School of Historical and Philosophical Studies - Theses

Permanent URI for this collection

Search Results

Now showing 1 - 10 of 1684
  • Item
    Thumbnail Image
    The Sun Rising to the West: The Racialisation of Japan in the US during the Early 20th Century
    Green, William ( 2023)
    'The Sun Rising to the West' traces how the United States understood Japan's rise from an insular nation into a powerful empire before the Second World War and the surprise attack on Pearl Harbour which galvanised American understandings of the Japanese. This thesis specifically focuses on how Americans framed the Japanese as a race. Starting at the turn of the 20th century, this thesis shows how Japan's development into an industrialised and militarised nation forced both politicians and American anthropologists to reconsider the position of the Japanese with American conceptions of a racial hierarchy. Next, 'The Sun Rising to the West' explores a direct confrontation between American citizens and Japanese immigrants in California during the 'California Crisis', analysing how xenophobic attacks against the Japanese race were influenced by the growing power of Japan as a state. Finally, the thesis explores how African Americans reacted to Japan's proposal for a racial equality clause at the Paris Peace Conference, and how Black press understood Japan as a non-white power before the onset of the war. In doing so, 'The Sun Rising to the West' traces how significant race was to Americans in understanding the nation that would become their enemy.
  • Item
    Thumbnail Image
    Fictions, Knowledge, and Justice
    Komic, Ruby Isabella ( 2023-10)
    Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which privilege the ‘classical knower’ struggle to explain how fictions can affect us so deeply. Further, the fact that fictions seem to impact broader society and whole populations is largely overlooked, despite being observed in other disciplines. In this talk, I will draw on theories from philosophy of language, philosophy of mind, aesthetics, and epistemology to argue that fictions offer us epistemic resources of a unique kind, and that these resources lead to knowledge practices which can eventuate in harm."
  • Item
    Thumbnail Image
    Be a body: from experiential self-awareness to a truly bodily self
    Bourov, Artem ( 2023-08)
    Dan Zahavi has defended a systematic and influential account of our most basic form of experiential self-consciousness, pre-reflective self-awareness (PRSA). For Zahavi, PRSA explicates the subtle way in which we are always immediately aware of the experiences we are having, are aware of them as being our experiences, and, in being so aware, are minimally self-aware. Zahavi’s model of PRSA (hereafter Z-PRSA) has proven influential in contemporary debates on the nature of self-consciousness and selfhood across analytic, Buddhist and continental philosophical traditions. However, one aspect of Zahavi’s model that is underdeveloped is its relation to the body. In his first major work, Self-Awareness and Alterity ([1999] 2020), Zahavi argued that Z-PRSA is intrinsically bodily by drawing on the analyses of bodily self-experience developed by Husserl and Merleau-Ponty. Yet, in more recent works, Zahavi has either remained silent on the topic of the body or indicated newfound neutrality on the question of embodiment, without adequately accounting for this change. By contrast, over this period, body awareness has become the focal point of philosophical and empirical investigations into self-consciousness and minimal phenomenal selfhood. Various forms of body awareness have been proposed to play a foundational role in grounding self-consciousness: the sense of body ownership, proprioceptive self-awareness, interoceptive self-awareness, spatial self-awareness, and the implicit self-awareness we have in perceiving the world as ripe for bodily action. An important question arises of how these modalities of bodily self-consciousness relate to Z-PRSA. Should we identify Z-PRSA with one of these forms of bodily self-consciousness, in a deflationary move? Alternatively, does bodily self-consciousness constitute a phenomenological condition of possibility for Z-PRSA? To find an answer, in this thesis I examine a series of descriptive and transcendental phenomenological arguments to determine whether, as Zahavi originally claimed, Z-PRSA is intrinsically bodily. I show first that Z-PRSA should not be identified with any of the above forms of bodily self-consciousness. Except for spatial self-awareness, they do not share with Z-PRSA its key phenomenological characteristics as a mode of awareness. While spatial self-awareness does, Zahavi’s strident opposition to any identity between it and Z-PRSA motivates me to consider an