School of Historical and Philosophical Studies - Theses

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    Countryminded Conforming Femininity: A Cultural History of Rural Womanhood in Australia, 1920 – 1997
    Matheson, Jessie Suzanne ( 2021)
    This thesis explores the cultural and political history of Australian rural women between 1920 and 1997. Using a diverse range of archival collections this research finds that for rural women cultural constructions of idealised rural womanhood had real impacts on their lived experiences and political fortunes. By tracing shifting constructions of this ideal, this thesis explores a history of Australian rural womanhood, and in turn, centres rural women in Australian political and cultural history. For rural women, an expectation that they should embody the cultural ideals of rural Australia — hardiness, diligence, conservatism and unpretentiousness — was mediated through contemporary ideas of what constituted conforming femininity. This thesis describes this dynamic as countryminded conforming femininity. In this respect, this research is taking a feminist approach to political historian Don Aitkin’s characterisation of the Country Party as driven by an ideology of countrymindedness. This thesis uses countryminded conforming femininity as a lens through which cultural constructions of rural womanhood may be critically interrogated, and changes in these constructions may be traced. This thesis represents the first consideration of Australian rural womanhood as a category across time that is both culturally constructed and central to Australian political and cultural life, drawing together histories of rural women’s experience, representations and activism. It theorises what ideals of Australian rural womanhood have meant across the twentieth century and finds that they have had an under-considered role in Australian political life, and on constructions of Australian national identity.
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    The Mischief Wrought by the Master of the Skerryvore: Victoria at the Philadelphia Centennial Exhibition of 1876
    Jakubowicz, Stephen John ( 2021)
    This thesis is a study of the colony of Victoria’s involvement in the 1876 Philadelphia Centennial Exhibition. The chance to send a display to Philadelphia provided an exciting opportunity for the colony to foster a sense of racial and cultural belonging with the Exhibition’s fairgoers with the aim of consolidating economic, cultural, scientific and social networks between Victoria, the United States and the world. Of the Australian colonies, Victoria sent the largest exhibition contingent to Philadelphia. However, restrictive trade laws, parliamentary disunity, and doubts regarding the usefulness of sending exhibits to the Philadelphia Centennial Exhibition negatively impacted its planning and staging. These problems ultimately led to the attempted scuttling of the Skerryvore, the ship tasked with transporting the Victorian exhibits to the United States, and the subsequent damage to many of the items sent to represent the colony at the Philadelphia Centennial Exhibition. This thesis uses Victoria’s involvement in the Philadelphia Centennial Exhibition as a lens through which to consider how competing visions of the colony’s future, as well as economic and political factors, impacted the colony’s representation at Philadelphia. By re-embedding this event in the complex economic, political, and cultural context within which it took place, this thesis sheds light on the broader role played by these influences in affecting the representation of colonies, dependencies and nations at nineteenth-century exhibitions.