School of Historical and Philosophical Studies - Theses

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    Ruby Rich: A Transnational Jewish Australian Feminist
    Rubenstein Sturgess, Cohava ( 2023)
    This thesis examines the life of Ruby Rich (1888-1988) - a leading figure in Australian and international feminist movements and a leading campaigner for women's rights. Alongside her feminist work, she was also a leader in the Australian Jewish community, internationally renowned pianist, peace campaigner and racial hygiene advocate. Rich lived in Australia, London, Paris, Berlin and Switzerland, and attended conferences in Palestine (later Israel), Turkey, Germany, Iran, Denmark, India, England and Italy. These trips imbued within her a cosmopolitan outlook, contributing to her social consciousness. Through a focussed study of key flashpoints in Rich’s life, this thesis analyzes Rich’s mobile life in tandem with her Jewishness in order to provide a nuanced cultural understanding of how Australian and international feminism intersected with a Jewish diasporic self. By connecting disparate sub-disciplines of history, this thesis reveals how Rich operated and positioned herself as an active transnational Jewish-Australian feminist.
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    Countryminded Conforming Femininity: A Cultural History of Rural Womanhood in Australia, 1920 – 1997
    Matheson, Jessie Suzanne ( 2021)
    This thesis explores the cultural and political history of Australian rural women between 1920 and 1997. Using a diverse range of archival collections this research finds that for rural women cultural constructions of idealised rural womanhood had real impacts on their lived experiences and political fortunes. By tracing shifting constructions of this ideal, this thesis explores a history of Australian rural womanhood, and in turn, centres rural women in Australian political and cultural history. For rural women, an expectation that they should embody the cultural ideals of rural Australia — hardiness, diligence, conservatism and unpretentiousness — was mediated through contemporary ideas of what constituted conforming femininity. This thesis describes this dynamic as countryminded conforming femininity. In this respect, this research is taking a feminist approach to political historian Don Aitkin’s characterisation of the Country Party as driven by an ideology of countrymindedness. This thesis uses countryminded conforming femininity as a lens through which cultural constructions of rural womanhood may be critically interrogated, and changes in these constructions may be traced. This thesis represents the first consideration of Australian rural womanhood as a category across time that is both culturally constructed and central to Australian political and cultural life, drawing together histories of rural women’s experience, representations and activism. It theorises what ideals of Australian rural womanhood have meant across the twentieth century and finds that they have had an under-considered role in Australian political life, and on constructions of Australian national identity.
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    Phenomenologies of the lived body : Husserl, Stein, Merleau-Ponty and Marcel on embodiment
    Joseph, Felicity Anne ( 2005)
    On the topic of embodiment, the phenomenological tradition in philosophy departs significantly from the standpoint of the dominant philosophical tradition. Rather than approaching embodiment through the framework of the 'mind/body problem', its method is to adopt the subject's point of view and ask what the phenomenon of embodiment is like for the subject experiencing it - for instance, what is it like to be a body? And what is it like to have one? Sometimes this query is formulated as 'what is it correct to say about' the role of the body in personhood - for instance, is it more correct to use the word 'have' or the word 'be' to express my relationship to my body? However, the inquiry is not principally a linguistic one: it is an inquiry into our experience of embodiment, in its relation to other things in the world and to consciousness. It is the phenomenologists' acknowledgement of the subject-inquirer's point of view on embodiment that renders their approach a particularly appropriate one for this topic. Accordingly, in this study I have chosen to investigate the theories of phenomenological philosophers. This research project thus consists of a comparative study of four phenomenological philosophers on the topic of embodiment (the body-person relationship): Edmund Husserl, Edith Stein, Maurice Merleau-Ponty, and Gabriel Marcel. In addition, I look at some remarks Ludwig Wittgenstein in his later writings makes about the language of embodiment, and investigate how the issues raised there may condition the conclusions drawn from these phenomenological studies of the body. I also investigate how feminist critiques of phenomenology may affect our examination of issues of embodiment and prompt us to further investigate the nature of embodiment. In response, I argue that the 'lived body' schema is compatible with more specific accounts of embodiment and that the phenomenologists are aware of and cautious about their use and interpretation of the language of embodiment.
