Melbourne Conservatorium of Music - Research Publications
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ItemNo Preview Available"We've got a special connection": qualitative analysis of descriptions of change in the parent-child relationship by mothers of young children with autism spectrum disorder(GRIEG ACADEMY, 2015-01-02)Young children with autism spectrum disorder face many developmental challenges, most notably in the area of reciprocal social interactions with family and peers. Collaborating with the families of these children in therapy sessions is fast becoming best practice in many countries. This paper presents a qualitative analysis of semi-structured interviews with 11 mothers who participated in family-centred music therapy sessions along with their child. The interview questions focussed on changes to the nature of the parent–child relationship. Analysis of the interviews identified three aspects of positive change to the parent–child relationship, namely: the quality of the relationship; the parents’ perception of the child and the parents’ response to the child. The changes in the relationship with their child were valued and cherished by all of the mothers, and understanding the impact a family-centred approach might have on the nature of the parent–child relationship needs further exploration.
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ItemWhose choice? Exploring multiple perspectives on music therapy access under the National Disability Insurance Scheme(Australian Music Therapy Association, 2018)The National Disability Insurance Scheme (NDIS) is a new national funding system for people with disabilities in Australia, which has been tested in some trial sites since 2013 and is now instigated across the Nation. Whilst music therapy and other music services are included on the list of recognised providers, inclusion of these services within individual case plans has been questioned at times by those with authority within NDIS trial sites. This research project aimed to build a collaborative relationship between the University of Melbourne, Australian Music Therapy Association (AMTA), and the National Disability Insurance Agency (NDIA) to better understand the needs and capacity for contribution of each organisation involved in the access of people to music therapy. To this end, interviews were conducted with three NDIA employees, five Registered Music Therapists (RMTs) who had experiences providing music therapy services as NDIS providers, and one parent of an eight-year old participant in the scheme who had accessed music therapy. Interpretative Phenomenological Analysis was used to identify gaps in knowledge and awareness between the different stakeholders. Fourteen emergent themes and three final themes revealed different perspectives on the matter, but all agreed that it is a significant time to promote music therapy and educate the NDIS planners, allied health professionals, the participants of the scheme and their families. In plain language:This research study investigates how different stakeholders perceived access to music therapy under the National Disability Insurance Scheme (NDIS) in the trial sites between 2013 and 2015. Nine people who had the lived experience of the matter such as NDIS planners, Registered Music Therapists (RMTs) and a parent of a boy with a disability were individually interviewed. Interpretative Phenomenological Analysis reveals that everyone believed that music therapy was not fully understood or received well by everyone, and RMTs need to take more active roles in educating and promoting music therapy to staff in the National Disability Insurance Agency (NDIA), allied health professionals, as well as parents of people with disabilities.
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ItemNo Preview AvailableProfessional Pathways for Musicians with Disability in Victoria, Australia(ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2022-01-02)The work of disabled musicians has become the focus on of an increasingly large body of academic work; however, existing literature rarely provides details about the educational experiences of these musicians, or how disability impacted these experiences. This study interviewed eleven performing musicians living with disability in Australia to elucidate the barriers and enablers that they faced in their music educations and careers. We developed a ‘nested model’ based on a qualitative narrative analysis which identified barriers and enablers coming from ‘the musician’, ‘the self’, ‘other people’, and ‘the system’. We used this model to draw out further themes and counter-themes across the interviews to begin to illuminate the barriers. Each of our participants was able to identify numerous barriers to access, which they had experienced during their musical careers. Despite this, ten of our eleven participants continued to find ways to participate and express their creativity in musical activities, and they provided many practical suggestions for improving access. Future studies that seek perspectives from disabled music students, or those who are in the early stages of their careers, may provide further insights to better understand barriers and enablers.
