School of Historical and Philosophical Studies - Theses

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    Nineteenth-century stained glass in Melbourne
    Down, Geoffrey Malcolm ( 1975)
    This study is concerned with stained glass windows in the churches of Melbourne and the surrounding district, made locally or imported from overseas, which date from the reigns of William IV, Victoria and Edward VII. Originally the intention was to produce a survey of all types of stained glass in the Colony of Victoria, as this field, and indeed all nineteenth-century stained glass in Australia, had hitherto received little or no attention. However, as my researches proceeded it quickly became apparent that this aim was far too ambitious, for such a wealth of material came to light that the imposition of a limiting frame of reference soon became an absolute necessity. The limitations of this study are those of time, place and class. The period under consideration is 1836-1910. The initial date is, of course dictated by the beginnings of Melbourne as a settlement of free landholders; but as the town did not begin to develop until the gold rush of 1851, very little stained or coloured glass seems to have been in use during the early years. Therefore this study effectively begins in the second half of the nineteenth century. As a final date, 1900, being arbitrary, proved unsuccessful since the style of the old century continued steadily into the new. By 1910 there was a palpable decline activity in stained glass work, and a new style began to emerge as new windows were erected to those who fell in the Great War; also in 1910 William Frater arrived in Melbourne to take over the studio of Brooks, Robinson and Co., and so ended the very close relations of that studio with Clayton and Bell (although the influence of English makers continued very strongly); and the death of Edward VII in the same year makes it as justifiable a date to end the study as had the death of Queen Victoria made 1900. So the final year for this study has been set at 1910. The area under consideration is Melbourne and what were then its nearer settlements, many of which have now become included in the metropolitan area. There are great fine windows in the Victorian rural churches, particularly around the gold-fields and the rich pastoral country of the Western District. But in the main they reflect attitudes and practices in common with those of Melbourne, so that the district around Port Phillip can function validly as a model for the entire colony. There is more than enough material to investigate in this area alone for the present study. Finally the type of stained glass considered here is restricted only to ecclesiastical stained glass. A large amount of stained glass is to be found in old homes and public buildings, but its subject matter is usually of etched designs, coloured patterns and panels of animal and bird life. The main function of stained glass windows in the Victorian age was as memorials, and therefore these windows, erected in churches attended by the dedicatees, are the subject of this thesis.