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    Terra nullius : Lacanian ethics and Australian fictions of origin
    Foord, Kate ( 2005)
    The fiction of terra nullius, that Australia was 'no-one's land' at the time of British colonisation, was confirmed in law in 1971. At precisely this moment it had begun to fail as the ballast of white Australian identity and the fulcrum of race relations between Indigenous and non-Indigenous. Where white Australia had historically produced a gap, an empty centre from which the white Australian subject could emerge, fully formed, there was now a presence. The emergence of the Aboriginal subject into this empty space inaugurated the anxiety of white Australia that has characterised the period from the 1970s to the present. During these decades of anxiety, the story of this nation's origin-the story of 'settlement'-has retained its pivotal part in the inscription and reinscription of national meanings. Each of the three novels analysed in the thesis is a fictional account of the story of 'settlement published during the closing decades of the twentieth century. Of all the contemporary Australian fiction written about 'settlement' and the race relations conducted in its midst, these texts have been chosen because each is emblematic of a particular national fantasy, and, as is argued in this thesis, a particular orientation, to the tale it tells. The structure of each fantasy-of the frontier, of captivity, of the explorer and of the Great Australian Emptiness- offers particular opportunities for the refantasisation of that national story. The thesis asks how each novel is oriented towards the national aim of not failing to reproduce a satisfactory repetition of the story of national origin and the inevitable failure of that project. All of these questions are framed by an overarching one: what is an ethics of interpretation? The thesis offers a Lacanian response. Interpretation, for Lacan, is apophantic; it points to something, or lets it be seen. It points beyond meaning to structure; it alms to show an orientation not to a 'topic' but to a place. Lacanian psychoanalytic theory offers an ethics of interpretation that includes and accounts for that which exceeds or escapes meaning, and it does this without rendering that excess irrelevant. That something remains constitutive yet enigmatic, making interpretation, in turn, not merely the recovery and rendering of meaning but also a process which seeks to understand the function of this enigmatic structural term. Through its theory of repetition and the pleasures that repetition holds, Lacanian theory offers an approach to analysing the pleasures for the non-Indigenous Australian reader in hearing again the fictions of the nation's founding. It now seems possible for a white Australian encountering any such retelling to ask how our pleasure is taken, and to see the intransigence of our national story, its incapacity to respond to its many challengers, as a particular mode of enjoyment that is too pleasurable to renounce. A Lacanian ethics of interpretation opens up the question: what are the possibilities of re-orientating ourselves in our relation to our founding story such that we did not simply repeat what gives us pleasure?
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    The evolution of Wittgenstein's views of meaning
    Tran, Tuan Phong ( 1999)
    The problems of meaning and language play a crucial role in Wittgenstein's philosophy. Wittgenstein believes that philosophical problems are rooted in language, and that they can be understood and resolved when questions about linguistic meaning and the way language relates to reality are properly addressed. During his philosophical development Wittgenstein held different approaches to the problem of meaning and language. A clear view about his view about meaning is necessary in order for us to be in position to understand assess his philosophy. The aim of my thesis is to explore different accounts of meaning in different periods of the development of Wittgenstein's thought. In his first account of meaning, known as the Picture Theory of Meaning in the Tractatus, Wittgenstein developed a highly sophisticated and complex picture-theory which is the basis of his contention that language is a mirror of reality. At this early stage Wittgenstein had been influenced by the thoughts of Frege and Russell. In the Picture Theory of Meaning the notion of logical form plays a crucial role. Just as each proposition must share its logical form with the state of affairs it depicts, so language, the totality of propositions, must share logical form with what it depicts the. The harmony between language and reality which makes representation is - possible is logical-pictorial isomorphism, the structural identity between what represents and what is represented. Just as the elements in a picture correspond to a possible arrangement of objects in reality, so sentences contain names, which correspond to objects in the world; and the arrangement of names in the sentence corresponds to a possible arrangement of objects in the world. Meaning is possible because language mirrors reality in this way: from the structure of language we can read off the structure of reality. In other words we can learn about the structure of reality from sentences of language. In his early view, Wittgenstein believed that fact-stating discourse is really all the meaningful discourse there is. But in the later works it turns out that fact-stating discourse is just one type of discourse among many other types, just one type of language game along with a countless number of other types of language-game. So in his later works, Wittgenstein abandoned the picture theory of meaning in favour of a use account of meaning. He urges us to think of words as tools, think of sentences as instruments. To get a correct account of language and meaning we need simply to look at how it functions in real life; we need to look at what people do with words. Whereas the Tractatus envisioned a logical structure as the essential form and link of language and world, in the later works there are flexible constraints connected with human activities, with language-games and forms of life as the basis and structure of language. A shift has occurred from a pictorial structural approach to use-activity approach. Language is not just words and rules but words and rules in the practice of use. Meaning is understood as a social phenomenon. The meaning of words should be found in the practical context of everyday life, in the stream of thought and activity, in which a given use of words is embedded.
