School of Historical and Philosophical Studies - Theses
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ItemZazou, Zazou Zazou-hé: a youth subculture in Vichy France, 1940-44( 2007)In the late 1930s, French singer Johnny Hess launched his career in the cabarets ofParis. In 1939, he released the hit song “Je Suis Swing”. The catchy chorus proclaimed: “Je suis swing, je suis swing, dadou dadou je m'amuse comme un fou, je suis swing, je suis swing, zazou zazou zazou-hé”. In the winter of 1941, an eccentric group of young people began to gather in cafes on the Champs-Elysées and in the Latin Quarter of Nazi occupied Paris. They called themselves Zazous. This thesis is a history of the Zazou youth subculture in press, film and literature. It uses contemporary popular culture to explain a socio-cultural phenomenon which emerged under the Vichy regime and the Nazi Occupation. Three case studies each introduce a different representation of the Zazous. The first case study is the caricature of the Zazou in the collaborationist press. The second case study is Richard Pottier's 1942 film Mademoiselle Swing. The third case study is the Zazou as literary subject in Boris Vian's Cent Sonnets and Vercoquin et le plancton. In reading the Zazou through a cultural prism, each chapter details a different element of the subculture's function within the "parent" culture. The collaborationist press were writing for supporters of the Vichy regime and actively promoting the values of the National Revolution. Mademoiselle Swing was a popular representation seeking a wide, perhaps even a mass, audience. Boris Vian wrote his novel and poetry from within the subculture itself; his intended audience was familiar. These case studies reveal as much about the Vichy regime as they do the Zazous: the subculture is a mirror in which Occupation culture is reflected. The Zazous posed real ideological problems for Vichy. However, in reacting so vehemently, the regime in fact magnified the Zazous' social influence. In examining the Zazous, not only does a defined "world" of youth emerge, but we also uncover the incoherent nature of the Vichy regime. The thesis also traces a chronological evolution of the Zazous from “Je Suis Swing” in 1939 to their effective dissolution with the introduction of the Service du Travail Obligatoire (STO) in the winter of 1942-43.
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ItemShow business: a history of theatre in Victoria 1835-1948( 1949)...The material available to the student of the theatrical history of this State and Nation, is relatively sparse, and extremely scattered. Much has been covered in newspaper articles, but no attempt has ever been made to pull the material together and show it as part of a continuous story, superimposed upon the background of the political, social and economic history of the State. That is what I now attempt to do. If it does nothing more than bring the basic information within reasonable compass, I will not feel I have failed. If, on the other hand, it should arouse an interest in either the history or the practice of Theatre, in its widest sense, so that a multitude of young men and women may be rescued from the slough of saccharine sentimentality into which Hollywood has led them, to an increasing interest in legitimate Theatre, the development of which is considered by some to be a concomitant of National greatness, then I shall feel that I have indeed succeeded. (From introduction)
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ItemHow the south-east was held: aspects of the quadripartite interaction of Mount Gambier, Portland, Adelaide and Melbourne 1860-1917( 1977)This thesis examines aspects of the "perennial theme of discussion", acknowledging the involvement of four participants, viz., Mt. Gambier, Portland, Adelaide and Melbourne. The assertion of regional generality was supported by the fact that between 1866 and 1921 the Mt. Gambier district rarely contained less than 39% of the total population of the South-East of South Australia. Indeed, in 1911, over 48% of the region's population lived in the vicinity of Mt. Gambier. Furthermore, as Hirst noted, Mt. Gambier was the only old South Australian country town to maintain a steady rate of growth between 1870 and 1917. These facts contributed to the belief, to be longheld by both Adelaide and Melbourne, that Mt. Gambier was the key to the South-East of South Australia. The holding of Mt. Gambier was then thought to be a necessary precursor to the holding of the South-East. Learmonth and Logan have each produced very useful studies of the Victorian port of Portland and its hinterland. Their perceptions, however, remain essentially "Victorian". While the proximity of the border between Victoria and South Australia was acknowledged, no rigorous attempt was made to study historically its regional influence. This thesis also aims to remedy that situation. (From introduction)
