School of Historical and Philosophical Studies - Theses
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ItemImagining the 'Chinese Australian Community': A History of Community Organisations, 1970-2020( 2022)This study examines the concept of a unitary ‘Chinese Australian community’ through a comparative analysis of Chinese Australian community organisations and their responses to six major events or moments in recent history (1970-2020). These events and moments are: the end of the White Australia Policy and the beginning of multicultural Australia; the 1984 ‘Blainey debate’, the Tiananmen Massacre and Chinese Students’ campaign for permanent residency in Australia; the ‘Hanson debate’ and the rise of ‘Hansonism’, 1996-1998; the beginning of the so-called ‘Chinese century’; and the recent, on-going debate about the PRC’s influence in Australian politics and society. Over the course of this history, the study puts a special focus on community organisations’ assertions of belonging, (trans)national identity, and multicultural ideals. This study draws on the English- and Chinese-language materials created by more than 15 community organisations over this 1970-2020 period from around Australia. These materials were found in public and private collections across the country in physical and digital formats. Usage of these materials is complemented by ten oral history interviews conducted by the researcher with past and present community leaders in Melbourne, Sydney, and Brisbane. These interviews were conducted in English and on the condition of anonymity. This thesis suggests that a unitary, unified, or united Chinese Australian community is a recurring chimera in the socio-cultural space shared by Chinese Australians. Instead, community organisations adopted different positions on a spectrum of possible relationships to both their Australian and ancestral homes and political developments in either or both could compel unity or division among them. The intended result is a history that shows Chinese Australian community organisations practising a highly participatory style of multiculturalism over the decades, albeit with alterations to fit the ever dynamic and manifold imaginings of what constituted a ‘Chinese Australian community’.
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ItemTracing non-biomedical therapeutic knowledge: social-network lives in action( 2021)This thesis investigates the performance of non-biomedical therapeutic knowledge as situated knowledge on the internet. Non-biomedical therapeutic knowledge is defined as medical knowledge that exists in separation, but not isolation from, scientific biomedical knowledge. By tracing the social-network lives of non-biomedical therapeutic knowledge, the thesis examines the influences of digital technologies on the propagation of knowledge that exists in the margin of scientific knowledge, as well as the implications of this digitally-enabled propagation on non-biomedical cultural formations as living practices. Assemblages of mediated knowledge emerge as a result of encounters between digital technologies, non-biomedical knowledge, and the people who practice and receive non- biomedical therapies. From static texts to live-streaming videos, social-network enactments replicate existing social dynamics in the propagation of marginalised knowledges, provide channels for social support through casual and ephemeral interactions, transform human experiences with downtime in tending to the sick body, and, through facilitating in vivo conceptions of space, enable the persistence of these marginalised medical practices. In studying the resultant melange of digital artefacts left behind by their actors and the emergent social-network properties arising from their relations, this thesis uses a mix of quantitative computational and qualitative digital methods. Although each digital expression lends itself to particular analytical and methodological approaches, whose engagements produce conclusions of different epistemological standpoints, these conclusions nevertheless complement each other in the overall inquiry of assembling the social-network lives of non-biomedical knowledge. In choosing Vietnam as the local case, I offer a thorough examination of non- biomedical knowledge on the internet in context as a point of contrast, reference, or comparison for other sites and situations. Binding the empirical findings presented in this thesis together are themes of social-network accomplishments as contingency, the politics of in/visibility in social-network labour as patchwork, and the social-network emergence of multiple space-time.
