School of Historical and Philosophical Studies - Theses
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Item'Alien Hordes': A cultural history of non-native birds in Australia( 2024-03)From 1788, settlers introduced a host of organisms to the Australian continent. They did so largely deliberately, with high hopes, and often viewed these species with immense fondness. Yet now many of these species are labelled ‘invasive’ and killed at will. This about-turn requires explanation. This thesis traces settler Australians’ changing attitudes towards nonnative wildlife from the late 1820s to the present. Taking a longitudinal approach and focusing in particular on wild birds, it describes how the language, imagery and sentiments surrounding non-native wildlife changed over this period, as well as accounting for why these changes occurred. I closely read public texts – books, lectures, pamphlets, parliamentary debates and, above all, articles from periodicals – in order to uncover the suppressed colonial and racial anxieties underlying seemingly rational and scientific discussion of avifauna. I use species such as the house sparrow, the red-whiskered bulbul and the common myna as case studies to challenge established narratives about the rise and fall of the acclimatisation movement in Australia and to explain why the settler public’s hostility towards and anxiety about non-native wildlife grew so dramatically over the course of the twentieth century. Much has been written about non-native wildlife in Australia, but little of this is adequately historicised; almost all of it is highly scientistic, taking for granted the current (and much contested) orthodoxy of ‘anekeitaxonomy’, that is, the classification and judgement of species by their geographical origin. Although the great reversal in attitudes may appear to be justified by ‘improving’ ecological knowledge, I argue that it is best understood in the context of settler colonialism as a system that generates ideas about who and what belongs to the land. As settlers’ understanding of their own belonging in the continent has changed, this has influenced their perceptions of and attachments to wild animals, native and non-native alike. Ultimately, this is not a story of empirical fact but one of culture, values and how these have changed over the course of Australia’s colonial history.
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ItemThe Sun Rising to the West: The Racialisation of Japan in the US during the Early 20th Century( 2023)'The Sun Rising to the West' traces how the United States understood Japan's rise from an insular nation into a powerful empire before the Second World War and the surprise attack on Pearl Harbour which galvanised American understandings of the Japanese. This thesis specifically focuses on how Americans framed the Japanese as a race. Starting at the turn of the 20th century, this thesis shows how Japan's development into an industrialised and militarised nation forced both politicians and American anthropologists to reconsider the position of the Japanese with American conceptions of a racial hierarchy. Next, 'The Sun Rising to the West' explores a direct confrontation between American citizens and Japanese immigrants in California during the 'California Crisis', analysing how xenophobic attacks against the Japanese race were influenced by the growing power of Japan as a state. Finally, the thesis explores how African Americans reacted to Japan's proposal for a racial equality clause at the Paris Peace Conference, and how Black press understood Japan as a non-white power before the onset of the war. In doing so, 'The Sun Rising to the West' traces how significant race was to Americans in understanding the nation that would become their enemy.
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ItemNo Preview AvailableDress in Australia: The materiality of a colonial society in the making( 2023-08)The study of surviving items of dress offers a vital material source for historians that is commonly ignored. Dress sits at the intersections between necessity and self-representation, the assertion of social standing and cultural, economic and technological aspects of society. Yet writings on dress in the Australian colonial context have largely overlooked the extant items, focusing instead on images and text. “Dress in Australia: the materiality of a colonial society in the making” takes a material culture approach to the history of colonial era dress from the arrival of the First Fleet in 1788 to the late-nineteenth century. It pays particular attention to the early years of colonisation and development of colonial society in the years up to the early-1870s. The research methodology, which uses the study of a selection of garments in public and private collections which are known to have been either made or worn in Australia, places surviving items of dress and their materiality to the fore in discussions of European colonisation and Australian settler culture. The close examination of surviving items of dress, coupled with contextual interpretation of objects based on archival research using letters, journals and correspondence, as well as visual material, demonstrates how such an approach enables historical interpretations that would not have been possible from a narrower methodological base. Through the detailed analysis and contextual interpretation of objects, this thesis shows how their materiality prompts new directions and expanded ways of thinking about the significance of dress within a rapidly changing settler society.
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ItemColonial soundscapes: a cultural history of sound recording in Australia, 1880–1930( 2019)‘Colonial Soundscapes’ is the first systematic cultural history of the early phonograph and gramophone in Australian settler society. Drawing on recent work in sound studies and the history of sound, the ‘talking machine’ is conceived as part of the soundscape of colonial modernity in colonial and Federal Australia. I argue that national environmental/place attachment and modern listening practices developed together, with anthropological thought, popular culture, commercial life, intellectual elite discourse and everyday life providing the key sites for transformation. This thesis reads the materials of the early sound recording industry in light of recent conceptual emphases on the importance of sound in cultural life. Archival research into the history of sound recording was conducted at the EMI Archives Trust and Thomas Alva Edison Papers, Rutgers University, among others. I also draw heavily on the papers of several foundational anthropological recordists, chiefly Baldwin Spencer, Alfred Cort Haddon and E. Harold Davies. Extensive research into the trade and popular phonographic press also provides a corpus of material through which it is possible to recover the meaning of recorded sound in everyday Australian life in its first generations. I conceive of the early phonograph and gramophone in terms of an ‘economy’ and ‘ecology’ of sound in a settler society. These concepts are proposed as a mechanism for accounting for the raft of cultural responses provoked by early sound recording. An ‘economy’ of sound encompasses the economic, archival and scientific modes of apprehending the changed relationship between sound and source. The economic and business structures that underpinned the rise of a national recording industry in Australia fall under this rubric, as do attempts by salvage anthropologists to taxonomically fix and locate the speech and musics of Indigenous peoples, believed to be endangered by the onset of colonial modernity. Drawing on the concept of the soundscape, as modified by significant scholarship in the history of sound in recent years, an ‘ecology’ of sound focuses on the poetic, vernacular and emplaced repsonses to recorded sound that pervaded early Australian cultures of listening.
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ItemEyes on Albania: sex and empire in the British imagination( 2014)In the 19th and 20th centuries, British travellers began to explore Albania and publish their impressions of the country. While this 'textual universe' has often been used as an objective window into an exotic past, these impressions were indelibly coloured by the conditions of their construction.This thesis examines Albania as the British imagined it, and Britain as it is revealed through Albania, with an emphasis on this as a gendered exchange.