School of Historical and Philosophical Studies - Theses
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ItemCountryminded Conforming Femininity: A Cultural History of Rural Womanhood in Australia, 1920 – 1997( 2021)This thesis explores the cultural and political history of Australian rural women between 1920 and 1997. Using a diverse range of archival collections this research finds that for rural women cultural constructions of idealised rural womanhood had real impacts on their lived experiences and political fortunes. By tracing shifting constructions of this ideal, this thesis explores a history of Australian rural womanhood, and in turn, centres rural women in Australian political and cultural history. For rural women, an expectation that they should embody the cultural ideals of rural Australia — hardiness, diligence, conservatism and unpretentiousness — was mediated through contemporary ideas of what constituted conforming femininity. This thesis describes this dynamic as countryminded conforming femininity. In this respect, this research is taking a feminist approach to political historian Don Aitkin’s characterisation of the Country Party as driven by an ideology of countrymindedness. This thesis uses countryminded conforming femininity as a lens through which cultural constructions of rural womanhood may be critically interrogated, and changes in these constructions may be traced. This thesis represents the first consideration of Australian rural womanhood as a category across time that is both culturally constructed and central to Australian political and cultural life, drawing together histories of rural women’s experience, representations and activism. It theorises what ideals of Australian rural womanhood have meant across the twentieth century and finds that they have had an under-considered role in Australian political life, and on constructions of Australian national identity.
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ItemGlory boxes: femininity, domestic consumption and material culture in Australia, 1930-1960( 2009)This thesis investigates glory boxes as cultural sites of consumption, production, femininity, sexuality, economy and transnationalism between 1930 and 1960 in Australia, a period of considerable economic and social change. Glory boxes were the containers and collections kept and accumulated by many young single women in anticipation of their future married and domestic lives. The nature and manifestations of the glory box tradition have uniquely Australian qualities, which had its roots in many European and British customs of marriage preparation and female property. This study explores a number of facets of women's industrial, communal, creative and sexual lives within Australian and international historical contexts. These contexts influenced glory box traditions in terms of industrialisation, changing consumer practices, the economics of depression and war, and evolving social definitions of femininity and female sexuality. Glory boxes provide an effective prism through which to scrutinise these broad social and economic developments during a thirty year period, and to highlight the participation of young women in cultural practices relating to glory box production in preparation for marriage. Oral testimony from migrant and Australian-born women, the material culture of glory boxes and the objects collected, and popular contemporary magazines and newspapers provide important documentation of the significance of glory box practices for many Australian women in the mid-twentieth century. Glory boxes track twentieth-century shifts in Australia in terms of a producer and consumer economy at both collective and individual levels. They reveal the enduring social expectations until at least the 1960s that the role of women was seen as primarily that of wives, mothers and domestic household managers. Nonetheless, a close investigation of the meanings of glory box collections for women has uncovered simultaneous and contradictory social values that recognised the sexual potential of women, while shrouding their bodies in secrecy. This thesis suggests that a community of glory box practitioners worked through a variety of collective female environments which crossed time, place, generation and culture. It demonstrates the impact of the act of migrating on glory box practices which were brought in the luggage and memories of many post-war migrant women to Australia. These practices were maintained, adapted and lost through the pragmatics of separation, relocation and acts of cultural integration. This research has identified the experiences of young single women as critical to expanding understandings of the history of domestic consumption in Australia, and the gendered associations it was accorded within popular culture. It has also repositioned the glory box tradition as an important, widely practised female activity within feminist historiography, by recognising its legitimacy as female experience, and as a complex and ambivalent symbol which defies simplistic interpretations.