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ItemGrowing Songs: Australian sound media for children from parlour music to podcasts.( 2022)This thesis provides the first cultural history of sound media produced for Australian children. It opens by exploring post-Federation parlour sheet music and the burgeoning mechanised media of radio and phonographs, with a concentration on the rising consumption of transnational entertainment that accelerated in post-World War II as Australian children’s sound media evolved into a distinctive genre. The study draws upon the disparate archival materials of sound media created for Australian children through archival recordings, sheet music, oral history testimonials, and examines music for children through the production and consumption of various sound media technologies, including radio, records, television, and digital podcast streaming. It examines a series of chronological case studies in children’s media from public broadcasting radio from the 1930s and the postwar success of Kindergarten of The Air, the early children’s record industry locally epitomised by the Children’s Record Guild of Australia and folk revivalist Glen Tomasetti in 1959, sound media integrated within the longstanding pinnacle of Australian early years television programs Play School, through to present day songwriters and performers of children’s music. Children’s music sound media is situated within the terms of an ‘ecology’ of entertainment practice by professional performers and songwriters and is explored through a critical ‘production culture’ lens. This ‘ecology’ encompasses the business realities of the music industry in conjunction with cultural trends to develop an overview of the changing relationship between children’s reception of entertainment sound media, and the increasingly prevalent scientific and therapeutic conceptions of childhood. The influence of therapeutic constructions is seen to have developed with the widespread rise of both a scientifically developmentalist approach to child rearing in tandem, and sometimes at odds, with psychodynamic influenced progressive child rearing practices. Three chapters reveal, through focused case studies, the individual achievements and creative approaches of contemporary children’s music performers, producers and songwriters with their specific aims and unique processes of communicating music through the evolution of sound media technology since postwar Australia. The analysis draws upon an extensive oral history archive, developed for this research, including interviews with contemporary industry practitioners and key children’s music artists Peter Combe, Don Spencer, Justine Clarke, Coco’s Lunch, The Wiggles and others. The development and diversity of Australian children’s music is also contextualised within a commercialised and transnational soundscape. By tracing shifting constructions of childhood and the developing reception of entertainment media designed for Australian children, this thesis explores the dynamic history of a genre of music that is neglectfully overlooked yet paradoxically both highly profitable and globally influential. It argues that Australia has made a significant contribution to the genre of children’s music, with a distinctive sound media that has been shaped not just by local circumstances but in dialogue with American, British and Canadian children’s and adult music traditions. From initial developments during the 1930s, Australian children’s music has been at the forefront of transnational sound media ingenuity that continues to represent a major media export and success on the global entertainment stage.
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ItemNo Preview AvailableBarbarian Civility British Expatriates and the Transformation of the Maghreb in English Thought, 1660-1714( 2021)This thesis explores the role of British expatriates living in Ottoman Algeria, Tunisia, and Tripolitania, in a transformation of British-Maghrebi diplomatic, economic, and cultural relations in the later Stuart era. This period, 1660-1714, represented a distinct transitional period in which pragmatic cooperation, detailed knowledge, and material exchanges decreased the envy, enmity and ignorance of earlier periods of conflict, without resulting in the controlling Orientalist domination that characterised later periods. Drawing primarily on a large, little-studied collection of correspondence collected at the British consulate in Tunis, as well as English periodical news, State Papers Foreign, and numerous other government and official records, I highlight how expatriates acted as mediators in trade, diplomacy, and material culture, formed networks of influence and information, and transmitted their pragmatic, nuanced, well-informed views of the Maghreb to British audiences. My introduction presents a survey of relevant literature, sources, and historical context, followed by an outline of key theoretical interventions: the contested term ‘expatriate’ in historiographies of British-Maghrebi relations, the biblical-theological lens of ‘exile’ through which many expatriates viewed their more difficult or isolating experiences, and the concept of ‘equivalence’ in which expatriates and their correspondents viewed Maghrebi institutions, individuals and cultures as essentially equal in legitimacy, and sometimes superior in value, to European equivalents. In Part 1, by exploring the origins, expectations, and interpersonal relationships of British expatriates in the Maghreb, I argue that expatriates were governed fundamentally by self-interest, viewing the Maghreb as a site suitable for personal and professional advancement – not just for wealthy men, but for apprentices, women, and children as well. In Part 2, by examining expatriate material cultures and religious interactions, I show how they ably, often enthusiastically, embraced British, European and Maghrebi traditions without abandoning their essential loyalties to Britain, such that they could act as trusted mediators in negotiation, exchange, and information. In Part 3, I explore expatriates’ professional activities relating to networking, commercial diplomacy, and the Mediterranean corsairing economy, showing how they built robust and varied connections of trust such that they could exploit opportunities to enrich themselves and overcome opposition, in the process deliberately promoting peace and trade between Britain and the Maghreb. In Part 4, I show how expatriate views of the Maghreb and its people reached wider audiences in Britain, by two routes: first, the networks of information that brought expatriate testimony on Maghrebi news to British newspapers, and second, the creation, publication, and influence of The Present State of Algiers, a little-studied but significant longform text produced by a British consul. As a whole, my thesis highlights the significant influence of the actions and networks of British expatriates living in the Maghreb on improving British-Maghrebi relations and increasing public understanding of the Maghreb in British society.
