This thesis focuses on the representation of African women in African female filmmakers' films. It compares Western representations of the African female victim to representations produced by African female directors. It traces shifts between the cinematic representation of women and feminist issues. Unlike earlier films of the 1970s, which focussed on structural and cultural barriers facing women, today, neoliberal policies and global feminism see African women's issues being represented in more individualistic terms. Global feminism focuses on addressing and explaining "the challenges and choices globalization presents for women" and deals with issues such as women's reproductive and sexual health, well-being, education on the global scale, with an emphasis on human rights (Tong &Botts, 2018, p.134). The body, and issues of rape and domestic violence have come to dominate feminist agendas globally, and this inevitably affects feminist cinema in Africa. The thesis argues that when these issues are portrayed in graphic terms, they are detached from historical and socio-economic structures. This runs the risk of perpetuating Western feminism's victim myth which ignores the complexities of African women's daily lives.