alternative connection between them: transcendental dependence. In evaluating Zahavi’s Husserlian enactivist argument from Self-Awareness and Alterity, I consider objections to its claim that object perception depends on spatial self-awareness, bodily movement, and kinaesthetic self-awareness. I show that Zahavi’s original argument for embodying Z-PRSA must be adapted to overcome an empirical challenge from cases of locked-in syndrome. While identifying a path for future research to more definitively determine the character of bodily experience in long-term locked-in syndrome, I provisionally conclude that the adapted argument succeeds in proving that Z-PRSA is only possible for a bodily subject of experience. Through my investigations, I aim to bring together a diversity of philosophical and empirical perspectives towards a perspicuous understanding of pre-reflective self-awareness and bodily self-experience.
  • Item
    Thumbnail Image
    My shtetl Shepparton : the Shepparton Jewish community 1913-1939
    Rosenbaum, Yankel (University of Melbourne, 1985)
  • Item
  • Item
  • Item
    Thumbnail Image
    Beyond the pale of the law : refugees and the myth of human rights
    Larking, Emma Jane. (University of Melbourne, 2010)
  • Item
    Thumbnail Image
    Explaining PICTA, PACER and Cotonou : trade policy in the Pacific 1996-2006
    Johnston, Andrea Lee (University of Melbourne, 2009)
  • Item
    No Preview Available
    Universal visions : neuroscience and recurrent chrrcteristics of world palaeoart
    Watson, Benjamin. (University of Melbourne, 2009)
    Palaeoart includes a diverse range of art-like manifestations, predominantly comprising rock art and portable art objects, datingfrom the Pleistocene right through to the Holocene. A fascinating aspect of palaeoart is that striking commonalities or parallels may be observed world-wide. These parallels include a range of recurrent abstract-geometric motifs and patterns, figurative subjects and themes. Similarities in the ways in which this content is executed may also be found. Despite various attempts, these commonalities have not yet been adequately explained. Positioned within a structuralist framework, this thesis considers recent breakthroughs in neuroscience as a means of understanding them. Specifically, it examines the role of human perceptual-neurophysiological universals in governing palaeoart production, and argues for a basis of artistic parallels in aspects of the evolved neurobiology shared by all normal humans. The rock art of hunter-gatherer societies constitutes more than 90 per cent of known prehistoric art, and the scope of the study is limited to palaeoart attributed to pre-European contact, pre-literate hunter- gatherer societies. The temporal scope of the study varies with the evidence discussed. The approach taken is partly informed by recent studies that have used neuroimaging techniques such as functional magnetic resonance imaging (fMRI) to reveal brain activation patterns associated with the perception of different types of visual stimuli. It is further informed by a wide range of additional neuroscientific and perceptual experimentation data relevant to palaeoart imagery. The value of considering human universals as a means of answering the questions how and why the same forms recur in palaeoart around the world is addressed. The approach provides a sound alternative to simplistic interpretations such as cultural diffusion based solely on visual resemblances between the arts of widely separated regions. The examination of palaeoart in light of neuroscientific data has major implications, ultimately revealing underlying reasons for the production of certain types of imagery. Abstract-geometric motifs and patterns, animals and parts of animals, and the human body and its parts are all shown to have special roles in visual information processing. It is found that shared aspects of the human nervous system influence conscious and unconscious preferences and decisions made in the process of creating graphic imagery, and that this has given rise to cross-cultural similarities in palaeoart. Recurrent forms in palaeoart are shown to be precisely those visual stimuli that are particularly powerful triggers of neural activity and correspond with prominent areas of the visual brain. These forms of visual imagery stimulate inherent neural mechanisms that have developed during human evolution specifically for the analysis of biologically significant aspects of the visual world. Palaeoart can thus be regarded as a kind ofneuro- perceptual mirror demonstrating attributes and principles characteristic of human beings.
  • Item
    Thumbnail Image
    This is how we live now : the lifestylization of home
    Rosenberg, Buck Clifford. (University of Melbourne, 2008)