Architecture, Building and Planning - Theses
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ItemBeneath the veneer : negotiating British and colonial Australian relationships in Queensland domestic interiors, 1880-1901( 2012)Australian histories of design have largely characterised furnished interiors as passive imitations of European models, with Australia seen as marginalised by time and distance, and lacking in agency from the centres of international design. These interpretations have over-shadowed a range of cultural meanings attached to furnishings at this time. The examination of the discourse of design, business trade and consumer choice on furniture in this thesis, using the case study of Queensland in the late nineteenth century, exposed the dynamic co-dependent relationship between Britain and the Australian colonies, where issues around the materials and making of furniture figured prominently in the construction of colonial identity. Using a wide range of primary source material, including furnishing guides, trade journals and catalogues, parliamentary debates and inventories, the study showed that colonial Australians used their knowledge of the material and cultural aspects of furnishing acquired from British-based texts to maintain the overall appearance of British genteel middle-class interiors. Colonial Australians faced contested local issues around climate, local materials, race and labour relations, which saw colonial loyalty divided between Britain and their local industries. In response, they adopted new construction and branding techniques to subtlety distinguish locally made items from British ones based on native timbers, their functional performance and the employment of local European labour, rather than their visible aesthetic design. This thesis contributes further context for Australian interiors, and argues that the inclusion of more detailed business histories for objects designed for global consumption, such as domestic furniture, are required understand the subtle transfers of cultural meaning between imperial powers and settler nations which change over time. Ultimately, a combination of locally made and imported items and practices observable in different rooms of the home reflected the composite or hybrid nature of an emerging colonial Australian identity. Issues of materials and labour revealed agency on the part of colonies, which has hitherto been obscured by an over-reliance on surviving images of complete interiors and single nation studies. This is to certify that: - the thesis comprises only my original work towards the PhD except where indicated in the Preface; - due acknowledgement has been made in the text to all other material used; - the thesis is less than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices.
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ItemTransformation of Jalan Malioboro, Yogyakarta : the morphology and dynamics of a Javanese street( 2001)Streets are an important element of urban form and function. For their future development it is essential to understand the processes of transformation they have undergone in the past. This thesis is specifically concerned with Jalan Malioboro, the principal street of Yogyakarta, Indonesia, which has had many historic roles and has undergone many transformations since its establishment in 1756. The various plans and regulations put forward in the past for the development of this street have proved to be inadequate to manage its invaluable but fragile local character. The aim of this research project is to understand and define the prevailing processes and forces that have brought about the transformation of Jalan Malioboro's streetscape since its establishment up to the present. Two approaches were used: morphological analysis for the physical-spatial characteristics of the streetscape through graphical representations and their qualitative descriptions; and socio-cultural analysis of the functions, meanings and activities taking place on the street, also done descriptively and qualitatively. A retrospective method was applied to reveal the processes that had occurred in the past and a prospective method to analyse the current condition and envisage its prospects. The overall process of transformation shows both continuities and changes of both the morphology and functions and meanings of Jalan Malioboro. The only true continuity is that of the very original axis. Everything else was and is in constant flux depending upon the contemporary forces. Although Jalan Malioboro forms a prominent linear space that provides a vista from Kraton to Tugu as part of a cosmological axis, it has grown spontaneously and incrementally. Socioculturally, the most striking transformation has been from its royal ceremonial function to its current predominant commercial function. The processes of transformation also demonstrate the dialectic between the form and function of the spaces along Jalan Malioboro, which has produced a hybridised and lively street. Its linearity, an orderly form derived from its function as a cosmological axis, has had superimposed on it different forms and activities, thus producing an ambiguous and chaotic streetscape. There are five key forces that have brought about the transformation: (a) the religious syncretism of the Javanese culture; (b) the political subversion, (c) lack of planning control, (d) modernisation, commercialisation and commodification of space; and (e) the 1997 economic downturn. Any development efforts for Jalan Malioboro arising from an examination of its process of transformation should attempt to ensure that its cultural significance, including its complexity and the dynamism of the street environment, is maintained.