School of Historical and Philosophical Studies - Theses
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ItemLabour pains: working-class women in employment, unions, and the Labor Party in Victoria, 1888-1914( 1987-05)This study focuses on the experiences of working-class women spanning the years from 1888 to 1914 - a period of significant economic growth and socio-political change in Victoria. The drift of population into the urban centres after the goldrush marked the beginning of a rapid and continual urban expansion in Melbourne as the city’s industrial and commercial sectors grew and diversified. Throughout the 1870s and 1880s, the increasing population provided a larger workforce which also represented a growing consumer market. The rise of the Victorian manufacturing industries in this period also saw the introduction of the modern factory system. With the increasing demand for unskilled labour in factories, it was not only men who entered this new factory workforce. Young women and older children were, for the first time, drawn in appreciable numbers into the industrial workforce as employers keenly sought their services as unskilled and cheap workers. Women were concentrated in specific areas of the labour market, such as the clothing, boot, food and drink industries, which became strictly areas of “women’s work”. In the early twentieth century, the rigid sexual demarcation of work was represented by gender-differentiated wages and employment provisions within industrial awards.
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ItemShadows on the landscape: memorial aspects of the Great Ocean Road( 1999)Victoria's commemorative landscape is made up of a series of natural and constructed features comprising roads, bridges, memorial sculptures, avenues of honour, coastal fortifications and military memorabilia, yet their memorializing function is largely unrecognized by the general population. Some of these memorials have been linked with the scenic landscape and have become privileged as tourist sites. Their original meanings, however, have been blurred by twentieth century progress. This thesis examines one component of Australia's memorial landscape, the Great Ocean Road in South West Victoria, and questions whether there is a parallel between the Western concept of a memorial landscape and the notions of spirituality in the land which are a primary component of the belief structure of indigenous peoples. This leads to an examination of the local geographical landscape in relation to Aboriginal massacre sites, and a questioning of the congruence between such sites and the now memorialized battlefields of World War 1. Chapter One deals with the history of the Great Ocean Road and traces its development and construction from 1916 to 1932. Chapter Two examines the place of the Great Ocean Road in the overall scheme of post World War 1 memorialization, and questions why its original function has been so little recognized by the community. Chapter Three looks at the complex relationships between the physical and spiritual elements of the land as perceived by Aboriginal culture, investigates the Aboriginal massacre sites within close proximity to the Great Ocean Road, and questions why no memorials have been raised to Aborigines who died defending their land. The theoretical base of the thesis is supported by the notion that landscape is socially and culturally determined, and that place can be invested with spiritual potency. Finally, it is argued that for a place to retain its spiritual strength, regardless of the culture, the spiritual content must be recognized, ritualized and constantly refreshed within the culture.
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ItemMaking the deserts bloom: attitudes towards water and nature in the Victorian irrigation debate, 1880-1890( 1994)In 1836 Major Thomas Mitchell and his gaggle of supply carts, Europeans and Aboriginal interpreters camped on a river and named it Moonlight Creek. Those who followed after Mitchell called the town that grew up near Moonlight Creek “Kerang”, which was supposedly the local Koori word for moonlight. Locals now tell visitors Kerang means “moon over water.” Kerang lies north of Bendigo and south east of Swan Hill. It is part of the area known as northern Victoria. In the past it has been called the northern plains or regarded as part of Australia Felix. The major characteristic of this area is its dependence on water. Water was a major preoccupation of Major Mitchell, as it has been for all those who followed him. Water had both symbolic and practical applications. It has been used as a symbol which unified the experience of European settlers with those who followed them. In part this association can be explained by the ancient European image of the river as a symbol of endurance and of “changeless change”. A river seems to be continually changing between historical, linear time and future cyclical time, between a definite spatial context, and one which is continuous. At Swan Hill, residents have built a monument to their pioneers surrounded by a pool of water. The monument offers clues to the complex relationship between water and society, and attempts to impose a dominant meaning on this relationship. The monument stands at the entrance of Swan Hill’s major tourist attraction, the Pioneer Settlement, a recreation of a nineteenth century pioneer town where local residents in period costume sell boiled lollies and horse rides to tourists. (From Introduction)
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ItemThe private face of patronage: the Howitts, artistic and intellectual philanthropists in early Melbourne Society( 2005)This thesis investigates a case of upper-middle class, private patronage in Melbourne, focusing on three decades between 1840 and 1870. Evidence points to the existence of a lively circle of intellectual and artistic activity around the Quaker family of Dr Godfrey Howitt and his wife, Phebe, from the Midlands who arrived at the Port Phillip District in 1840. The presentation of a group of fine, rare colonial water-colours and drawings to the National Gallery of Victoria by a direct Howitt descendant, Mrs James Evans in 1989, was the point of inspiration for this subject. Godfrey Howitt, one of the first experienced medical practitioners in the colony, had much in common with the Superintendent of Port Phillip. Their friendship gave the Howitts entrée into the uppermost social circles of the colony. Financially, the family prospered due to Howitt's professional practice which insulated them against economic downturns and provided a steady accumulation of wealth. While as a Quaker, Phebe Howitt had little background in the fine arts, she began to exercise patronage in support of her artist friends, most of who arrived with the gold rush in 1852. With it came Godfrey Howitt's elder brother, William, a famous English author. In London in 1850, William and Mary Howitt's daughter, the feminist painter and writer, Anna Mary, had become engaged to Edward La Trobe Bateman. A brilliant designer and cousin of Superintendent La Trobe, Bateman introduced the young, still struggling Pre-Raphaelite artists with whom he was closely associated, to the English Howitts. Arriving in Melbourne in 1852, William was followed shortly afterwards by Bateman and two artists, including the Pre-Raphaelite sculptor, Thomas Woolner. The gold rush also attracted Eugene von Guérard, and Nicholas Chevalier in due course. In 1856, as a guest of the Howitts' on her first Victorian visit, Louisa Anne Meredith, writer, botanical artist and social commentator, was introduced to their artistic and literary circle. The Howitts' friendship with these artists thus took on a very different hue from the normal patterns of patronage. Beyond commissioning works of art from artists returning empty handed from the gold fields, Phebe Howitt supported them in other ways until suffering a catastrophic stroke towards the end of 1856. During that period, the founding of the new Victorian colony's cultural institutions became a source of official artistic commissions for the first time. Through friends in influential positions like Justice Redmond Barry and Godfrey Howitt, Bateman was employed in various design projects for new public buildings and gardens. With the purchase of Barragunda at Cape Schanck in 1860, Godfrey Howitt assumed a central role as patron. In making the house available to Bateman and his artist friends, he and his daughter, Edith Mary, repeated the unusual degree of patronage formerly exercised by Phebe Howitt before her illness. By 1869, Woolner, Bateman and Chevalier had departed the colony and from 1870, von Guérard was taken up with the National Gallery of Victoria. Although succeeding generations of the family maintained contact with all the artists in their circle, by Godfrey Howitt's death in 1873, the prime years of Howitt patronage had passed.
