School of Culture and Communication - Theses
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ItemMasculinity, Violence, and the Failure of Patriarchal Values in the Fiction of Cormac McCarthy( 2022-10)This dissertation examines Cormac McCarthy’s concerns in his fiction with how American patriarchal, hegemonic masculine values fail to deliver their promised benefits to men. I argue that McCarthy is critical of the way cultural myths around manhood exacerbate in these men what he sees as a propensity toward violence as a means of control.Through an analysis of McCarthy’s manipulation of form, including his evocation and interruption of mythic narrative structures and recognisable character typologies, I assess the extent to which McCarthy distances himself from or aligns himself with the violent and misogynist masculinities he portrays. I also examine McCarthy’s attitude toward representation, language and narrative as adequate mechanisms for structuring human life and whether his presentation of American masculine ideals as linguistically generated allows for a more ameliorative reading of his fiction. Crucially, I consider the fact that the suffering of women is generally portrayed as subordinate to the suffering of men. I find McCarthy’s fiction to be still beholden to many core characteristics of hegemonic white American masculinity, in particular its tendency to centre itself in narratives of suffering and survival–and so I propose that any critique of white American masculinity in his works must only be seen as partial.
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ItemSoma-masculinities: centring the body within studies of masculinities( 2018)Whilst feminist and queer scholarship have paid generous attention to bodies and embodiment in their attempts to better understand gender and sexuality, studies of masculinities have tended to lag behind. In this thesis, I attend to the theoretical strains within studies of masculinities to demonstrate that these studies are at an impasse, a point at which scholars remain reluctant or unable to push beyond current frameworks into new and, as I argue, productive territory. In particular, these studies have most readily employed social constructionist approaches in their analyses, typified by Connell's concept of hegemonic masculinity, however such frameworks have been unable to adequately describe and account for the complexities, contradictions and possibilities of masculinities and male subjectivities. I suggest that bodies are central to this understanding and must be brought into the frame in a more significant manner. Throughout this thesis I draw attention to the blind spot within these studies and attend to bodies more closely through an examination of contemporary masculinities. In particular I consider three specific sites of the body: the phallic, the hegemonic and the homosexual body. I interrogate these through a number of case studies, including pornography, Australian rules football and online dating sites, all of which continue to arouse interest and debate within academic and public spheres. It is here that I draw attention to some of the limitations of current studies and attempt to produce a richer account of the key questions and problems within these debates. In doing this, I introduce a new framework I call soma-masculinities which I employ to address masculinities in a more profound manner, and make some original contributions to the scholarship. In particular, this framework places a greater emphasis on the material body and its fleshy components; it aims to bring the flesh into bodies and questions of masculinity. Soma-masculinities is not one specific theory or concept but rather a mode of enquiry. Thus, it utilises a broad toolkit that incorporates conceptual models that are already available and engaged, particularly within feminist and queer theory. I demonstrate how this framework might offer a more capacious account of contemporary masculinities and the complex ways in which they are embodied and lived.