, as in other public spheres including mainstream politics, will amplify in future. In investigating the development of women's philanthropy in Australia, with a focus on those who had money within their gift, this thesis profiles over fifty women with specific reference to Mrs Anne Bon, Janet Lady Clarke, Mrs Ivy Brookes, Dr Una Porter, Ms Barbara Blackman, Dame Elisabeth Murdoch, and Ms Jill Reichstein.
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    Deviant motherhood in the late nineteenth century: a case study of the trial and execution of Frances Knorr and Emma Williams for child murder
    Yazbeck, Barbara ( 2002)
    The 1890s saw the rise of a pro-natalist movement in Australia that focused on child saving and the emergence of the 'ideal mother' stereotype. Moves by the medical profession and women's organizations to educate women to become 'ideal' mothers were coupled with proscriptive attempts by law enforcement agencies and the judiciary to criminalize 'bad' mothers. Within this period Frances Knorr and Emma Williams became the archetypal 'deviant mother' when they were executed only months apart for crimes involving child murder. They were to be the only women ever hanged for such crimes in Victoria. This thesis aims to problematize these executions by looking at the ways in which nineteenth century Victorian society operated to construct these women's criminality. The thesis will argue that the growth of government intervention and regulation throughout the 1890s, beginning with the introduction of the Infant Life Protection Act in Victoria in 1890, engendered a climate whereby women were increasingly told to embrace motherhood as their sole vocation. 'Maternal instinct' became a central part of a woman’s identity. Advocates of maternal love succeeded in elevating the quality of the relationship between a mother and her child to a social and moral good. Moreover, the demonization of women such as Knorr and Williams was necessary to a process that saw the eventual idealization of the mother as 'the angel of the home' and 'the mother of the Empire'. Hence, whilst the State's preoccupation with regulating motherhood, pregnancy and birth was aimed at all classes, it was women of the lower working class who came under ever increasing scrutiny and who were the most likely to become scapegoats in a campaign to find and eradicate the 'bad' mother archetype. Above all, the trials and executions of these two women provided a site for the discursive production of femininity, motherhood and female criminality. The 1890s were a time of contesting notions of motherhood and womanhood. The newspapers, the judiciary and the Slate all engaged in the process which rendered the women under examination here, as deviant. Taking a Foucauldian approach, these women's bodies became the sites on which discourses concerning motherhood and womanhood were enacted. Furthermore, notions of gender become central to a process of criminalization in which both Knorr and Williams were depicted as less feminine because of their crimes. As a result the 'criminal' mother of the twentieth century was born.