School of Historical and Philosophical Studies - Theses

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    The Age and the young Menzies: a chapter in Victorian liberalism
    Nolan, Sybil Dorothy ( 2010)
    The Melbourne Age was Robert Menzies' favourite newspaper. This thesis investigates the early years of Menzies' political career, when his relationship with The Age and its senior personnel was established. It is a comparative study of two liberalisms: that of the principal creator of the Liberal Party of Australia, and of a newspaper famous for its liberal affiliations. The Age had been closely identified with the Liberal politician Alfred Deakin in the late nineteenth and early twentieth centuries. After Geoffrey Syme became its proprietor in 1908, The Age pursued a programmatic agenda based in the dominant liberal ideology of the day, social liberalism, which stood for responsible citizenship and State intervention. The paper was influenced by both Deakinism and its New Liberal equivalent in Britain, whose political representatives were Herbert Asquith and David Lloyd George. When Menzies emerged on the Victorian political stage in the mid-twenties, The Age still stood for ideals and institutions which had been influential in the first decade of nationhood: New Protection, the conciliation and arbitration system, responsible trade unionism, accountable government, and social meliorism. The early chapters of the thesis explore the paper's political outlook, focusing on its vigorous campaign against the conservative ascendancy in non-Labor politics. That the newspaper remained a coherent exemplar of New Liberal orthodoxy from 1908 until the outbreak of the Second World War is one of the study's main findings. To Syme, the young Menzies represented a talented new generation of Liberal reformer. The Age vigorously supported his election to the Victorian Legislative Council in 1928, and his subsequent move to the Assembly. Despite the paper's hopes for him, Menzies' liberal-conservative tendencies were soon strongly to the fore. During the Depression, he aggressively opposed the introduction of unemployment insurance. When Menzies joined economists and primary producers in attacking the regime of tariff protection that was central to The Age's Deakinite identity, the relationship between the newspaper and the politician reached a low watermark. These episodes are explored in detail. The second half of the thesis focuses on Menzies's ideological make-up. It identifies him as a post-Deakinite whose personal politics were a contradictory mixture of older and newer streams of liberalism, and whose personal style was a mixture of pragmatism tinged with a consciousness of the legacy of Deakinite idealism. The phrase 'blended liberalism' usefully describes Menzies' political makeup by the late thirties. Three major influences on his political ideology are identified: the Victorian Liberal tradition; the Law, which was his first and, he said, best loved calling; and his family's Presbyterian faith. The thesis also explores Menzies' friendship with the British Conservative leader, Stanley Baldwin, a devout Anglican whose constructive social vision influenced Menzies. The final chapter of the thesis is a case study of the National Health and Pensions Insurance Act (1938), a regime of compulsory contributory social insurance which was based on the British model and included elements of Lloyd George's original bill and of Baldwin's extended scheme. Both Menzies and The Age supported the Australian measure. The thesis discusses how their shared campaign for national insurance brought them back into close relationship, yet how their ideological rationales for national insurance were significantly different.
