School of Historical and Philosophical Studies - Theses
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ItemCountryminded Conforming Femininity: A Cultural History of Rural Womanhood in Australia, 1920 – 1997( 2021)This thesis explores the cultural and political history of Australian rural women between 1920 and 1997. Using a diverse range of archival collections this research finds that for rural women cultural constructions of idealised rural womanhood had real impacts on their lived experiences and political fortunes. By tracing shifting constructions of this ideal, this thesis explores a history of Australian rural womanhood, and in turn, centres rural women in Australian political and cultural history. For rural women, an expectation that they should embody the cultural ideals of rural Australia — hardiness, diligence, conservatism and unpretentiousness — was mediated through contemporary ideas of what constituted conforming femininity. This thesis describes this dynamic as countryminded conforming femininity. In this respect, this research is taking a feminist approach to political historian Don Aitkin’s characterisation of the Country Party as driven by an ideology of countrymindedness. This thesis uses countryminded conforming femininity as a lens through which cultural constructions of rural womanhood may be critically interrogated, and changes in these constructions may be traced. This thesis represents the first consideration of Australian rural womanhood as a category across time that is both culturally constructed and central to Australian political and cultural life, drawing together histories of rural women’s experience, representations and activism. It theorises what ideals of Australian rural womanhood have meant across the twentieth century and finds that they have had an under-considered role in Australian political life, and on constructions of Australian national identity.
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ItemThe Age and the young Menzies: a chapter in Victorian liberalism( 2010)The Melbourne Age was Robert Menzies' favourite newspaper. This thesis investigates the early years of Menzies' political career, when his relationship with The Age and its senior personnel was established. It is a comparative study of two liberalisms: that of the principal creator of the Liberal Party of Australia, and of a newspaper famous for its liberal affiliations. The Age had been closely identified with the Liberal politician Alfred Deakin in the late nineteenth and early twentieth centuries. After Geoffrey Syme became its proprietor in 1908, The Age pursued a programmatic agenda based in the dominant liberal ideology of the day, social liberalism, which stood for responsible citizenship and State intervention. The paper was influenced by both Deakinism and its New Liberal equivalent in Britain, whose political representatives were Herbert Asquith and David Lloyd George. When Menzies emerged on the Victorian political stage in the mid-twenties, The Age still stood for ideals and institutions which had been influential in the first decade of nationhood: New Protection, the conciliation and arbitration system, responsible trade unionism, accountable government, and social meliorism. The early chapters of the thesis explore the paper's political outlook, focusing on its vigorous campaign against the conservative ascendancy in non-Labor politics. That the newspaper remained a coherent exemplar of New Liberal orthodoxy from 1908 until the outbreak of the Second World War is one of the study's main findings. To Syme, the young Menzies represented a talented new generation of Liberal reformer. The Age vigorously supported his election to the Victorian Legislative Council in 1928, and his subsequent move to the Assembly. Despite the paper's hopes for him, Menzies' liberal-conservative tendencies were soon strongly to the fore. During the Depression, he aggressively opposed the introduction of unemployment insurance. When Menzies joined economists and primary producers in attacking the regime of tariff protection that was central to The Age's Deakinite identity, the relationship between the newspaper and the politician reached a low watermark. These episodes are explored in detail. The second half of the thesis focuses on Menzies's ideological make-up. It identifies him as a post-Deakinite whose personal politics were a contradictory mixture of older and newer streams of liberalism, and whose personal style was a mixture of pragmatism tinged with a consciousness of the legacy of Deakinite idealism. The phrase 'blended liberalism' usefully describes Menzies' political makeup by the late thirties. Three major influences on his political ideology are identified: the Victorian Liberal tradition; the Law, which was his first and, he said, best loved calling; and his family's Presbyterian faith. The thesis also explores Menzies' friendship with the British Conservative leader, Stanley Baldwin, a devout Anglican whose constructive social vision influenced Menzies. The final chapter of the thesis is a case study of the National Health and Pensions Insurance Act (1938), a regime of compulsory contributory social insurance which was based on the British model and included elements of Lloyd George's original bill and of Baldwin's extended scheme. Both Menzies and The Age supported the Australian measure. The thesis discusses how their shared campaign for national insurance brought them back into close relationship, yet how their ideological rationales for national insurance were significantly different.
