School of Culture and Communication - Theses
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ItemThe menstrual imaginary and 'The Butcher's Daughter'( 2016)A number of important writers and artists focus on the once taboo subject of menstruation in their work, drawing attention to the topic of women’s bleeding and the female cycle. A menstrual imaginary is a latent poetic source of inspiration in women writers and artists, an imaginary domain outside of language, which is drawn on through symbolism, particularly through references to blood, to eruptions of blood, and women’s cycles, as well as all procreative functions. Whilst, Julia Kristeva theorises menstruation on the side of the abject, my work alternatively seeks to rescue women’s menstruation from the patriarchal abject. Moreover, I draw on the writings of Hélène Cixous who argues for the importance of a voice of ‘milk and blood,’ although it is mostly at a subterranean level that we can find evidence for a menstrual narrative running through her work. I use Cixous as a springboard for exploring the concept of a feminine writing in red ink, in direct contrast to her ‘white ink,’ as well as consider the domain of woman’s ‘volcanic unconscious,’ in relation to the creation of a menstrual imaginary. Furthermore, I read important classical texts such as the stories of Persephone and Demeter, Medusa, Oedipus and the Sphinx, and the fairy tale Little Red Riding Hood, against-the-grain for a menstrual imaginary. I also survey a number of poets and writers who explicitly adopt menstrual imagery and blood to depict a menstrual imaginary. Finally, I write my own menstrual imaginary in the form of a poetry manuscript.