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    Factory girls: gender, empire and the making of a female working class, Melbourne and London, 1880-1920
    Thornton, Danielle Labhaoise ( 2007)
    Between 1880 and 1920, something remarkable happened among the women and girls who worked in the factories of the British Empire. From being universally represented as the powerless victims of industrial capitalism, women factory workers in the cities of Melbourne and London burst onto the stage of history, as bold, disciplined and steadfast activists and demanded their rights, not merely as the equals of working-class men, but as the equals of ladies. The proletarian counterpart of that other subversive fin de siecle type, New Woman, the factory girl became visible at a time when the nature of femininity was being hotly contested, and coincided with the growing militancy of the organised working-class. Her presence in the streets, economic autonomy and love affair with the new mass culture, represented a radical challenge to conventional bourgeois ideas of how women should behave. Her emergence as a new social actor also coincided with a crisis of confidence in Empire, radical disillusionment with the project of modernity and a growing unease about the consequences of urban poverty. As middle-class anxieties proliferated, so surveillance of the factory girl intensified. In this way, female factory workers came under the scrutiny of missionaries, medical men, demographers, social workers, socialists and sociologists. This study traces the role of female factory workers in the emergence of a transnational movement for working-class women's rights. As more women entered the factories in search of independence, their shared experience of exploitation emboldened and empowered them to demand more. During this period, increasing numbers of female factory workers in both cities thus confounded the stereotype of female workers as submissive, shallow and innately conservative, by organising and winning strikes and forming unions of their own. Such explosions of militancy broke down trade unionist prejudice against women workers and laid the foundations of solidarity with male unionists. They also forged of a new model of working-class femininity; based not on the pale imitation of gentility, but one which expressed a profoundly modern sensibility. In the process, women workers fashioned a new political culture which articulated their common interests, and shared identity, as members of a female working class. Yet the rise of working-women's militancy also coincided with the mature articulation of a racialised labourism and the rise of male breadwinner regimes. As the white populations of Empire were re-configured as one race with a common imperial destiny, the corresponding preoccupation with the white settler birth rate, increased hostility and suspicion of women workers. The first decades of the twentieth century thus saw the solidification of a regulatory apparatus which sought to police and discipline young working women in preparing them for their racial destiny as mothers. The contemporaneous demand of the labour movement for a family wage worked to further marginalise wage-earning women, and ultimately reinforced the sexual division of labour.
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    The settlement of Melbourne 1851-1893: selected aspects of urban growth
    Campbell, Joan ( 1970-02)
    Melbourne was the obvious choice as a prototype of a nineteenth century colonial city in the following study in urban history. It succeeded early to a pre-eminent position within Victoria, indeed of the entire Australian continent and its position of supremacy went unchallenged until the twentieth century. It was never seriously threatened by the claims of rival cities such as Ballarat, Sandhurst or Geelong. In this respect, Melbourne was a classic primate city with a whole-state hinterland and was justly described as "the commercial metropolis of the South". Its favourable geographic location, centrally placed between eastern and western halves of the colony, together with its position at the northern end of Port Phillip Bay provided the logical point of convergance for a railway network spanning the reaches of the interior. This gave a nodal quality to the city which made it the sole effective input-output point for all commerce with the mainland interior.(For complete abstract open document)
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    Intersections of conflict: policing and criminalising Melbourne’s traffic, 1890-1930
    Clapton, E. Rick ( 2005-07)
    Every single person on earth is a road-user; and, although an integral part of our society, the management of traffic is a low priority for most. Authorities constantly work to lessen the tension between the free-flow of traffic and traffic safety. Consequently, the management of traffic and its subsequent problems has consumed more time, money and resources than any other item on the public agenda. Between 1890 and 1930, urban road-traffic in Melbourne, Victoria, Australia, as in other world cities, underwent a revolution as speeds increased 500%. The motor-vehicle exacerbated existing traffic problems with increased trips and vehicle numbers. Authorities separated the various road users with road demarcations, and placed upon the Victoria Police the responsibility of managing the heterogeneous and complex traffic mix. By the close of the 1920s, all the components—policing, case and statute law, and the physical infrastructure—of the contemporary traffic management system were firmly in place. Introducing motor-transport into a centuries old road network designed for much slower modes of transport, was similar to putting high speed trains, capable of hundreds of kilometres an hour, onto conventional tracks. The marriage of old systems and new technology required a plethora of controls, procedures and safeguards to attain an acceptable level of traffic deaths. Nonetheless, no matter how many modifications, it persisted as a hybrid system. It could not be made to work efficiently.
