Melbourne Conservatorium of Music - Research Publications

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    Introducing a Psycho-Historical Approach to the Study of Emotions in Music: The Case of Monteverdi's 'Il Combattimento di Tancredi e Clorinda'
    Kiernan, F ; Davidson, J ; Garrido, S (The Society for the History of Emotions, 2017)
    This essay addresses the challenges of reaching a historically informed understanding of the emotional experience of seventeenth-century musical performance by applying a recent theoretical account of the psychological emotion mechanisms that underpin music perception. A short work by Claudio Monteverdi (1567–1643) is taken as a case study, to investigate the ways that structural elements of the music engage emotion mechanisms. Since modern-day listeners also draw on emotion mechanisms, a modernday exploration of behavioural responses to the historical work – albeit performed and perceived through different personal experiences and perhaps with different emphases according to the many different socialcultural factors influencing modern perception – enables the identification of which mechanisms are activated in modern perceivers. While the authors acknowledge that emotional responses to music are highly susceptible to a whole range of complex and dynamic socio-cultural experiences and different historical contexts, the research undertaken nonetheless enables the development of some parameters on which to build a modern-day performance that emphasises the mechanisms most likely to arouse affect.
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    The Modern Composer: Technology and the Creative Personality
    Garrido, S ; DAVIDSON, J (Music and Arts Publications, 2015)
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    Music and trauma: The relationship between music, personality and coping style
    MOORE, G ; Garrido, S ; Davidson, J ; Baker, F ; Wasserman, S (Frontiers, 2015)