Melbourne Conservatorium of Music - Research Publications

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Now showing 1 - 10 of 93
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    "Flute Perspectives" volume 2
    Jones, D ; Roberts, C (Move Records, 2020)
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    AKHUYA
    Pertout, A (Nailuj Music, 2020)
    AKHUYA is a composition and recording produced by Alex Pertout which showcases Latin American and Middle Eastern rhythmic cultures, as performed by two acclaimed outstanding practitioners of the rhythmic world, Alex Pertout and legendary Egyptian percussionist Hossam Ramzy on the Egyptian tabla.
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    Luciferase
    van der Schyff, D ; Denley, J ; Kaufmann, A ; Thomson, S (SoundOut Recordings, 2020)
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    The Shining Sea: Live at the Olympus Hall
    Kim, S ; Monder, B (Audioguy Records, 2014)
    Voice and guitar duo explore new compositions and interpretations of the standard jazz repertoire.
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    Tribute
    Kim, S ; Song, Y (Universal Music Korea, 2019)
    Tribute pays homage to female composers and lyricists who have contributed to the body of jazz standard repertoire.
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    Painter's Eye
    Kim, S (Sunnyside Records, 2012)
    The beauty of southern landscapes of South Korea captured by Korean contemporary classical painting and poetry by Sun Doo Kim takes on a new life as contemporary musical compositions by Sunny Kim.
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    Meeting Point Series: Hand to Earth
    Kim, S ; Knight, P ; Wilfred, D (Arts Centre Melbourne and Australian Art Orchestra, 2018)
    A new repertoire of manikay emerges as unexpected musical connection forms between Australia's Arnhem land and Korea.
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    The Dream of the Earth
    Kim, S ; Monder, B ; Takeishi, S (Advart Music, 2016)
    Eco-feminist perspectives are explored through musical compositions and collective improvisation.
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    Fujikura and Three: Commission, Premiere Performance and Video Release of New Work
    Brennan, J ; Murray, K ; Fujikura, D ; Immel, D (Faculty of Fine Arts and Music, 2019)
    University of Melbourne research cluster Ensemble Three collaborated with Dai Fujikura, one of the most prominent and successful current international composers, to commission, video-record and premiere a new piece.
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    USA Performance Research Tour
    Immel, D ; Murray, K ; Brennan, J (PSK: Princeton Sound Kitchen, 2019)
    Expanding both individual and combined ​research cluster agendas (Ensemble T​hree), Immel, Brennan and Murray workshop and premiere new pieces at the invitation of Princeton University, the University of Southern California, Highline College, Bellevue College and the Wayward Music Series (Seattle). Non Traditional Research Outputs, including practice-led P1 (major) performances as defined on the FFAM Staff Hub Research web page. Activities are in line with a continuing and developing research agenda, and remain directly in line with our University of Melbourne Grand Challenges. As stated in the document RESEARCH AT MELBOURNE: ENSURING EXCELLENCE AND IMPACT TO 2025, this research: · Is outward-looking and best met by engaging with external partners and collaborators; · Is about engaging our society in the performing arts in the digital world; · Is global in reach, but with Australian and local dimension; · Engages other organisations drawn from industry, the community, our partners and affiliated institutions; · Builds international partnerships with research communities in the United States Extensive workshopping of new works written for our research team, and for premiere international performances (P1 Major Non Traditional Research Output activity) at peer research institutions (USC, Princeton et. al).