Arts Collected Works - Research Publications
Permanent URI for this collection
Search Results
1 - 10 of 69
-
ItemIndigenous knowledge is not an extractable resource(Academia.edu, 2021-11)Indigenous knowledge is increasingly being looked to as containing solutions to contemporary challenges, particularly climate change. Along with growing anxieties about the future of the planet is a parallel “tendency to exalt Indigenous or non-Western others as symbols of inspirational environmental ethics, modelling interspecies, interconnectedness and reciprocity contrary to a Western will-to-destruction” (Neale & Vincent, 2017, 426). Recent calls to harness Indigenous bushfire management techniques in Australia and growing interest in Traditional Ecological Knowledge (TEK) in land and resource management globally are examples of this trend and represent important steps forward in improved recognition of Indigenous peoples. However, reaching for Indigenous knowledge when western knowledge and systems fail is to treat it as a gap-filler or additive (Starblanket & Stark, 2018, 170). While recognition is good and conversations around partnering with First peoples to resolve macro-problems are a step in the right direction, Indigenous knowledge cannot be treated as an extractable resource to be managed and used apart from the place, people and culture that generated it.
-
ItemCommunication access: AAC in personal and public spaces(Unterstützte Kommunikation, 2022)
-
ItemSamoa’s New Labour Trade(Centre for Samoan Studies, National University of Samoa, 2021)This article explores the context of aspirations to become seasonal workers in New Zealand or Australia and the experiences of those who worked in New Zealand under the Recognized Seasonal Employer scheme. It is based on detailed interviews with 24 people who were seasonal workers or who aspired to become seasonal workers in 2020, and on other relevant sources. The focus of the article is the recruitment processes and the economic, social and historical contexts of seasonal work in Samoa.
-
ItemCinderella of the south seas? Virtuous victims, empowerment and other fables of development feminism(Elsevier, 2020-05-01)The developmental logic underpinning ‘Cinderella projects,’ in which women of the Global South are targeted for interventions intended to tap and expand their unrecognized economic and entrepreneurial potential. This version of ‘development feminism,’ constructs its female objects as both impoverished victim-subjects and as nascent market-oriented actors. Moreover, development feminist discourse, grounded as it is in seemingly universal ideas of women’s oppression, equality and economic participation, generates paradoxical effects in different social contexts. Drawing on ethnographic examples from Polynesia, the paper illustrates how a homogeneous concept of ‘woman’ makes little sense because local gender categories are complexly intersected by age, socio-economic status as well as by hereditary rank. As a result, development feminisms’ gender interventions transform local individual subjectivities in novel and often unexpected ways, producing new forms of inequality while obscuring others.
-
Item2020 Was a Glitch(Umbrella Studios, 2021)As Melbourne cycled through five lockdowns, I collated digital ephemera in isolation: skylines / screengrabs / sound bites. I documented myself too: Zoom meetings / contrived selfies / maudlin portraits in the mirror like this one. I circled back to this image recently and started chopping and slicing, each cut an edit in a seemingly endless loop.
-
ItemArt as intervention: Protests on urban transformation in China and Australia(Informa UK Limited, 2022-05-28)Participation in public space is widely recognized as a means for deepening social inclusion. Recent developments in urban participation have seen an intertwining relationship between art, technology, and activism. This article presents a comparative study of two protests regarding the transformation of two public spaces: Donghu in Wuhan, China, and Federation Square in Melbourne, Australia. We aim to compare and contrast how art functions in the processes and results of the protests in each country’s socio-political contexts. Both possessing artistic and activist components, the Donghu protest played out as a disguised form of occupation that failed eventually. The case of Federation Square engaged with both artist activism and direct political engagement that ended in triumph for the activists. In both cases, art was mobilized to mediate a broader range of communications and prompt social change. The latter case took a relatively elitist approach than the former by relying on informed activists and working within a liberal democratic framework. Nonetheless, both protests showcase public agency and subjectivity despite different socio-political contexts. This paper argues that analyzing the role of art in urban protests can provide new insights into the esthetic modes of resistance in conflicts over the transformation of urban space.
-
ItemUrban Artivism and Placemaking: The Case of Federation Square(Peter Lang, 2022)
-
ItemEditorial: risk of gastric and duodenal ulcers among new users of low-dose aspirin(WILEY, 2022-07)LINKED CONTENT This article is linked to Nguyen et al papers. To view these articles, visit https://doi.org/10.1111/apt.17050
-
ItemNo Preview AvailableEveryday Books: an introduction to short run commercial bindings in early Twenty-First century Australia(Informa UK Limited, 2022-01-01)
-
ItemVarying orientations to sharing life stories: A diachronic study of Japanese women's discourse(Cambridge University Press, 2022-09-06)Language change across the lifespan is relatively underexplored in sociolinguistics. While studies of individuals' language across life stages are often considered to complement large scale studies of community-level language change, this study aims to explore how changes to family environment and social mobility interact with individual speakers' stylistic practice across life stages. It examines ethnographic interviews of five women, originally from the same area in western Japan, the same high school, and similar socio-economic background, conducted by a single researcher eleven years apart. The chronological and inter-participant comparisons reveal a complex pattern of stylistic practice and stance taking as the women share stories about career, family and relationships with the researcher. The study also discusses audience design in language variation and explores how the participants utilise their discursive repertoires in their interaction with the researcher, whose background is significantly divergent from theirs. (Language across the lifespan, stylistic practice, Japanese)