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ItemTiered contact zones: a new engagement model for cultural materials conservation( 2021)Over recent decades, there has been increasing recognition of the need for conservators to engage and collaborate with the communities associated with the origin, ownership, and use of cultural objects. Such collaboration has developed more detailed knowledge and understanding than is possible through object investigation, research, and examination of constituent materials and manufacturing techniques. Two challenges arise, however: ensuring the engagement with community stakeholders is respectful and ethical, and planning and conducting stakeholder engagement in a way that is sensitive to issues of inclusion, authority, and power. Therefore, a key question in cultural material conservation is how those participating in conservation programs who have a common interest in conservation outcomes but come from vastly different backgrounds can best collaborate, share, and construct knowledge. This thesis explores the application of contact zone theory and, addressing the identified shortcomings of that theory, proposes a tiered contact zone model as a more practical means to engage with communities. The model is based on principles of respect, ethical behaviour, and collaborative decision-making and the practices of object-based investigations, object biographies, and actor network and communicative action theories. The thesis investigates how shared spaces for dialogue and exchange are created and analyses the opportunities and challenges that arise from structured contact. The proposed tiered contact zone model, developed from practice-led research, involves four stages of collaboration; firstly, an initial landing zone in which relationships are initiated and common goals identified; secondly, an early exploration zone that consists of the planning and articulation of roles and responsibilities, activities, and intended outcomes; thirdly, a collaboration zone in which confidence, trust, and partnerships are built; and, finally, a knowledge transfer zone in which mature collaboration and enhancement of knowledge are achieved. The tiered contact zone model is applied to two case study collections: the Middle Eastern Manuscript (MEM) Collection at the University of Melbourne, and the Returned and Services League (RSL) LifeCare War Museum in Narrabeen, New South Wales. This thesis identifies the similarities and differences between the application of the model utilising a multiple method qualitative approach of questionnaires, interviews, and focus groups. Feedback recorded participants' sense of belonging and achievement when their knowledge contributed to the shared goals. When concerns of unequal collaboration or lack of engagement were identified, participants drew upon the tiered structure with its development of shared roles and goals to instigate conversations to address their issues. The case studies demonstrate that the tiered contact zone model is a powerful tool that can deliver significant mutual benefits to the conservator and cultural communities, enhance collection knowledge, and inform collaboration processes. The model is flexible and adaptable, allowing for progression and regression through the zones, changing participants, various levels of participation, and ongoing review of objectives and desired outcomes and processes, methodologies, and activities. The model has the potential to be applied to a wide variety of circumstances beyond the conservation of cultural material collections.
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ItemDragging History Through the Gutters War Comic Books, Civic Duty & American Popular Memory, 1952-1993( 2022)The Cold War era (1945-1991) coincided with both the emergence and height of war comic books in the United States. Despite significant social, political, and comic industry shifts during this period, war comics remained a consistent presence in American culture. In this thesis, I examine the reasons for war comics’ continued success despite periods during the Cold War when comics were censored for their excessive violence and when military-themed culture declined. I also examine the ways in which these comics’ memorialisation of war contributed to contemporary debates about national identity and civic duty. From the late 1960s, comic creators and readers increasingly debated key issues about war, civic responsibility, and public protest. During this period, I argue that war comics promoted a populist anti-statist rhetoric that maintained the heroic ideal of the American soldier while at the same time reflecting public distrust of government institutions. In contrast to past studies of American war comics that predominantly portray these media as a form of unofficial government propaganda, I contend that war comics offered a space to contest the traditional American war story and ideas about civic duty. In doing so, war comics opened opportunities for seemingly polarised groups in American society, including Vietnam veterans and draft resisters, to form and share new narratives about war that transcended the conservative-liberal political divide of the post-Vietnam War period.
