School of Geography - Theses
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ItemDigital Encounters with War Imagery: Making Sense of the 2022 Russia-Ukraine War( 2022)On 24th February 2022, Russia invaded Ukraine, triggering a war that is unfolding to be the largest in Europe since 1945 by its scale of destruction (BBC, 2022). This war continues to be broadcasted on a digitised stage that has allowed for intimate exposure of the conflict and its disastrous consequences to different publics worldwide (Coleman & Sardarizadeh, 2022). As this phenomenon of digitisation persists, there is a pressing need to explore the transformative power of digital media, as we increasingly encounter it as a window into the war throughout our everyday lives. Positioned within the sub-discipline of Cultural Geography, this thesis aims to explore how we make sense of war through digital media encounters, using the case study context of the 2022 Russia-Ukraine conflict. It will do so by addressing two research questions: (1) How is the Russia-Ukraine war represented through digital imagery? and (2) How do everyday encounters with digital media affect our capacity to make sense of the Russia-Ukraine war? Underpinned by Non-Representational Theory, this thesis utilises three methods of autoethnography, qualitative content analysis and semi-structured interviews. Though a ‘non-representational style’ of engagement, this thesis places a heightened attention on affect, embodiment and process in its analysis and presents its findings through various composite narratives. This thesis aims to challenge knowledge rooted in representational thought about how digital media affects us, and instead offer a non-representational understanding of digital media that acknowledges the affective, embodied and processual forces within these encounters that transform our capacity to make sense of the war it depicts.