Melbourne Conservatorium of Music - Research Publications
Permanent URI for this collection
Search Results
1 - 2 of 2
-
ItemEvaluating practice strategies, behavior and learning progress in elite performers: An exploratory study(SAGE PUBLICATIONS LTD, 2020-03)Typical musicians devote most of their time to blocks of physical practice and mistake-avoidance, as opposed to mental preparation, desirable difficulties, and strategies that strengthen self-efficacy and autonomy. For this reason, teachers try to steer students away from mindless drill and towards self-regulated learning strategies. Yet, both the scientific and pedagogical literature lack guidelines for developing musicians that are supported by empirical research. This exploratory study with 14 musicians was designed to capture what they planned to practice, as well as what they actually did in the practice room, in order to assess the level of repetition and innovation intended and carried out. A questionnaire captured the musician’s self-reported intentions (cognitions), behavior, and emotions during practice. The questionnaire accompanied a self-recorded video of a practice session of the participant’s choice. Evaluation of the questionnaire and videos provided evidence that participant’s own ratings of the effectiveness of their practice supported their belief in the importance of repetition. The evaluation scores of these students’ practice sessions by two independent raters, in contrast, indicated that varied strategies were more beneficial with regard to individual progress than habitual repetition.
-
ItemUsing a microanalysis intervention to examine shifts in musicians' self-regulated learning(SAGE Publications, 2021-07-01)The purpose of this study was to explore the effects of using a self-directed practice diary on conservatory pianists’ self-regulated learning tendencies. We sought to determine whether the implementation of a self-directed practice diary based on the three-phase model of self-regulated learning would lead students to gradually demonstrate more self-regulated learning tendencies across a semester of practicing, and if the type and quality of their self-regulated learning tendencies varied as a function of performance ability. A marked and consistent improvement in metacognitive monitoring skills was observed across the semester for all seven participants. Variations between lower and higher ability students were most pronounced in the Forethought stage, with higher ability pianists reporting fewer goals and strategies and higher self-motivational beliefs than their lower ability counterparts. In the Performance phase, higher ability students invested more effort in help seeking and structuring their practice environment, and lower ability students reported more self-instruction. In the Self-Reflection phase, higher ability pianists reported being more focused in the practice session. Suggestions for further refinement of the technique to improve musicians’ ability to master their learning and achieve their personal best are provided.