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ItemEvolution of a zoo: a history of the Melbourne Zoological Gardens, 1857-1900( 1990)The Melbourne Zoo in the late twentieth century is a popular venue which attracts up to one and a half million visitors per year. It has a large income gathered from entrance fees, Government contribution and private sponsorship. The gardens are most attractive, some of the enclosures are of the latest design, there is an active and innovative education program which reaches large numbers of school children every year, the breeding programs have achieved some measure of success, and the collection of animals is large and diverse. Yet there is something discomfiting about an institution which holds baboons in wire cages with concrete floors and tigers in an enclosure not much bigger than a tennis court. A history of the institution can shed light on why the Zoo now incorporates such features; more importantly it can assist the contemporary administration in planning a Zoo by identifying the historical legacies and evaluating their relevance for a twenty-first century audience.
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ItemThe acceptable face of feminism: the National Council of Women of Victoria, 1902-18( 1988)This study focuses on the broad question of post-suffrage feminist activity in Melbourne. When contrasted with the political ferment and air of sexual confrontation which characterised women's struggle for the vote, the post-suffrage period has been seen to represent an acceptance by women of traditional sexual roles and gender stereotypes. Underlying this general view of the period, however, is a complex set of historical factors. It is argued here that the fate of first-wave feminism in Victoria can be more clearly understood through an analysis of the composition and activities of the most broadly-based women's organisation of the early twentieth century the National Council of Women of Victoria. Officially formed in 1902 and continuing today, the National Council of Women is an umbrella organisation for a large and diverse number of affiliated women's gro.ups. From its inception, the Council functioned as a political lobby group, attempting to influence local, state and federal government on issues affecting women, children "and humanity in general". In the early twentieth century, the Council had connections with most publicly active women's groups in Melbourne. These ranged from the most radically feminist of the suffrage societies to the most conservative, both politically and in terms of feminism, of upper:"'class philanthropic organisations. The size and scope of activity of the National Council of Women (hereafter NCW) make its historical significance clear. (From Introduction)
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ItemColonial Cornish: Cornish immigrants in Victoria, 1865-1880( 1985)The Victorian Cornish were participants in a mass movement of people in the 19th century from Cornwall to the United States, British colonies and other lands across the seas. While this migration was unprecedented in terms of Cornwall’s history, it was but a part of a much larger migration of Europeans abroad. The Cornish in Victoria, then, were a small segment of those who emigrated from Europe in this enormous migratory movement of the nineteenth century. In particular, they were a component of the mix of British immigrants, and their descendants, who comprised 95 per cent of Victoria’s population in the years 1865-1880.
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Item"Gentlemen, the ladies have come to stay!": the entry of women into the medical profession in Victoria and the founding of the Queen Victoria Hospital( 1987)In 1890 Emma Constance stone became the first woman to be registered as a doctor in Australia. Unable to gain admission to an Australian medical school, she obtained her qualifications overseas. While she was away women gained entry to the Melbourne Medical School. Stone, and the Melbourne pioneering medical women, the first of whom graduated in 1891, later went on to perform a wide variety of medical work, but their most outstanding achievement was the foundation of the Queen Victoria Memorial Hospital for Women in 1896. The pioneers encountered hostility from the medical profession, especially from the male medical students, and enjoyed widespread support: from women who welcomed a hospital where they would be treated only by qualified female practitioners. American and British medical women had already started their own hospitals in order to provide health care for women after established hospitals had refused to appoint them. In Melbourne, although similar opposition limited the opportunities of women, they were not completely excluded from hospital staffs. Unlike the overseas hospitals on which it was modelled, the Queen Victoria Hospital was not founded only, or even, perhaps, primarily as a result of exclusion. The more positive aim of providing health care for women by women was a powerful motive behind the setting up of a hospital for women officered by qualified female doctors. (From Introduction)