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    How the south-east was held: aspects of the quadripartite interaction of Mount Gambier, Portland, Adelaide and Melbourne 1860-1917
    Ferguson, Bruce A. ( 1977)
    This thesis examines aspects of the "perennial theme of discussion", acknowledging the involvement of four participants, viz., Mt. Gambier, Portland, Adelaide and Melbourne. The assertion of regional generality was supported by the fact that between 1866 and 1921 the Mt. Gambier district rarely contained less than 39% of the total population of the South-East of South Australia. Indeed, in 1911, over 48% of the region's population lived in the vicinity of Mt. Gambier. Furthermore, as Hirst noted, Mt. Gambier was the only old South Australian country town to maintain a steady rate of growth between 1870 and 1917. These facts contributed to the belief, to be longheld by both Adelaide and Melbourne, that Mt. Gambier was the key to the South-East of South Australia. The holding of Mt. Gambier was then thought to be a necessary precursor to the holding of the South-East. Learmonth and Logan have each produced very useful studies of the Victorian port of Portland and its hinterland. Their perceptions, however, remain essentially "Victorian". While the proximity of the border between Victoria and South Australia was acknowledged, no rigorous attempt was made to study historically its regional influence. This thesis also aims to remedy that situation. (From introduction)
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    The private face of patronage: the Howitts, artistic and intellectual philanthropists in early Melbourne Society
    Clemente, Caroline ( 2005)
    This thesis investigates a case of upper-middle class, private patronage in Melbourne, focusing on three decades between 1840 and 1870. Evidence points to the existence of a lively circle of intellectual and artistic activity around the Quaker family of Dr Godfrey Howitt and his wife, Phebe, from the Midlands who arrived at the Port Phillip District in 1840. The presentation of a group of fine, rare colonial water-colours and drawings to the National Gallery of Victoria by a direct Howitt descendant, Mrs James Evans in 1989, was the point of inspiration for this subject. Godfrey Howitt, one of the first experienced medical practitioners in the colony, had much in common with the Superintendent of Port Phillip. Their friendship gave the Howitts entrée into the uppermost social circles of the colony. Financially, the family prospered due to Howitt's professional practice which insulated them against economic downturns and provided a steady accumulation of wealth. While as a Quaker, Phebe Howitt had little background in the fine arts, she began to exercise patronage in support of her artist friends, most of who arrived with the gold rush in 1852. With it came Godfrey Howitt's elder brother, William, a famous English author. In London in 1850, William and Mary Howitt's daughter, the feminist painter and writer, Anna Mary, had become engaged to Edward La Trobe Bateman. A brilliant designer and cousin of Superintendent La Trobe, Bateman introduced the young, still struggling Pre-Raphaelite artists with whom he was closely associated, to the English Howitts. Arriving in Melbourne in 1852, William was followed shortly afterwards by Bateman and two artists, including the Pre-Raphaelite sculptor, Thomas Woolner. The gold rush also attracted Eugene von Guérard, and Nicholas Chevalier in due course. In 1856, as a guest of the Howitts' on her first Victorian visit, Louisa Anne Meredith, writer, botanical artist and social commentator, was introduced to their artistic and literary circle. The Howitts' friendship with these artists thus took on a very different hue from the normal patterns of patronage. Beyond commissioning works of art from artists returning empty handed from the gold fields, Phebe Howitt supported them in other ways until suffering a catastrophic stroke towards the end of 1856. During that period, the founding of the new Victorian colony's cultural institutions became a source of official artistic commissions for the first time. Through friends in influential positions like Justice Redmond Barry and Godfrey Howitt, Bateman was employed in various design projects for new public buildings and gardens. With the purchase of Barragunda at Cape Schanck in 1860, Godfrey Howitt assumed a central role as patron. In making the house available to Bateman and his artist friends, he and his daughter, Edith Mary, repeated the unusual degree of patronage formerly exercised by Phebe Howitt before her illness. By 1869, Woolner, Bateman and Chevalier had departed the colony and from 1870, von Guérard was taken up with the National Gallery of Victoria. Although succeeding generations of the family maintained contact with all the artists in their circle, by Godfrey Howitt's death in 1873, the prime years of Howitt patronage had passed.
