- School of Historical and Philosophical Studies - Theses
School of Historical and Philosophical Studies - Theses
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ItemMoral and non-moral facts in twentieth century ethicsTitchener, John McLellan ( 1965)
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ItemMerleau-Ponty and the body : some comments on the phenomenological approach to the personBerry, Catherine ( 1962)In this thesis I intend to sketch out some of the most interesting concepts Merleau-Ponty uses which contribute to our understanding of the person. I will approach his notion of the person through his concept of the world, since it is always in the context of the world that I do in fact know myself and other people, and it is therefore in this situation that I must consider man if I am to understand him conceptually as well as existentially. This will lead to a consideration of the notion of the human body, as it is likewise always through the body that I meet other people, communicate with them and act In the world myself. Then I will try as best I can to assess Merleau-Ponty's contribution to and originality in his phenomenology of the person, and in doing so, I will raise a few questions which need further study.
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ItemShow business: a history of theatre in Victoria 1835-1948Lesser, L. E. ( 1949)...The material available to the student of the theatrical history of this State and Nation, is relatively sparse, and extremely scattered. Much has been covered in newspaper articles, but no attempt has ever been made to pull the material together and show it as part of a continuous story, superimposed upon the background of the political, social and economic history of the State. That is what I now attempt to do. If it does nothing more than bring the basic information within reasonable compass, I will not feel I have failed. If, on the other hand, it should arouse an interest in either the history or the practice of Theatre, in its widest sense, so that a multitude of young men and women may be rescued from the slough of saccharine sentimentality into which Hollywood has led them, to an increasing interest in legitimate Theatre, the development of which is considered by some to be a concomitant of National greatness, then I shall feel that I have indeed succeeded. (From introduction)