School of Historical and Philosophical Studies - Theses
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ItemWith my needle: embroidery samplers in colonial Australia( 2008)This thesis examines a group of more than one hundred needlework samplers stitched in the Australian colonies during the nineteenth century. It uses them as documents of social history to examine the lives of individual girls and women during that time, and to trace changing expectations of girls, especially in the later decades of the century. Although there are many individual stories that can illuminate certain aspects of Australian history such as migration, settlement, and death and mourning, these samplers are most useful as documents in the examination of girls' education and the social expectations transmitted through the education system. It addresses the contradiction between the sampler's continuing presence in girls' schooling and the increasing irrelevance of the skills embodied in it. The thesis argues that needlework samplers retained their place in girls' education well into the twentieth century because of their significance as symbols of feminine accomplishment. They were physical expressions of a definition of respectability that was based on the `feminine ideal' of the nineteenth century and allayed anxiety about girls' involvement in formal schooling.
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ItemLabour pains: working-class women in employment, unions, and the Labor Party in Victoria, 1888-1914( 1987-05)This study focuses on the experiences of working-class women spanning the years from 1888 to 1914 - a period of significant economic growth and socio-political change in Victoria. The drift of population into the urban centres after the goldrush marked the beginning of a rapid and continual urban expansion in Melbourne as the city’s industrial and commercial sectors grew and diversified. Throughout the 1870s and 1880s, the increasing population provided a larger workforce which also represented a growing consumer market. The rise of the Victorian manufacturing industries in this period also saw the introduction of the modern factory system. With the increasing demand for unskilled labour in factories, it was not only men who entered this new factory workforce. Young women and older children were, for the first time, drawn in appreciable numbers into the industrial workforce as employers keenly sought their services as unskilled and cheap workers. Women were concentrated in specific areas of the labour market, such as the clothing, boot, food and drink industries, which became strictly areas of “women’s work”. In the early twentieth century, the rigid sexual demarcation of work was represented by gender-differentiated wages and employment provisions within industrial awards.
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ItemFrom idol to artform: missionaries and material culture in the Pacific( 2012)In Hawai’i the introduction of woven cloth and sewing circles led to the development of a distinctive form of quilting. In Arnhem Land in Australia the transition to a market economy through the promotion of local art and craft production led to the material transformation of bark painting from objects of temporary use to artefacts of permanent significance. In both of these cases missionaries played a key, though often unintentional, role in the development of these artforms. This thesis is an exploration of Indigenous creativity and purpose combining with missionary influence on Pacific material culture. Particular focus is made of the development of quilting in Hawai’i in the nineteenth-century and bark painting at Yirrkala in the twentieth-century, culminating in Lili’uokalani’s 1895 ‘Queen’s Quilt’ and the 1963 Painted Bark Petition. During periods of social change, transformations occur in material culture produced by a society. Exploring the relationships between missionaries and Indigenous peoples through artistic expressions of the time illuminates many aspects of these relationships otherwise restricted to European-dominated accounts. Material culture is used as an historical source material to explore cultural changes and corresponding notions of authenticity, as expressed through missionary and museum collections. This thesis is concerned with the two-way nature of cultural exchanges, with particular reference to the art produced through these relationships, art that is both aesthetically beautiful and socially powerful. Queen Lili’uokalani’s Crazy Quilt and the Yirkaala bark petitions both appropriated aspects of European culture in order to create new objects of significant cultural, political, and social importance, and were generated out of missionary-Indigenous relationships.
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ItemThe Chinese in Australia 1930-45: beyond a history of racism( 1995)The present thesis is a contribution to the history of the Chinese in Australia. In it, I have endeavoured to look at the relations between European and Chinese settlers in Australia from a perspective other than that of racism. Discrimination against the Chinese was common in all settler societies in the nineteenth and early twentieth centuries. On the basis of archival documentation and in conjunction with contemporary sources, I would suggest that a different history can be told in regard to Australian Chinese. To look at the history of the Chinese in Australia in light of the immigration policy alone ignores other aspects of Australian-Chinese history, aspects which concern the daily lives of those Chinese who lived and worked in Australia as Australian citizens. With due regard to Federal political policies implicated at a bureaucratic level, the actual experiences and achievements of Australian Chinese still indicate that they fared better than most authors on the subject would have us believe. ..... In presenting the results of my research, I do not mean to belittle the experience of racism suffered by people of Chinese ancestry in Australia. This experience has been well documented and is, moreover, still being endured. My point is merely that racism was not the sum total of the Chinese experiences of Australian society. As a recent collection of essays shows, the time has come to write about other aspects of Australia's Chinese history. In this thesis I have documented the attitudes and efforts of the Chinese Nationals and Australian Chinese in Australia during the war years. Their efforts, combined with the Australian Chinese communities' supportive role and the increased wartime interactions with other Australians contributed during this period to establishing a greater understanding between the different communities in Australian society. (From introduction)
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ItemStudies in the relations between Indian and Australian colonies in the nineteenth century( 1987?)Geoffrey Blainey's reference to India in The Tyranny of Distance initiated my interest in researching the relationship between India and Australia in the nineteenth century. While Blainey made several references to India in the early development of colonial Australia, other historians have not developed that issue. I started my research with Blainey’s lead that there were some years in the nineteenth century when Australia seemed to be a satellite of India as well as a colony of England and that cargoes from Bengal fed and equipped the colony and also gave it a hangover. It seemed so obvious that the two 'neighbouring' British colonies have contact with each other and as Blainey pointed out, Australia was so far from England, and communication between the two was so irregular, that Sydney slowly drifted into Asia's net of commerce. (From introduction)