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    An unreasonable profession : spiritualism and mediumship between the wars in Britain
    Hazelgrove, Jennifer P ( 1996)
    In the latter half of the nineteenth century, Spiritualist claims that the dead survive in another world and communicate with the living became a subject of heated debate within English society. Originating in America in the eighteen-forties, Spiritualism found ready converts in England. By 1870, many periodicals were devoted to chronicling the activities of believers, while newspaper articles, church sermons and scientific reports issued a stream of diverse interpretations to a fascinated audience. Spiritualism has become a subject of lively historical interest in recent times, but most historians assume that it was a Victorian and Edwardian phenomenon, with little relevance in post World War I Britain. I began this study with similar assumptions, but as my research progressed, it became clear that the number of people who identified as Spiritualists grew in the interwar years and that Spiritualism was as controversial during this period as in the previous century. In sketching its passage and growth between the wars, I emphasise Spiritualism's ability to absorb and organise both modem and ancient tropes. As the movement continued to gain in popularity the debate over its meaning and possibilities for humankind grew apace. At the centre of these controversies stood the figure of the medium. The mediumistic persona was constructed inside and outside the Spiritualist movement as feminine. This project engages with issues of gender, subjectivity and power in relation to the development of the mediumistic identity. In doing so I stress the profound ambiguity of that identity. The medium, as represented through diverse narratives, appeared as both subject and object, the source of truth and lies, and the mother of life and death. It was always unclear whether she was psychically gifted or demented, or whether she intended to harm or heal. Confronted with opposing narratives, a coherent sense of "self' was not easily achieved by a medium. Ultimately, this study attempts to show that the mediumistic "self' was never a stable result of private conviction, but a deeply unstable and continually shifting production that developed within particular historical circumstances
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    The Age and the young Menzies: a chapter in Victorian liberalism
    Nolan, Sybil Dorothy ( 2010)
    The Melbourne Age was Robert Menzies' favourite newspaper. This thesis investigates the early years of Menzies' political career, when his relationship with The Age and its senior personnel was established. It is a comparative study of two liberalisms: that of the principal creator of the Liberal Party of Australia, and of a newspaper famous for its liberal affiliations. The Age had been closely identified with the Liberal politician Alfred Deakin in the late nineteenth and early twentieth centuries. After Geoffrey Syme became its proprietor in 1908, The Age pursued a programmatic agenda based in the dominant liberal ideology of the day, social liberalism, which stood for responsible citizenship and State intervention. The paper was influenced by both Deakinism and its New Liberal equivalent in Britain, whose political representatives were Herbert Asquith and David Lloyd George. When Menzies emerged on the Victorian political stage in the mid-twenties, The Age still stood for ideals and institutions which had been influential in the first decade of nationhood: New Protection, the conciliation and arbitration system, responsible trade unionism, accountable government, and social meliorism. The early chapters of the thesis explore the paper's political outlook, focusing on its vigorous campaign against the conservative ascendancy in non-Labor politics. That the newspaper remained a coherent exemplar of New Liberal orthodoxy from 1908 until the outbreak of the Second World War is one of the study's main findings. To Syme, the young Menzies represented a talented new generation of Liberal reformer. The Age vigorously supported his election to the Victorian Legislative Council in 1928, and his subsequent move to the Assembly. Despite the paper's hopes for him, Menzies' liberal-conservative tendencies were soon strongly to the fore. During the Depression, he aggressively opposed the introduction of unemployment insurance. When Menzies joined economists and primary producers in attacking the regime of tariff protection that was central to The Age's Deakinite identity, the relationship between the newspaper and the politician reached a low watermark. These episodes are explored in detail. The second half of the thesis focuses on Menzies's ideological make-up. It identifies him as a post-Deakinite whose personal politics were a contradictory mixture of older and newer streams of liberalism, and whose personal style was a mixture of pragmatism tinged with a consciousness of the legacy of Deakinite idealism. The phrase 'blended liberalism' usefully describes Menzies' political makeup by the late thirties. Three major influences on his political ideology are identified: the Victorian Liberal tradition; the Law, which was his first and, he said, best loved calling; and his family's Presbyterian faith. The thesis also explores Menzies' friendship with the British Conservative leader, Stanley Baldwin, a devout Anglican whose constructive social vision influenced Menzies. The final chapter of the thesis is a case study of the National Health and Pensions Insurance Act (1938), a regime of compulsory contributory social insurance which was based on the British model and included elements of Lloyd George's original bill and of Baldwin's extended scheme. Both Menzies and The Age supported the Australian measure. The thesis discusses how their shared campaign for national insurance brought them back into close relationship, yet how their ideological rationales for national insurance were significantly different.
