Melbourne Conservatorium of Music - Research Publications

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    “Thomas Quinlan (1881-1951) and his ‘All-Red’ opera tours, 1912 and 1913”
    Murphy, K ; Aspden, S (University of Chicago Press, 2019)
    The essays throughout Operatic Geographies powerfully illustrate how opera's spatial production informs the historical development of its social, cultural, and political functions.
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    Symposium Music and Iconography
    Murphy, K ( 2017-10-27)
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    Essays in Honour of Thérèse Radic on her Eightieth Birthday: Special Issue
    Murphy, K ; Dreyfus, K (Routledge - Taylor & Francis, 2015)
    Thérèse Radic is widely recognized as Australia's foremost expert on Australian music. She is the author/editor of nine books, sixteen plays and some 200 articles, monographs, chapters and reviews on aspects of Australian music history. Her PhD of 1978 is still, after nearly forty years, the first port of call for anyone starting out to research Australian music history. Her generosity in sharing her extraordinary knowledge of Australian music history with other scholars, students and interested members of the general public is legendary. She has always been a feisty advocate for Australian music and for women in music, promoting these areas however, wherever and whenever possible. This volume celebrates her exceptional contribution to Australian music history, and the admiration and respect that she has inspired in generations of scholars. In 2013 Thérèse Radic was awarded the Don & Joan Squire Award for Voluntary Services to Musicology in Australia by the Musicological Society of Australia.
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    Théophile Gautier's Complex Engagement with Spain
    Murphy, KR (Institute of Mediaeval Music, 2013)
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    Carmen: Couleur locale or the Real Thing?
    MURPHY, K (University of Chicago Press, 2009)
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    Wagner in the Antipodes
    MURPHY, K. ; COLE, S. ( 2008)
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    ‘Volk von Brüdern’: The German-speaking Liedertafel in Melbourne
    Murphy, K (Cambridge University Press (CUP), 2005-01-01)
    A Liedertafel concert at which the former Governor His Excellency Sir Henry Loch and Lady Loch were present was reported in theIllustrated Australian News and Musical Timesof 1889 as follows: In the course of some remarks Lord Loch made the statement that the advancement of musical culture in Melbourne is to be attributed to the influence of Germans. Now although the community includes some excellent musicians of that nationality, the opinion expressed by our late governor is by no means in accordance with facts. It is only just that honour should be given where it is due and the untiring efforts of the English musicians in the colony in educating public taste ought to be thoroughly recognised.
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