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ItemZazou, Zazou Zazou-hé: a youth subculture in Vichy France, 1940-44( 2007)In the late 1930s, French singer Johnny Hess launched his career in the cabarets ofParis. In 1939, he released the hit song “Je Suis Swing”. The catchy chorus proclaimed: “Je suis swing, je suis swing, dadou dadou je m'amuse comme un fou, je suis swing, je suis swing, zazou zazou zazou-hé”. In the winter of 1941, an eccentric group of young people began to gather in cafes on the Champs-Elysées and in the Latin Quarter of Nazi occupied Paris. They called themselves Zazous. This thesis is a history of the Zazou youth subculture in press, film and literature. It uses contemporary popular culture to explain a socio-cultural phenomenon which emerged under the Vichy regime and the Nazi Occupation. Three case studies each introduce a different representation of the Zazous. The first case study is the caricature of the Zazou in the collaborationist press. The second case study is Richard Pottier's 1942 film Mademoiselle Swing. The third case study is the Zazou as literary subject in Boris Vian's Cent Sonnets and Vercoquin et le plancton. In reading the Zazou through a cultural prism, each chapter details a different element of the subculture's function within the "parent" culture. The collaborationist press were writing for supporters of the Vichy regime and actively promoting the values of the National Revolution. Mademoiselle Swing was a popular representation seeking a wide, perhaps even a mass, audience. Boris Vian wrote his novel and poetry from within the subculture itself; his intended audience was familiar. These case studies reveal as much about the Vichy regime as they do the Zazous: the subculture is a mirror in which Occupation culture is reflected. The Zazous posed real ideological problems for Vichy. However, in reacting so vehemently, the regime in fact magnified the Zazous' social influence. In examining the Zazous, not only does a defined "world" of youth emerge, but we also uncover the incoherent nature of the Vichy regime. The thesis also traces a chronological evolution of the Zazous from “Je Suis Swing” in 1939 to their effective dissolution with the introduction of the Service du Travail Obligatoire (STO) in the winter of 1942-43.
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Item"Most humble homes": slum landlords, tenants, and the Melbourne City Council's health administration, 1888-1918( 1987-07)The thesis examines the relationship between public health and questions of housing and poverty, in Melbourne, 1888- 1918. It is concerned with the way that with certain groups of people - local council workers, tenants of houses referred to as ‘slums’, and the owners of those houses - represented their experiences. And it seeks to place those representations in the context of the late nineteenth and early twentieth-century concern about the ‘housing problems’. It compares the public rhetoric of the housing reformers and politicians with letters written to the Melbourne City Council by landlords and tenants, and in doing so seeks to show that there were a whole range of housing ‘problems’ not addressed by the public discourse. The first half of the work seeks to place the housing issue into a late nineteenth-century context, and concentrates on public and official discourse. First it considers the City itself, and examines dominant myths about wealth and poverty in 'boom' Melbourne. It argues that these myths shaped contemporary discussion of and responses to housing questions. It then suggests that housing was to a great extent a public health issue for contemporaries, and therefore proceeds to examine the nature of public health administration in the city, both at a central and at a local level. The emergence of housing as a discrete issue in public health discourse is also considered. The thesis then seeks briefly to examine the concept of the 'slum' and to relate it to Melbourne's inner city rental housing market. It then considers in more detail two inner city wards renown for their 'slum' housing. Finally it considers the housing debates which gathered momentum in Melbourne between 1910-1913 and which culminated in the appointment of a Royal Commission to enquire into the housing of the people of the metropolis. It also considers the results of that inquiry. The second half of the work, using an ethnographic and cultural approach looks at slum tenants, landlords and council-workers in an attempt to explore how they perceived their worlds. The correspondence files of the Melbourne City Council are extensively used to consider how these people represented housing issues. Tenants' descriptions of their houses, their concepts of health and disease, their relationships with their landlords and the Council workers, their descriptions of the housing market, and their sense of community and neighbourhood networks are all considered. In turn the thesis considers landlords' representations of their financial positions, and their relationships with Council officials and tenants. Finally, the daily work of the Melbourne City Council's health workers is re-examined in the context of the evidence given before the Royal Housing Commission by the Chairman of the Council's Health Committee, Alderman William Burton.