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ItemNo Preview AvailableReflective Lullaby Writing with two mother--infant dyads who recently experienced an admission to a neonatal intensive care unit(GRIEG ACADEMY, 2023-05-27)Introduction: Having a premature baby is a complex experience for parents, especially where an admission to a Neonatal Intensive Care Unit (NICU) after birth is required. Regardless of length of admission, parents likely confront mixed emotions related to their concerns for their baby’s physical health and development, which are often still present in the months and years after their baby’s discharge. Supporting parents to emotionally process their experience presents unique challenges, and a deeper understanding of how to facilitate this process is needed. Method: The purpose of this research project was to explore parents’ experiences of engaging in individualised parent--infant music therapy in their home setting after their baby’s discharge from a NICU setting. Interviews were conducted with two mothers and descriptive phenomenology guided the immersive process of data analysis and explicating the prominent themes. Results: Four shared themes were identified. Songwriting was experienced as being distinctly therapeutic, and mothers described the value of intentionally creating lyrics which captured what they wanted to remember about their NICU and parenting journey. Both mothers valued reconnecting with aspects of their previous selves from before their NICU experience. Discussion: The composition of a personal song using therapeutic techniques offered mothers the opportunity to reflect on, and to begin to process their parenting experiences. Reflective Lullaby Writing is articulated as a novel approach to support post-NICU families. The findings of this pilot study will inform future studies in this area of practice which has not yet been well-established in the current discourse.
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ItemStructure, agency and community: Using online music gatherings to support social inclusion for people with disabilities in Australia during the COVID-19 pandemic(GRIEG ACADEMY, 2022-05-27)Introduction: In the wake of COVID-19 restrictions and lockdowns in the southern states of Australia, many community music and music therapy projects shifted to an online format. This paper discusses the formation and creation of four online music groups aimed at people with disability, including two groups for children and two for adults. The aim of the study was to explore the use of online technologies to support social inclusion and wellbeing when participants were physically isolated. Method: This study positioned group participants as co-researchers to recognize the expertise many people with disability hold from being housebound or socially isolated. We adopted an action research framework in which participants provided ongoing reflections on the use of technology, access, musical foci and social interaction to iteratively develop the sessions through cycles of reflexive action. These data were triangulated with data collected through participant observation and individual interviews. Results: The structured format of the sessions created online spaces for people with different disability, age and gender identities to explore their creativity together. Far from limiting participants’ autonomy and safety, the structured setting promoted their agency in decision-making and shaping the groups to meet their needs. Discussion: Many participants interacted with the group or adapted to the online experiences in ways which the authors had not anticipated. While we were expecting our cohort to have expertise with social isolation, we found that they also had high levels of expertise as passionate musicians, which they used to frame the activities of the online gatherings.
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ItemExamining how music therapists describe providing safety for children and adolescents who have had traumatic experiences: A Critical interpretive synthesis(Australian Counselling Association, 2020-12-18)This paper presents the result of a critical interpretive synthesis (CIS) that examines how safety is created, explained and represented in the current literature of music therapy trauma recovery programs. Creating a sense of safety is fundamental when providing programs for people who have had traumatic experiences. However, minimal music therapy literature has presented detailed descriptions of constructing safety in the program. The investigators examined a total of twenty-two manuscripts with the intention of gathering multiple perspectives on how safety is described. We first identified the meaning of safety and different vocabulary used by the authors to represent safety taking account of the clients’ state of mind, the relationship with the therapist and/or the peers, and the environment. We discovered that the therapists’ decisions about using different engagement strategies might have the most impact on creating a sense of safety in programs. These engaging strategies included providing structure, active listening, giving the participants control over the activities and offering choices. Moreover, it appears that when a trusting relationship was established in the program, a sense of safety may be created. However, there was little information provided in the manuscripts describing or evaluating the participants’ responses and feedback about their feelings of safety. To conclude, we suggest the lack of detailed descriptions of how safety is created demonstrates the need for more studies to understand the phenomenon better.
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ItemThe use of musical interactions to develop social skills in early intervention.(The Australian Music Therapy Association, 1998-09-01)
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ItemExploring the Meaning of a Performance in Music Therapy for Children and Their Families Experiencing Homelessness and Family Violence(OXFORD UNIV PRESS INC, 2017-04-01)
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ItemA Critical Interpretive Synthesis of the Ways Children's Needs and Capacities are Represented in the Homelessness and Family Violence Literature(CAMBRIDGE UNIV PRESS, 2017-03)This paper describes a critical interpretive synthesis (critical review of the literature) exploring the ways children are described and represented in the homelessness and family violence literature regarding programmes. Authors' descriptions of children and their perceived needs are considered from individual, interpersonal and systemic positions, with an inherent focus on the influence of academic language and power in representing children. The articles reviewed here contained an abundance of negative descriptions of children's poor health, educational and developmental outcomes, but very little acknowledgement of children's personal resources and capacities in times of adversity. The programme goals and strengths-based therapeutic intentions described by the authors of these articles were not always congruent with the ways children were being represented in the early stages of the articles. We argue for a better balance in representing children's strengths alongside their challenges when describing their presentation and participation in programmes and research.