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    Emotional histories: contemporary Australian historical fictions
    Pinto, Sarah Winifred ( 2007)
    Historical fictions are everywhere and nowhere in contemporary Australian historical discourses. Whilst historical films and novels are ubiquitous in Australian cultural production, they are largely ignored by the historical profession. Although historians occasionally weigh into public debates about particular novels or films - and those surrounding Kate Grenville's The Secret River are a recent case in point - they rarely engage in sustained critical analysis of texts or genre on their own terms. Rather than continue this marginalisation, this thesis considers the historical representations of contemporary Australian historical fictions. Through a series of close readings, I examine what is happening to Australia's pasts within these texts. I argue that in their narratives, characterisations, landscapes and atmospheres, Australia's historical fictions represent the past with feeling - they tell "emotional histories". Accordingly, in the chapters of this thesis I chart the historical mobilisation of melancholy, grief, anger, guilt, hope and love that takes place within a number of historical films and novels released and published in Australia at the turn of the twenty-first century. In doing so, this thesis seeks to interrogate the implications of the attachment - and detachment - of particular emotions to and from particular pasts in contemporary Australian historical discourses.
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    Zazou, Zazou Zazou-hé: a youth subculture in Vichy France, 1940-44
    Seward, Kate G. ( 2007)
    In the late 1930s, French singer Johnny Hess launched his career in the cabarets ofParis. In 1939, he released the hit song “Je Suis Swing”. The catchy chorus proclaimed: “Je suis swing, je suis swing, dadou dadou je m'amuse comme un fou, je suis swing, je suis swing, zazou zazou zazou-hé”. In the winter of 1941, an eccentric group of young people began to gather in cafes on the Champs-Elysées and in the Latin Quarter of Nazi occupied Paris. They called themselves Zazous. This thesis is a history of the Zazou youth subculture in press, film and literature. It uses contemporary popular culture to explain a socio-cultural phenomenon which emerged under the Vichy regime and the Nazi Occupation. Three case studies each introduce a different representation of the Zazous. The first case study is the caricature of the Zazou in the collaborationist press. The second case study is Richard Pottier's 1942 film Mademoiselle Swing. The third case study is the Zazou as literary subject in Boris Vian's Cent Sonnets and Vercoquin et le plancton. In reading the Zazou through a cultural prism, each chapter details a different element of the subculture's function within the "parent" culture. The collaborationist press were writing for supporters of the Vichy regime and actively promoting the values of the National Revolution. Mademoiselle Swing was a popular representation seeking a wide, perhaps even a mass, audience. Boris Vian wrote his novel and poetry from within the subculture itself; his intended audience was familiar. These case studies reveal as much about the Vichy regime as they do the Zazous: the subculture is a mirror in which Occupation culture is reflected. The Zazous posed real ideological problems for Vichy. However, in reacting so vehemently, the regime in fact magnified the Zazous' social influence. In examining the Zazous, not only does a defined "world" of youth emerge, but we also uncover the incoherent nature of the Vichy regime. The thesis also traces a chronological evolution of the Zazous from “Je Suis Swing” in 1939 to their effective dissolution with the introduction of the Service du Travail Obligatoire (STO) in the winter of 1942-43.
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    Heterodoxy and contemporary Chinese protestantism: the case of Eastern Lightning
    Dunn, Emily Clare ( 2010)
    This dissertation examines new religious movements that are loosely related to Protestantism and have emerged in China in the past thirty years. In particular, it introduces the largest and most notorious of these movements. Eastern Lightning (dongfang shandian) emerged from Henan province in the early 1990s, and teaches that Jesus Christ has returned to earth in the form of a Chinese woman to judge humankind and end the present age. It has predominantly attracted women in poor rural areas of northern China, who have been overlooked amidst the nation's rapid social and economic transformation. This dissertation shows that Eastern Lightning combines elements of both tradition and innovation with respect to doctrine, recruitment techniques and symbols, indicating that Protestantism has become a cultural resource from which Chinese religious movements now draw. The dissertation also investigates the responses of Chinese government organs to Protestant-related new religious movements. The government has banned them and targeted them in its campaign against Falun Gong and "evil cults" (xiejiao). In so doing, it has redeployed familiar ways of labeling heterodoxy, tailoring them to fit the Protestant context. However, its efforts to suppress Eastern Lightning have met with only limited success. They have also led Eastern Lightning to intensify its own rhetoric against the Chinese Communist Party, and to employ radical recruitment practices. Chinese Protestants, too, have engaged in vociferous condemnation of new religious movements and attempted to educate their own members against them. This dissertation explores the ways in which different religious factions defend their own doctrinal correctness and attack that of others. Orthodoxy is central to the identities and discourses of all of these groups. Yet while Protestants are united in their condemnation of new religious movements, nuances in their responses reflect their own varying relationships with the state. Hence, this study uncovers the dynamic, complex and fraught interactions between an array of political and religious actors.