Melbourne Conservatorium of Music - Research Publications

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    Creative Pedagogies with Technology: Future Proofing Teaching Training in Music
    de Bruin, L ; Merrick, B ; Henriksen, D ; Mishra, P (Springer International Publishing, 2022)
    In this chapter, the authors will consider the benefits and challenges of enacting creative pedagogical approaches in the tertiary context and examine emerging educational practices about twenty-first century learning and technology. Creativity continues to be a key construct for twenty-first century music education practice and education, incorporating technology that delivers deeper and more profound learning experiences- that paradoxically isolate individual learning yet at the same time provoke reflection, growth, and sustainability. This chapter explores the delivery of a tertiary degree in Music Teaching, specifically addressing the following areas: • Curriculum design, delivery, and assessment, • Entrepreneurial approaches to learning through student centred activity, • Online learning, student access, self-regulation, and self-assessment, • Learning environments (including online and technology-based practice) that mirror global change, capacities, and expectations. Through a combination of annotated examples of teaching practice, selected research, and related theoretical reference, this chapter will propose a range of creative, innovative learning solutions. Importantly, this chapter draws on research undertaken with graduate students after their year of learning during the COVID pandemic and subsequently provides insights into these four areas and their influence on the students’ learning. This is supported by a discussion of a range of teaching approaches and strategies that can be used to foster creativities and shifts in teaching practice.
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    Reflections on the year of change: Adaptive and creative responses to technology as Music Teachers in the tertiary setting
    Johnson, C ; Merrick, B ; de Bruin, L ( 2021-09-18)
    Asia-Pacific Symposium on Music Education Research (APSMER) Conference 2021
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    Enabling Music Students’ Well-Being through Regular Zoom Cohort Chats During the Covid-19 Crises
    Johnson, C ; Merrick, B ; Ferdig, R ; Baumgartner, E ; Hartshorne, R ; Kaplan-Rakowski, R ; Mouza, C (AACE International, 2020)
    The required shift to online music teaching due to COVID-19 resulted in Teacher Education music students needing different approaches for well-being supported through innovative uses of technology for community, collaboration and connection. Using Samaras’ five elements of self-study, two music education instructors in an Australian conservatoire explored the results of regular, weekly live-stream cohort chats (i.e., Wednesday Zoom Café) when facing an unprecedented crisis. Based on the findings, the innovative use of a Zoom café can result when technology is used to: support music student well-being; support organizational design, facilitate clarity of communication; and, create connection, identity and community through socially-constructed technology application. Using these approaches, live-streamed cohort chats can support pre-service music students’ positive wellbeing during a time of unprecedented lockdown and consequential social isolation.
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    Teaching Music Online in Higher Education: 2020 Conference Report
    Merrick, B ; Johnson, C (Intellect Ltd, 2020)
    Faced with the state of emergency restrictions due to the global COVID-19 pandemic, the 2020 Teaching Music Online in Higher Education conference was adaptively modified to exist as a synchronous, online event. Embracing the opportunity to model online music pedagogy in its online format, organizers transformed the conference to utilize live-streaming, video recordings and other online active learning strategies. A total of 143 tertiary music instructors and graduate students from 66 institutions located around the world took part in the conference at a time of unprecedented restriction on face-to-face learning and travel restrictions. This report is both important and timely, as it provides insights into components that were found to be both necessary and fundamental to the success of the event for music researchers, teachers and other delegates in attendance. Key areas related to organization, communication, structure, protocols and activities were explored through learning analytics and a conference evaluation. Strategies and recommendations are included to assist others who wish to create and present an online conference that exemplifies online pedagogy principles.
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    MusicWorks: Supporting Students' Musical Career Paths Through Technology-Enhanced Authentic Learning
    Johnson, C ; McAlpine, K ; Merrick, B ; Hycy Bull, P ; Keengwe, J (IGI Publications, 2019)
    Musicians work with, and around, various forms of technological media and resources. In today's professional environment, musicians face multifaceted work that may include teaching, performing, marketing, promoting, recording, or composing. The musician as entrepreneurial learner becomes a key focus for authenticity within their learning. Music educators, music professionals, and musicians of all ages need to navigate key career choices along their career paths which can be supported by authentic approaches to learning. This chapter explores how enterprise pedagogy and entrepreneurial pedagogy (i.e., authentic learning experiences) provide opportunities for students to reflect on, and prepare for, the likelihood of multiple jobs and roles in their upcoming career paths. Podcasting as an authentic learning tool is explored through the development of MusicWorks, a podcast series giving voice to the multiple career paths of industry and educational leaders in music.