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ItemAustralian new left politics, 1956-1972( 2009)A study of the Australian New Left might not immediately appear pertinent to contemporary society. Adherents of New Right economics have been, until recently, unshakable in their global ascendancy over the past three decades. From Russia to Tanzania, discourses of neo-liberalism have become so deeply entrenched in world politics and trade that they have been adopted by the transitional states of Eastern and Central Europe, along with other less developed countries in the international system, despite the fact that all have very different cultural histories and levels of economic development. There have been few exceptions, with one example Hugo Chavez's Venezuela. The discrediting during the global oil crisis of the mid-1970s of the post-WWII orthodoxy of Keynesian economics, social democracy and the Welfare State has played its role in this paradigm shift. More pertinent to the radical left may be that the legacy of Soviet Communism's 'terrors and errors' still looms large in the consciousness of socialist thought, provoking disagreement over what can be salvaged from the cadaver of Marxist theory. The increasing specialisation and integration of world marketplaces since the 1960s has also led to questions over whether the notion of a working class - so essential to Marx's utopian revolution - still exists at all. The rise of 'identity politics' and the relativism of postmodernist thought, seen as at the cutting edge of academic theory since the 1970s, have represented further challenges to those desiring to rebuff the entrenched global logic of consumer capitalism. Capitalism is the only 'meta-narrative' left uncontested by postmodernists, while other ideologies - such as Marxism, feminism and even the discipline of history - are criticised for their failure to adequately address the realities of difference within the groups (i.e. workers, women) that they focus upon. This thesis re-examines a time when the left commanded a degree of mainstream popularity; when hundreds of thousands of Australians took to the streets to protest against the government, and when, however briefly, Marxist sympathisers constituted respectable numbers in academic circles, to ascertain what lessons, if any, might be learnt for 'socialist humanist' campaigns today. The anti-globalisation campaigns of the past decade and recent concerns regarding climate change represent hope as starting points for contemporary mass radicalism. Recently, I travelled beside a thoughtful and articulate man in his late fifties who had been a student at the University of Western Australia during the early 1970s. He had been acutely aware of radicals at other campuses such as Monash at this time, and laughed dismissively that student activists were still saying the same things nowadays. While my travelling companion was amused that contemporary student radicals continue to subscribe to what he sees as archaic and refuted ideas and philosophies, I believe that this constancy is due to the fact that New Left criticism remains highly applicable today.
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ItemGlory boxes: femininity, domestic consumption and material culture in Australia, 1930-1960( 2009)This thesis investigates glory boxes as cultural sites of consumption, production, femininity, sexuality, economy and transnationalism between 1930 and 1960 in Australia, a period of considerable economic and social change. Glory boxes were the containers and collections kept and accumulated by many young single women in anticipation of their future married and domestic lives. The nature and manifestations of the glory box tradition have uniquely Australian qualities, which had its roots in many European and British customs of marriage preparation and female property. This study explores a number of facets of women's industrial, communal, creative and sexual lives within Australian and international historical contexts. These contexts influenced glory box traditions in terms of industrialisation, changing consumer practices, the economics of depression and war, and evolving social definitions of femininity and female sexuality. Glory boxes provide an effective prism through which to scrutinise these broad social and economic developments during a thirty year period, and to highlight the participation of young women in cultural practices relating to glory box production in preparation for marriage. Oral testimony from migrant and Australian-born women, the material culture of glory boxes and the objects collected, and popular contemporary magazines and newspapers provide important documentation of the significance of glory box practices for many Australian women in the mid-twentieth century. Glory boxes track twentieth-century shifts in Australia in terms of a producer and consumer economy at both collective and individual levels. They reveal the enduring social expectations until at least the 1960s that the role of women was seen as primarily that of wives, mothers and domestic household managers. Nonetheless, a close investigation of the meanings of glory box collections for women has uncovered simultaneous and contradictory social values that recognised the sexual potential of women, while shrouding their bodies in secrecy. This thesis suggests that a community of glory box practitioners worked through a variety of collective female environments which crossed time, place, generation and culture. It demonstrates the impact of the act of migrating on glory box practices which were brought in the luggage and memories of many post-war migrant women to Australia. These practices were maintained, adapted and lost through the pragmatics of separation, relocation and acts of cultural integration. This research has identified the experiences of young single women as critical to expanding understandings of the history of domestic consumption in Australia, and the gendered associations it was accorded within popular culture. It has also repositioned the glory box tradition as an important, widely practised female activity within feminist historiography, by recognising its legitimacy as female experience, and as a complex and ambivalent symbol which defies simplistic interpretations.
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ItemMind, mania and science: psychiatry and the culture of experiment in mid-twentieth century Victoria( 2002)Psychiatry developed from the practices of nineteenth century medical practitioners based in asylums, transforming itself by the second half of the twentieth century into a specialty operating from many more places and equally concerned with temporarily disturbed “normal” people as with individuals with intractable conditions or an intellectual handicap. By the middle of the twentieth century, psychiatry in Victoria, Australia, was the site of a vigorous debate about the nature of mental illness and the appropriate way to investigate it according to the precepts of science. Using archival materials and patient records, I examine efforts by three competing schools of psychiatric thought - the biological, social and psychotherapeutic - to align themselves with scientific medicine via several emerging fields, including clinical trial research. I suggest that the biological school had an initial edge and I explain in what form academic and religious support was forthcoming for it. I also consider the influence of celebrated Melbourne psychiatrist, John Cade, whose research on lithium influenced the alignment process. The struggle for science's imprimatur was crucial to psychiatry's transition during the twentieth century. Having once been detached from medicine's main currents and remote from the community gaze, it gained increased recognition within the field of medicine. This transition was not without some cost however. In learning how to re-invent their care, study and treatment of people with disordered mentality, psychiatrists chose to privilege certain sorts of knowledge and to downgrade aspects of their healing art.
