School of Historical and Philosophical Studies - Theses

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    “A very unfortunate circumstance”: the colonial evolution of defining British sovereignty emanating from murdercases in New South Wales, 1790 –1836
    Chaves, Kelly Kathleen ( 2005-11)
    Governor Arthur Phillip did not magically extend British sovereignty over the continent of Australia when he read his orders to the assembled convicts and members of the military in January 1788. To the international community, this act of declaratory sovereignty claimed Australia for Britain. Gaining practical legal authority over the indigenous population, however, took years and a number of court cases to obtain. The British established their sovereignty over the Australian Aborigines by integrating them into the British legal system. This legal incorporation eventuated in stages. Three important stages were: first in 1790, when the British attempted to punish Aborigines for the murder of white men, secondly in 1827, when the British tried to punish white settlers for the deaths of indigenes, and lastly in 1836 when the British decided to punish indigenes for murders committed amongst themselves. Previous colonial experience influenced British officials’ dealing with the indigenous population of Australia. Many of the colonisers who settled in Australia, Britain’s penultimate colony, had lived in other parts of the British Empire. This prior colonial experience shaped the views and outlooks of legal policy towards the Aborigines.
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    Radicalism and the Sydney press c. 1838-1846
    Webster, David William Lyle ( 1978)
    Claims by historians about the nature and scope of radical and working class activity in New South Wales before the gold rushes vary considerably. On the one hand stands Robin Gollan's view that until 1848 Australia had nothing that could properly be called a radical movement. On the other stands L. J. Hume's assertion that in 1842 radicalism in association with the working classes reached a peak in New South Wales and thereafter went into a decline. Differing from both Gollan and Hume, Michael Roe argues that a distinct working class political movement began to emerge in 1843 and from then on became progressively stronger. The recent writing of T. H. Irving and others of the New Left has attempted to incorporate the pre-1850 period into broad these about the nineteenth century development of a bourgeois hegemony. To attempt to reconcile these conflicting interpretations would be a futile and impossible exercise. Specific studies can help instead to reveal some of the complexities which have allowed such a disparate group of opinions to be formed. The aim of the present thesis is to develop a new perspective on pre-gold rush radicalism through an examination of the role of Sydney's newspaper press. The period to be considered centres on the 1838-46 years of Sir George Gipps' governorship, but a preliminary study of the background from 1824, (the year when the Australian was founded,) was considered essential. In the course of the thesis it will be shown firstly that the radicalism which emerged in the depression of the early 'forties differed in important ways from the emancipist radicalism which preceded it. Secondly it will be argued that by 1846, the radicals and the newspapers of Sydney had pushed New South Wales a long way on the road to becoming a political, rather than an a-political or anti-political society. Notions of a society divided into mutually hostile groups of employers and employees were thus common subjects of controversy at the end of the depression where they had been virtually unknown before.
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    Sydney Dance Company: a study of a connecting thread with the Ballets Russes
    STELL, PETER ( 2009)
    This thesis addresses unexplored territory within a relatively new body of scholarship concerning the history of the Ballets Russes in Australia. Specifically, it explores the connection between the original Diaghilev Ballets Russes (1909- 1929) and the trajectories of influence of Russian ballets that visited Australia. This thesis addresses unexplored territory within a relatively new body of scholarship concerning the history of the Ballets Russes in Australia. Specifically, it explores the connection between the original Diaghilev Ballets Russes (1909- 1929) and the trajectories of influence of Russian ballets that visited Australia. This study sketches the origins of the Ballets Russes, the impact its launch made on dance in the West, and how it progressed through three distinguishable phases of influence. It summarises the important features of the visits to Australia of Russian ballet companies from Adeline Genee in 1913 to the culturally altering impact of the revived Ballets Russes companies over three extended tours between 1936 and 1940. It charts the formation of viable ballet companies in Australia, commencing with Kirsova in 1939 and Borovansky in 1940, to the Australian Ballet in 1962 and the Sydney Dance Company led by Murphy between 1976 and 2008. Drawing on distinctions between classical and contemporary dance, it attempts to demonstrate the groundwork of example established by the Russian ballet, and, particularly, the revived Ballets Russes visits up to 1940. Data for this thesis was drawn from a personal interview with Graeme Murphy, original documentary research in public collections in Australia, government and Sydney Dance Company archives, newspapers and secondary literature.