School of Historical and Philosophical Studies - Theses

Permanent URI for this collection

Search Results

Now showing 1 - 2 of 2
  • Item
    Thumbnail Image
    Emotional histories: contemporary Australian historical fictions
    Pinto, Sarah Winifred ( 2007)
    Historical fictions are everywhere and nowhere in contemporary Australian historical discourses. Whilst historical films and novels are ubiquitous in Australian cultural production, they are largely ignored by the historical profession. Although historians occasionally weigh into public debates about particular novels or films - and those surrounding Kate Grenville's The Secret River are a recent case in point - they rarely engage in sustained critical analysis of texts or genre on their own terms. Rather than continue this marginalisation, this thesis considers the historical representations of contemporary Australian historical fictions. Through a series of close readings, I examine what is happening to Australia's pasts within these texts. I argue that in their narratives, characterisations, landscapes and atmospheres, Australia's historical fictions represent the past with feeling - they tell "emotional histories". Accordingly, in the chapters of this thesis I chart the historical mobilisation of melancholy, grief, anger, guilt, hope and love that takes place within a number of historical films and novels released and published in Australia at the turn of the twenty-first century. In doing so, this thesis seeks to interrogate the implications of the attachment - and detachment - of particular emotions to and from particular pasts in contemporary Australian historical discourses.
  • Item
    Thumbnail Image
    Heterodoxy and contemporary Chinese protestantism: the case of Eastern Lightning
    Dunn, Emily Clare ( 2010)
    This dissertation examines new religious movements that are loosely related to Protestantism and have emerged in China in the past thirty years. In particular, it introduces the largest and most notorious of these movements. Eastern Lightning (dongfang shandian) emerged from Henan province in the early 1990s, and teaches that Jesus Christ has returned to earth in the form of a Chinese woman to judge humankind and end the present age. It has predominantly attracted women in poor rural areas of northern China, who have been overlooked amidst the nation's rapid social and economic transformation. This dissertation shows that Eastern Lightning combines elements of both tradition and innovation with respect to doctrine, recruitment techniques and symbols, indicating that Protestantism has become a cultural resource from which Chinese religious movements now draw. The dissertation also investigates the responses of Chinese government organs to Protestant-related new religious movements. The government has banned them and targeted them in its campaign against Falun Gong and "evil cults" (xiejiao). In so doing, it has redeployed familiar ways of labeling heterodoxy, tailoring them to fit the Protestant context. However, its efforts to suppress Eastern Lightning have met with only limited success. They have also led Eastern Lightning to intensify its own rhetoric against the Chinese Communist Party, and to employ radical recruitment practices. Chinese Protestants, too, have engaged in vociferous condemnation of new religious movements and attempted to educate their own members against them. This dissertation explores the ways in which different religious factions defend their own doctrinal correctness and attack that of others. Orthodoxy is central to the identities and discourses of all of these groups. Yet while Protestants are united in their condemnation of new religious movements, nuances in their responses reflect their own varying relationships with the state. Hence, this study uncovers the dynamic, complex and fraught interactions between an array of political and religious actors.