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ItemRevisiting Anzac in the Wake of World War Two: Memory and Identity in the Post-War Period, 1945-1960( 2021)This thesis explores how war remembrance—in the form of commemorative observance and the building of memorials—developed in Australia in the period that followed World War Two, from 1945 to 1960. It investigates three key questions. First, what was the nature of the interplay between post-World War Two memorialisation and commemoration and the remembrance traditions that had been established during World War One and the interwar period? Second, how was Australia’s post-World War Two remembrance shaped by the particular social, political, and economic circumstances of the period? And finally, what influence did the process and practice of post-World War Two remembrance have on changing conceptions of the Anzac legend and Australian national identity? In addressing these questions, this study contains five distinct case studies, each of which explores a different aspect of war remembrance between 1945 and 1960. These case studies examine the building of memorials, the efforts of veterans to enact remembrance projects, the observance of Anzac Day, the construction of cemeteries overseas, and interactions between Australian war remembrance and foreign diplomacy. In large part these case studies investigate the Australian state’s efforts to enact control over memorialisation and commemoration. However, the thesis also explores various responses to these projects, analysing how resistance from people outside of government, particularly from veterans of both world wars, was an integral part of how war remembrance in the period took shape. Between 1945 and 1960 there was significant change in the ways that Australians remembered war. During World War One and the interwar period, Australians commemorated the war by building around 1,500 memorials, erected in towns and cities across the country. It was also during World War One that Australians began to observe Anzac Day each year on 25 April. But with the advent of a second global conflict, a new range of perspectives, experiences, and memories were incorporated into this pre-existing culture of war remembrance. Forms of commemoration also reflected the shifting circumstances of Australian society. In the post-World War Two period, communities grew rapidly through migration, industrialisation, and economic expansion. It was also a time in which a new generation of veterans returned and reintegrated into society. Finally, Australia was forging a series of new international partnerships during this period. These social, political and economic changes influenced the way that Australians imagined themselves, their place in the world, and the meaning of the Anzac legend. Post-World War Two remembrance was therefore distinguished by an enthusiasm for utilitarian memorials, by the inclusion of new veterans into the fold of war remembrance, and diplomatically, by the representation of new international relationships with the United States and other Pacific nations through commemoration and memorialisation.
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ItemIn search of just, humanised work: Overcoming workplace oppression and rethinking leadership to create the conditions for human flourishing at work( 2021)Organisations have evolved historically such that, in some instances, it has become the norm to treat employees in ways that would otherwise not be tolerated (or, at least, far less tolerated) in the broader society. Indeed, oppressive relationships of domination and subordination, and arbitrary subjection of employees to restraint of freedom, coercion, victimisation, humiliation, exploitation and manipulation, while not universally the norm, are nonetheless widespread across many organisations, often with employees subject to such treatment having little recourse to redress. I will analyse the ways in which such practices are wrongful and, for the most part, harmful, and will make the case that organisations, as intentionally created moral agents, are culpable and accountable for such practices. I argue against the concept of work as disutility or a ‘necessary evil’ that people should endure as an instrumental means of securing a living. I also argue against the ‘workplace exceptionalism’ that seeks to justify oppressive conditions and practices at work and that places human flourishing outside of the work domain. Rather, I make the claims that work is a primary good for those who undertake it and that organisations are obligated to actively counter harmful conditions and practices in the workplace. More controversially, I argue that organisations should provide (wherever possible, and far more than is currently the norm) for the goods of individual autonomy and human flourishing at work. If work is a domain in which people dedicate a major portion of their time, energy and commitment, there is every reason to expect that this domain should provide the conditions, possibilities and opportunities for them to conduct their work in ways that will enable them to satisfy the needs and access the goods that are meaningful to them. Living a full human life should apply in the work domain as much as in other domains of life. Thus, there is a need to rethink the nature of organisations and leadership, such that what it is to be essentially human is valued and protected in the workplace.