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ItemThe private face of patronage: the Howitts, artistic and intellectual philanthropists in early Melbourne Society( 2005)This thesis investigates a case of upper-middle class, private patronage in Melbourne, focusing on three decades between 1840 and 1870. Evidence points to the existence of a lively circle of intellectual and artistic activity around the Quaker family of Dr Godfrey Howitt and his wife, Phebe, from the Midlands who arrived at the Port Phillip District in 1840. The presentation of a group of fine, rare colonial water-colours and drawings to the National Gallery of Victoria by a direct Howitt descendant, Mrs James Evans in 1989, was the point of inspiration for this subject. Godfrey Howitt, one of the first experienced medical practitioners in the colony, had much in common with the Superintendent of Port Phillip. Their friendship gave the Howitts entrée into the uppermost social circles of the colony. Financially, the family prospered due to Howitt's professional practice which insulated them against economic downturns and provided a steady accumulation of wealth. While as a Quaker, Phebe Howitt had little background in the fine arts, she began to exercise patronage in support of her artist friends, most of who arrived with the gold rush in 1852. With it came Godfrey Howitt's elder brother, William, a famous English author. In London in 1850, William and Mary Howitt's daughter, the feminist painter and writer, Anna Mary, had become engaged to Edward La Trobe Bateman. A brilliant designer and cousin of Superintendent La Trobe, Bateman introduced the young, still struggling Pre-Raphaelite artists with whom he was closely associated, to the English Howitts. Arriving in Melbourne in 1852, William was followed shortly afterwards by Bateman and two artists, including the Pre-Raphaelite sculptor, Thomas Woolner. The gold rush also attracted Eugene von Guérard, and Nicholas Chevalier in due course. In 1856, as a guest of the Howitts' on her first Victorian visit, Louisa Anne Meredith, writer, botanical artist and social commentator, was introduced to their artistic and literary circle. The Howitts' friendship with these artists thus took on a very different hue from the normal patterns of patronage. Beyond commissioning works of art from artists returning empty handed from the gold fields, Phebe Howitt supported them in other ways until suffering a catastrophic stroke towards the end of 1856. During that period, the founding of the new Victorian colony's cultural institutions became a source of official artistic commissions for the first time. Through friends in influential positions like Justice Redmond Barry and Godfrey Howitt, Bateman was employed in various design projects for new public buildings and gardens. With the purchase of Barragunda at Cape Schanck in 1860, Godfrey Howitt assumed a central role as patron. In making the house available to Bateman and his artist friends, he and his daughter, Edith Mary, repeated the unusual degree of patronage formerly exercised by Phebe Howitt before her illness. By 1869, Woolner, Bateman and Chevalier had departed the colony and from 1870, von Guérard was taken up with the National Gallery of Victoria. Although succeeding generations of the family maintained contact with all the artists in their circle, by Godfrey Howitt's death in 1873, the prime years of Howitt patronage had passed.
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ItemSydney Dance Company: a study of a connecting thread with the Ballets Russes( 2009)This thesis addresses unexplored territory within a relatively new body of scholarship concerning the history of the Ballets Russes in Australia. Specifically, it explores the connection between the original Diaghilev Ballets Russes (1909- 1929) and the trajectories of influence of Russian ballets that visited Australia. This thesis addresses unexplored territory within a relatively new body of scholarship concerning the history of the Ballets Russes in Australia. Specifically, it explores the connection between the original Diaghilev Ballets Russes (1909- 1929) and the trajectories of influence of Russian ballets that visited Australia. This study sketches the origins of the Ballets Russes, the impact its launch made on dance in the West, and how it progressed through three distinguishable phases of influence. It summarises the important features of the visits to Australia of Russian ballet companies from Adeline Genee in 1913 to the culturally altering impact of the revived Ballets Russes companies over three extended tours between 1936 and 1940. It charts the formation of viable ballet companies in Australia, commencing with Kirsova in 1939 and Borovansky in 1940, to the Australian Ballet in 1962 and the Sydney Dance Company led by Murphy between 1976 and 2008. Drawing on distinctions between classical and contemporary dance, it attempts to demonstrate the groundwork of example established by the Russian ballet, and, particularly, the revived Ballets Russes visits up to 1940. Data for this thesis was drawn from a personal interview with Graeme Murphy, original documentary research in public collections in Australia, government and Sydney Dance Company archives, newspapers and secondary literature.
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ItemThe remaking of youth: a study of juvenile convicts and orphan immigrants in colonial Australia( 1987)One aspect of the development of modern western society upon which liberal democracy has always been self-congratulatory is the ongoing reforms made in the care and treatment of criminal, destitute and neglected youth. Almost every decade since the late eighteenth century has brought with it new, more 'enlightened' juvenile penal and welfare policies. As a corollary, the policies of preceding decades have been disowned, shunned and condemned. This has been the pattern of 'progress'. Progress has always rested on the invocation of an essential dissimilarity between 'then' and 'now'. The past is thus used only to serve as a distant and sometimes shocking backdrop to the enlightened present. If there is one general characteristic of the bulk of work done to date on the history of childhood and youth in western societies, and indeed on the more general history of penal and welfare reform, it is that it celebrates this notion of progress. The past is examined merely in order to assure us of our present state of advance. And so the past, in all its complexity, is not really examined at all. (From Introduction)
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ItemLarrikinism: an interpretation( [1950])This is a study of the social causes of larrikinism. No attempt has been made to provide an eloquent or detailed inventory of larrikin habits and dress for the satisfaction of the antiquary.