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    Evolution of a zoo: a history of the Melbourne Zoological Gardens, 1857-1900
    De Courcy, Catherine ( 1990)
    The Melbourne Zoo in the late twentieth century is a popular venue which attracts up to one and a half million visitors per year. It has a large income gathered from entrance fees, Government contribution and private sponsorship. The gardens are most attractive, some of the enclosures are of the latest design, there is an active and innovative education program which reaches large numbers of school children every year, the breeding programs have achieved some measure of success, and the collection of animals is large and diverse. Yet there is something discomfiting about an institution which holds baboons in wire cages with concrete floors and tigers in an enclosure not much bigger than a tennis court. A history of the institution can shed light on why the Zoo now incorporates such features; more importantly it can assist the contemporary administration in planning a Zoo by identifying the historical legacies and evaluating their relevance for a twenty-first century audience.
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    Good men and true: the Aboriginal police of the Port Phillip District 1837-1853
    Fels, Marie Hansen ( 1986)
    Good men and true is the phrase used by the Commandant of the 1842 Corps of Native Police in summing up for Superintendent LaTrobe the outcome of the first experimental expedition of the Corps to the Western District. It is the age-old Service accolade, bespeaking praise and affection and pride in the troops under the command. This is a history of those men. Since Stanner wrote over twenty years ago that the Aborigines had been left out of Australian history, much has been written about them. Perhaps impelled by emergent black nationalism, maybe running parallel with it, this generation of writing about the Australian past has been useful and necessary in raising Australian consciousness to the extent necessary to take seriously the Aboriginal part of our joint past. To a large extent though, it has been an ethnocentric discussion of white behaviour towards Aborigines producing the Aboriginal people as subjects who seem to stand stock still, as one reviewer has said, and allow things to happen to them. It has produced the cultural perception of past and dead Aboriginal people as mainly victims, or in a few exceptional cases as heroic figures of resistance. Broome's observation about one chapter in one book is capable of general extension - we have replaced an earlier historical falsehood of a non-violent frontier with a new stereotype of a violent one. It could be added - with clearly defined and allocated roles, and moral evaluation thrown in for good measure. There is much truth in these histories, but even taken together, they do not encompass truth: they do not take account of positive Aboriginal choices. Our models of explanation, Stanner wrote, have been based either on the dramatic secondary causes - violence, disease, neglect, prejudice, or on the structure of Aboriginal society or both, but they have not taken into account Aboriginal initiatives towards European society, their curiosity, their zest for living, their choices, their creations. This study concerns itself with one of their choices - it is a history of co-operation, an Aboriginal success story. Why it has not been told before is puzzling: a cursory glance at the secondary section of the Bibliography (which is select, noting only those works which specifically mention the Corps) is sufficient to demonstrate a widespread awareness in the past of the Native Police Corps of the Port Phillip District. Yet out of all those passing mentions, it could scarcely be said that our knowledge has been advanced; five attempts only have been made to constitute the Corps as a subject of knowledge, and none to understand the men. Spender's question must at least be asked here, though it cannot be answered - "Why do we know so little about ... blacks for example, and why is so much of what we do know about them false, negative or derogatory. Who has made this knowledge, on what basis, and for what reasons?” Shades of Foucault. The explanatory processes used by white historians (which black historians reject) still draw their inspiration from Elkin's work. The story of Aboriginal co-operation in policing resembles to some extent the adaptive response which Elkin has described as intelligent parasitism. It was more though than that. Parasitism, however intelligent might well be an accurate description of the actions of men who choose a way of life for what they can get out of it, and abandon it when they get a better offer; or simply abandon it when its attractions dim, but it does not come anywhere near explaining in this particular instance the evident bonds of affection and loyalty which developed between the men who joined and their European officers. In this story, feelings matter. The Government's initial aim in setting up a Native Police Corps in the Port Phillip District was two-fold: it wanted a policing force to deal with bushrangers, and at the same time, it hoped to "civilise" the men of the Corps. In this work, the civilising aim is ignored, except in so far as it was expressed in regulations for living, though it may be noted in passing that the Corps was described as the only success of all the Government's policy initiatives with regard to Aboriginal people. But success in European terms is not the issue. This enquiry is directed at the terms of existence for the men themselves; it seeks to tell the story of their choice, and to understand and explain it. The story and the explanation both turn around the dual consciousness of being Aboriginal and being a policeman.
