School of Geography - Theses

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    Museums in the time of COVID-19: visitor participation and experience at Immigration Museum and Sovereign Hill
    Ljubetic, Zara ( 2021)
    Immigration Museum, Melbourne and Sovereign Hill, Ballarat are two iconic sites of Victoria, the cultural capital of Australia. Tied together by their histories of immigration, I aim to decipher the socio-cultural impacts of these sites during the precarious time of COVID-19. Through the perspective of eight interview participants and their shared multimedia, I analyse the visitor experience during 2021. The research findings are organised around the central themes of representation, time, and culture: representation meaning static versus progressive representations of the world at these sites; time meaning the COVID-19 reflections on these sites; and culture meaning how these sites foster connection and creativity during a crisis. I argue that these museums are fundamental to our sense of state identity, provide an escape from reality, and transport us to both confronting and optimistic times. In providing an insight into these sites during the time of COVID-19, this research contributes to the emerging scholarship of place-making, identity, social media and community during a time of disconnect at museums globally.
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    From sandcastles to concrete jungles: researching the sand industry in Victoria, Australia
    Gosch, Sophie ( 2020)
    Carr and Gibson (2016) call for renewed attention to resources which constitute the making of our modern world. I respond to their call by focusing on sand, a primary ingredient in concrete and the making of the contemporary urban form. A critical but under-studied resource, sand requires further research attention and to address this gap, I conducted fieldwork from June to August 2020 into the sand industry in Victoria, Australia. Research included conducting semi-structured interviews, participant mapping, and site observations. I approached this research by bringing together two key frameworks to illuminate the human and non-human actors involved in the production of sand as a resource. First, I deployed frameworks on the tracing or ‘following’ of commodities (Cook et al., 2004; Tsing, 2015). Second, I looked to the literature on 'becoming' a resource (Zimmermann, 1933). This research approach enabled me to not only identify some key actors in Victoria’s sand trade, but also helped to outline the sand production network, from sites of survey and extraction, to consumption and recycling. In outlining the production network of sand, I was also able to show how sand ‘becomes’ a natural resource, attending to both human and nonhuman actors. The key argument I put forward is that a critical part of attending to the production network and the ‘becoming’ of sand is identification of the rhythms and changes in form that it undergoes as it moves across the production network. In doing so, this thesis aims to extend literature on human environment relations to the realm of sand and the sand industry.