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ItemA spectroscopic and chromatographic study of the photochemical properties of daylight fluorescent paint( 2009)Daylight fluorescent pigments fade rapidly, accompanied by a chronology of colour change. Fluorescence is a photo-physical phenomenon which involves emission of light from an excited state. Fluorescent dyes thus have a high susceptibility of being promoted to an excited state; a characteristic in the case of organic fluorophores which infers vulnerability toward photo-bleaching. Multiple organic fluorescent dyes are routinely incorporated into a given daylight fluorescent pigment, to either additively fluoresce or interact through energy transfer. The organic fluorescent dyes employed invariably differ in photo-stability, and upon loss of each species of fluorophore an abrupt colour change is observed. The collective result of this fading behaviour is that in a short period of time a daylight fluorescent paint layer will be of a different hue, devoid of luminosity. As consequence it is almost impossible to colour match a faded daylight fluorescent paint layer without the hues diverging asynchronously, or ascertain the original palette of a daylight fluorescent artwork after a protracted period of time. The predicament is exacerbated by the fact that there is no standard method in cultural material conservation, of documenting daylight fluorescent colour in a painting photographically or colorimetrically. The objective of this thesis is to investigate the photochemical behaviour of daylight fluorescent pigments, to ensure best practice in the preservation of artworks that contain daylight fluorescent paint. Fluorimetrie and chromatographic analysis of the DayGlo daylight fluorescent pigment range at the constituent dye level, prior to and during an accelerated light ageing program formed the basis of the experimental. Given the limited selection of fluorescent dyes suitable for daylight fluorescent pigment manufacture, it is anticipated that the results attained for the DayGlo range will be applicable to all daylight fluorescent media encountered in cultural material. Experimental data revealed the manner in which the fluorescent dyes behind each DayGlo daylight fluorescent pigment were formulated, and provided explanation for the 1colour changes observed upon fading. A prognosis of when and why a daylight fluorescent palette experiences hue shift and the implications this has for display is presented. Methodology for imaging daylight fluorescence, identification of the constituent fluorescent dyes in a daylight fluorescent pigment and colour matching a daylight fluorescent paint layer are presented and applied in-situ, to case studies possessing a daylight fluorescent palette.
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ItemContentious Routes: Ireland Questions, Radical Political Articulations and Settler Ambivalence in (White) Australia, c. 1909 - 1923( 2021)This thesis is a transnational history of the ‘Ireland Question' in the imperial and ethico-political imaginary of radical and labour movements in (‘White’) Australia during the ‘Irish revolutionary period’, broadly conceived. It traces the contestation of 'Ireland' as a political signifier, with attention to its constitutive differences, transnational circuitries, utopian investments, relations of recognition and desire, and articulatory practices. Where previous studies of Irish nationalisms in Australia have deployed 'the nation' as a consensualist category of analysis, this study reinterprets the ‘Ireland Question’ in postnational terms as contentious and within routes. Combining attention to settler-colonial difference with the discursive articulation of political forms, it situates the 'Ireland Question' firstly in relation to the political as a signifier of settler ambivalence, and secondly to politics as a social movement. Drawing on archival research in Australia, Ireland and Britain, it analyses personal papers, letters, political periodicals, state surveillance records, political ephemera and pamphlets. Beyond the 'Ireland Question' in the imperial labour movement, this study affords serious attention to historical dimensions at the hybrid boundaries of ‘long-distance nationalism’ including political travel performances in Ireland, non-nationalist transnational political networks ranging from feminist to socialist connections, and non-Irish political identification with 'Ireland.' It proposes that this unstable play of meanings comprised a heterogeneity of political positions and networks whose convergence during the conjuncture of 1916-1921 was both contingent and politically contested: one that signified in excess of either Australian nationalist historical teleologies or a coherent 'transnational Irish revolution.'