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ItemIndigenous representation in Australia's frontier and foreign wars( 2005)This thesis investigates the evolving perception of Australian identity and its impact on the commemoration of Indigenous soldiers. Structured around three case studies, this thesis follows a chronological timeline of commemorative practices characteristically colonial in its presentation of Indigenous Australian communities. The first chapter focuses on colonial constructions of national identity and its influences on the legacy of Captain Reginald Saunders, the first Aboriginal Australian to be commissioned as an officer in the Australian Army. Referencing his 1960s biography and textual memorial, The Embarrassing Australian by Harry Gordon, this thesis argues that it is only through the language of assimilation that Saunders was accepted as an "Australian" and appropriately commemorated for his military achievement. The second chapter highlights evolving perceptions of Australian history and national identity and the impact of Indigenous soldier commemoration within the Australian War Memorial. While the Memorial initially disregarded the Indigenous Australian contribution to the war effort, it has since evolved to acknowledge their role within its galleries. The final chapter looks at museums and their representation of Indigenous soldiers during the Frontier Wars. The portrayal of Indigenous soldiers, either as savages or warriors, among the museum displays and storyboards reflect how the nation chooses to publicly commemorate them. The methods adopted by museums reveal their rejection or acceptance of the Indigenous story of European colonization. By showing how forms of representation are tied to historical moments in regards to Indigenous soldiers and linking these commemorative trends with Australian national identity this research both adds to the body of literature on Australian commemoration and foreshadows an evolving trend where perceptions of "nation" are increasingly willing to embrace an Indigenous past into its definition.
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ItemA critical history of writing on Australian contemporary art, 1960-1988( 2005)This thesis examines art critical writing on contemporary Australian art published between 1960 and 1988 through the lens of its engagement with its location, looking at how it directly or indirectly engaged with the issues arising from Australia's so-called peripheral position in relation to the would-be hegemonic centre. I propose that Australian art criticism is marked by writers' acceptances of the apparent explanatory necessity of constructing appropriate nationalist discourses, evident in different and succeeding types of nationalist agendas, each with links to external, non-artistic agendas of nation and politics. I will argue that the nationalist parameters and trajectory of Australian art writing were set by Australian art historian, Bernard Smith, and his book Australian Painting, 1788-1960 (1962) and that the history of Australian art writing from the 1960s onwards was marked by a succession of nationalist rather than artistic agendas formed, in turn, by changing experiences of the Cold War. Through this, I will begin to provide a critical framework that has not effectively existed so far, due to the binary terror of regionalism versus internationalism. Chapter One focuses on Bernard Smith and the late 1950s and early 1960s Australian intellectual context in which Australian Painting 1788-1960 was published. I will argue that, although it can be claimed that Australia was a postcolonial society, the most powerful political and social influence during the 1950s and 1960s was the Cold War and that this can be identified in Australian art criticism and Australian art. Chapter Two discusses art theorist, Donald Brook. Brook is of particular interest because he kept his art writing separate from his theories of social and political issues, focussing on contemporary art and artists. I argue that Brook's failure to engage with questions of nation and Australian identity directly ensured that he remained a respected but marginal figure in the history of Australian art writing. Chapter Three returns to the centre/periphery issue and examines the art writing of Patrick McCaughey and Terry Smith. Each of these writers dealt with the issue of the marginality of Australian art but neither writer questioned the validity of the centre/periphery model. Chapter Four examines six Australian art magazines that came into existence in the 1970s, a decade of high hopes and deep disillusionment. The chapter maps two shifts of emphasis in Australian art writing. First, the change from the previous preoccupation with provincialism to pluralist social issues such as feminism, and second, the resulting gravitation of individual writers into ideological alliances and/or administrative collectives that founded, ran and supported magazines that printed material that focused on (usually Australian) art in relation to specific social, cultural or political issues. Chapter Five concentrates on the Australian art magazine, Art & Text, and Paul Taylor, its founder and editor. Taylor and his magazine were at the centre of a new Australian attempt to solve the provincialism problem and thus break free of the centre/periphery model.