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    Nineteenth-century stained glass in Melbourne
    Down, Geoffrey Malcolm ( 1975)
    This study is concerned with stained glass windows in the churches of Melbourne and the surrounding district, made locally or imported from overseas, which date from the reigns of William IV, Victoria and Edward VII. Originally the intention was to produce a survey of all types of stained glass in the Colony of Victoria, as this field, and indeed all nineteenth-century stained glass in Australia, had hitherto received little or no attention. However, as my researches proceeded it quickly became apparent that this aim was far too ambitious, for such a wealth of material came to light that the imposition of a limiting frame of reference soon became an absolute necessity. The limitations of this study are those of time, place and class. The period under consideration is 1836-1910. The initial date is, of course dictated by the beginnings of Melbourne as a settlement of free landholders; but as the town did not begin to develop until the gold rush of 1851, very little stained or coloured glass seems to have been in use during the early years. Therefore this study effectively begins in the second half of the nineteenth century. As a final date, 1900, being arbitrary, proved unsuccessful since the style of the old century continued steadily into the new. By 1910 there was a palpable decline activity in stained glass work, and a new style began to emerge as new windows were erected to those who fell in the Great War; also in 1910 William Frater arrived in Melbourne to take over the studio of Brooks, Robinson and Co., and so ended the very close relations of that studio with Clayton and Bell (although the influence of English makers continued very strongly); and the death of Edward VII in the same year makes it as justifiable a date to end the study as had the death of Queen Victoria made 1900. So the final year for this study has been set at 1910. The area under consideration is Melbourne and what were then its nearer settlements, many of which have now become included in the metropolitan area. There are great fine windows in the Victorian rural churches, particularly around the gold-fields and the rich pastoral country of the Western District. But in the main they reflect attitudes and practices in common with those of Melbourne, so that the district around Port Phillip can function validly as a model for the entire colony. There is more than enough material to investigate in this area alone for the present study. Finally the type of stained glass considered here is restricted only to ecclesiastical stained glass. A large amount of stained glass is to be found in old homes and public buildings, but its subject matter is usually of etched designs, coloured patterns and panels of animal and bird life. The main function of stained glass windows in the Victorian age was as memorials, and therefore these windows, erected in churches attended by the dedicatees, are the subject of this thesis.
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    "Gentlemen, the ladies have come to stay!": the entry of women into the medical profession in Victoria and the founding of the Queen Victoria Hospital
    WELLS, MONIKA ( 1987)
    In 1890 Emma Constance stone became the first woman to be registered as a doctor in Australia. Unable to gain admission to an Australian medical school, she obtained her qualifications overseas. While she was away women gained entry to the Melbourne Medical School. Stone, and the Melbourne pioneering medical women, the first of whom graduated in 1891, later went on to perform a wide variety of medical work, but their most outstanding achievement was the foundation of the Queen Victoria Memorial Hospital for Women in 1896. The pioneers encountered hostility from the medical profession, especially from the male medical students, and enjoyed widespread support: from women who welcomed a hospital where they would be treated only by qualified female practitioners. American and British medical women had already started their own hospitals in order to provide health care for women after established hospitals had refused to appoint them. In Melbourne, although similar opposition limited the opportunities of women, they were not completely excluded from hospital staffs. Unlike the overseas hospitals on which it was modelled, the Queen Victoria Hospital was not founded only, or even, perhaps, primarily as a result of exclusion. The more positive aim of providing health care for women by women was a powerful motive behind the setting up of a hospital for women officered by qualified female doctors. (From Introduction)