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ItemIndigenous representation in Australia's frontier and foreign wars( 2005)This thesis investigates the evolving perception of Australian identity and its impact on the commemoration of Indigenous soldiers. Structured around three case studies, this thesis follows a chronological timeline of commemorative practices characteristically colonial in its presentation of Indigenous Australian communities. The first chapter focuses on colonial constructions of national identity and its influences on the legacy of Captain Reginald Saunders, the first Aboriginal Australian to be commissioned as an officer in the Australian Army. Referencing his 1960s biography and textual memorial, The Embarrassing Australian by Harry Gordon, this thesis argues that it is only through the language of assimilation that Saunders was accepted as an "Australian" and appropriately commemorated for his military achievement. The second chapter highlights evolving perceptions of Australian history and national identity and the impact of Indigenous soldier commemoration within the Australian War Memorial. While the Memorial initially disregarded the Indigenous Australian contribution to the war effort, it has since evolved to acknowledge their role within its galleries. The final chapter looks at museums and their representation of Indigenous soldiers during the Frontier Wars. The portrayal of Indigenous soldiers, either as savages or warriors, among the museum displays and storyboards reflect how the nation chooses to publicly commemorate them. The methods adopted by museums reveal their rejection or acceptance of the Indigenous story of European colonization. By showing how forms of representation are tied to historical moments in regards to Indigenous soldiers and linking these commemorative trends with Australian national identity this research both adds to the body of literature on Australian commemoration and foreshadows an evolving trend where perceptions of "nation" are increasingly willing to embrace an Indigenous past into its definition.
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ItemG.E. Morrison: political adviser to Yuan Shih-kái, President of the Republic of China, 1912-1916( 1975)Foreign advisers in China in the twentieth century were no new phenomenon. Ever since the West had made contact with China, certain men, often motivated by a sense of superiority and willingness to share their knowledge and expertise, saw that China stood totally isolated from the Western experience and appeared in their eyes to be backward, degenerate, weak and greatly in need of their particular assistance and guidance. As Jonathan Spence has clearly pointed out, though the sorts of foreign advisers who went to China differed considerably, most developed an emotional connection with China and, despite a lack of encouragement or even opposition, continued long in the service of the Chinese in an endeavour to raise the standards to that country to those of the Western world. George Ernest Morrison was certainly no exception as Cyril Pearl has to some extent shown in his examination of Morrison’s diaries and correspondence, Morrison was a particularly adventurous man, a person of tremendous energy and vitality, continually cognisant of China’s backwardness and the state she could, with his advice and assistance achieve. Indeed, he sustained a particularly vivid and coloured vision for the future of China. The advantage in opening out the study of Morrison in this period is twofold. In the first instance, Morrison has left to the historian a large amount of material, a collection which began with his personal diary as a schoolboy in Australia. Slicing into his papers for this period allows us to develop a reliable picture of the values, attitude and expectations of the Westerners towards China and Chinese officials, and in turn some conception of the attitude the Chinese took towards their foreign employees and Westerners in China as a whole. These attitudes very much mirror the outstanding differences between the still traditionalistic Eastern monolith and the progressive Western juggernaut. The other reason for studying Morrison is that through him we may come to a better understanding of the reasons for the failure of Yuan Shih-k’ai to build upon the 1911 revolution and to make the Chinese quasi-western political experiment a success. The established tradition of scholarship largely bulks in opposition to Yuan Shih-k’ai; he was not involved in the revolution of 1911 and the expulsion of the Manchu regime from China. Yet, once elected President of the new Republic, Yuan ousted the original revolutionaries from their place in the Republic and began to lay a careful scheme to secure himself and his descendants the next monarchy in China’s long established dynastic history. A point strongly emphasised in the traitor theory is the scheming of Yuan as, from 1913 on, he openly eliminated all political opposition to his rule. As a close contemporary of Yuan Shih-k’ai, we may see through the medium of Morrison just how Morrison personally and Westerners in China generally reacted to Yuan’s personal form of power politics.