Melbourne Conservatorium of Music - Research Publications
Permanent URI for this collection
Search Results
1 - 10 of 10
-
ItemMusic Therapy and the NDIS: Understanding music therapy as a reasonable and necessary support service for people with disability(Australian Music Therapy Association, 2016)This document results from the findings of a small scoping study conducted to develop a better understanding of the needs, perspectives, and goals of all stakeholders in the provision of music-based services within the National Disability Insurance Scheme (NDIS). Interviews were conducted with 10 consenting participants (Registered Music Therapists, NDIS Plan Support Coordinators and a Parent of a Participant of the Scheme) with the content of these interviews forming the data used for analysis. With the study strongly highlighting a lack of community and sector understanding of music therapy, this document looks to stimulate discussion and solutions to broadening knowledge of the profession, particularly in relation to its existing implementation and future potential for people with disability under the NDIS, and as such is prepared on behalf of the Australian Music Therapy Association Inc. It is intended as a document of reference for the NDIA, Registered Music Therapists, Participants of the National Disability Insurance Scheme, their parents, carers and support workers.
-
ItemWhose choice? Exploring multiple perspectives on music therapy access under the National Disability Insurance Scheme(Australian Music Therapy Association, 2018)The National Disability Insurance Scheme (NDIS) is a new national funding system for people with disabilities in Australia, which has been tested in some trial sites since 2013 and is now instigated across the Nation. Whilst music therapy and other music services are included on the list of recognised providers, inclusion of these services within individual case plans has been questioned at times by those with authority within NDIS trial sites. This research project aimed to build a collaborative relationship between the University of Melbourne, Australian Music Therapy Association (AMTA), and the National Disability Insurance Agency (NDIA) to better understand the needs and capacity for contribution of each organisation involved in the access of people to music therapy. To this end, interviews were conducted with three NDIA employees, five Registered Music Therapists (RMTs) who had experiences providing music therapy services as NDIS providers, and one parent of an eight-year old participant in the scheme who had accessed music therapy. Interpretative Phenomenological Analysis was used to identify gaps in knowledge and awareness between the different stakeholders. Fourteen emergent themes and three final themes revealed different perspectives on the matter, but all agreed that it is a significant time to promote music therapy and educate the NDIS planners, allied health professionals, the participants of the scheme and their families. In plain language:This research study investigates how different stakeholders perceived access to music therapy under the National Disability Insurance Scheme (NDIS) in the trial sites between 2013 and 2015. Nine people who had the lived experience of the matter such as NDIS planners, Registered Music Therapists (RMTs) and a parent of a boy with a disability were individually interviewed. Interpretative Phenomenological Analysis reveals that everyone believed that music therapy was not fully understood or received well by everyone, and RMTs need to take more active roles in educating and promoting music therapy to staff in the National Disability Insurance Agency (NDIA), allied health professionals, as well as parents of people with disabilities.
-
Item
-
ItemNo Preview AvailableRegistered music therapists motivations and perceptions of the impact of their practices on the well-being of clients and themselves(Australian Music Therapy Association, 2016)
-
ItemNo Preview AvailableMusic's Role in Facilitating the Process of Healing: A Thematic Analysis(MDPI AG, 2017-09-01)This qualitative study aims to understand the factors motivating Korean migrants’ participation in weekly Charismatic Prayer Meetings in a Catholic Church. As music plays a crucial role in these meetings, the paper explores whether active engagement with music motivated the long-term commitment of participants to the meetings. The research is based on a thematic analysis of a focus group comprising six Korean adults living in Australia. Results show that music performed in religious forms such as Praise and Worship and Speaking/Singing in Tongues prayers was found to intensify spiritual experiences of the people as a group, and over time, each participant experienced improved physical and mental wellbeing, which in turn motivated further investment in the meetings. It was evident that the passionate group music-making enabled participants to focus on conscious and subconscious body, mind, and spirit, eliciting transpersonal experiences within each person. The findings of the current study are deemed relevant to this specific cohort and to others in similar contexts, where minority groups use worship and music for socio-cultural inclusion that addresses both spiritual and mental health issues. Though a small-scale study, the current paper provides a rationale for these religious groups to be involved in music-based spiritual practice.
-
ItemThe PERMA well-being model and music facilitation practice: Preliminary documentation for well-being through music provision in Australian schools(SAGE Publications, 2017-06-01)The aim of this study was to consider how we can invest in music-making to promote well- being in school contexts. Web-based data collection was conducted where researchers identified 17 case studies that describe successful music programs in schools in Australia. The researchers aligned content from these case studies into the five categories of the PERMA well-being model: Positive emotions, Engagement, Relationships, Meaning, and Accomplishment in order to understand how each well-being element was realised through the music programs. The results indicate that the element of the PERMA well-being model that relates to relationships was described most often. Collaboration and partnership between students, teachers, and staff in schools, and local people in the community such as parents, local entrepreneurs, and musicians were repeatedly identified as a highly significant contributing factor in the success of the music program. The school leaders’ roles in providing opportunities for students to experience musical participation and related activities (engagement) and valuing these experiences (meaning) were also crucial in the facilitation of the music programs. The findings of this study indicate that tailored music and relationship-centred music programs in schools not only increase skills and abilities of the students, but also improve the psychosocial well-being of the students and the community.
-
Item
-
ItemOlder people’s motivations for participating in community singing in Australia(Intellect, 2016-07-01)The aim of this project was to investigate the motivations of older people who regularly attend community singing groups in Australia. Four focus group interviews were conducted with 64 participants belonging to three community singing groups. Participants explained their motivation to attend and sing with others in the groups. A total of eight motivating factors were identified via an inductive thematic analysis, including (1) the importance of singing in my life; (2) enormous pleasure of singing with little pressure; (3) challenge and achievement; (4) spiritual and uplifting emotions; (5) strength in overcoming my age, disease and hardship; (6) good leadership; (7) fellowship with others; and (8) purpose and meaning of group singing. The themes were discussed from various perspectives including positive psychology and the PERMA well-being model. The findings suggest that the older participants seem to experience different motivation factors while at different stages of their engagement in the groups.
-
ItemApplying Interpretative Phenomenological Analysis to Video Data in Music Therapy(Taylor & Francis (Routledge), 2015)The current study presents a distinct video microanalysis method, which was guided by Interpretative Phenomenological Analysis (IPA) and developed specifically for this music therapy research project. Music therapy studies that have applied video analysis or phenomenology are reviewed, and basic theoretical principals of IPA are discussed. Rationale for developing Interpretative Phenomenological Video Analysis (IPVA) is provided and the six stages of IPVA are explained. A demonstration of using the presented method is provided via a case study. IPVA produced a thick, rich, and unique description of a meaningful moment, which occurred between a music therapist and a client who has profound intellectual and multiple disabilities. As this is the first study that has used video data for IPA, it provides fresh knowledge and insight to those who are interested in IPA, hermeneutic analysis, and/or video microanalysis in both fields of music therapy and phenomenology.
-
Item