This dissertation is an investigation of visitor experiences in the Screen Gallery at the Australian Centre for the Moving Image (ACMI), in Melbourne. This thesis argues that visitors’ interaction with moving image art can yield expressions of agency which not only enrich the experience of visiting a new museum, but also find application beyond an institutionalised environment as a praxis for negotiating the conditions of everyday life. I term the articulation of this praxis a politics of movement. (For complete abstract open document).