Melbourne Conservatorium of Music - Theses

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    Folio of works
    Lyon, May Catherine ( 2019)
    Master of Music Composition - Folio of Compositions Six original compositions, written from 2016 to 2019, comprising of: - 'On the Inside' for flute, clarinet, cello, and piano. Recording duration of 9 minutes 34 seconds - 'Ode to Damascus' for flute, clarinet, violin, cello, and piano. Recording duration of 9 minutes 15 seconds - 'The Fate of Phaethon' for soprano, horn, and string quartet. Recording duration of 15 minutes 51 seconds - 'Echo' for soprano and horn. Video recording duration of 4 minutes three seconds - 'Phosphorus' for solo percussion. Video recording duration of 10 minutes 26 seconds - 'Ignition' for orchestra. Recording duration of 9 minutes 47 seconds
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    The pursuit of originality: aspects of unity and individuality through compositional synthesis
    Alvaro, Lorenzo ( 2018)
    This thesis forms case studies using compositions by its author Lorenzo Alvaro as a catalyst for understanding how originality is manifested in the consistent re-enactment of borrowing and self-borrowing. Understanding how compositions ‘come together’ through ‘Synthesis’ oppose long-debated theories of originality being an innate power giving rise to the notion of ‘genius’. More recent scholarship acknowledge borrowing and collaboration as a means for originality, and based on this, the thesis argues that true originality is nothing more than an ideal.
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    The remains of decay: composing auditory afterimages
    Chisholm, David ( 2018)
    This autoethnographic critical exploration reflects on an accompanying folio of music compositions created between early 2013 and late 2016: Suite from The Bloody Chamber for three harps, Rung for electric guitar, contrabass recorder, violin, double bass and sensor-triggered bells, extracts from The Experiment: a musical monodrama; bound south for string quartet and Harp Guitar Double Concerto for two soloists and chamber orchestra. A post-structuralist reading reveals an emergent philosophical and practice preoccupation with the sonic phenomenon of the auditory afterimage.
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    Folio of Compositions
    Bakrnchev, Michael Arthur ( 2016)
    Folio of compositions comprising of two orchestral works and three chamber works, composed by Michael Bakrnchev.
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    Folio of compositions
    HUGHES, ELLIOTT ( 2015)
    Elliott Hughes completed this folio of compositions including works for orchestra, large jazz ensemble, trombone choir and instrumental duo. A distinct voice is created through a hybridity of contemporary classical and jazz styles, building small (sometimes borrowed) musical fragments back into multiple larger structures, conceived to affect body and mind.
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    Folio of compositions
    Humphries, Alice ( 2015)
    My thesis consists of a folio six musical compositions and subsequent recordings of those compositions amounting to 55 minutes of music. Across my masters candidature I have been focused on developing musical compositions with cohesive and engaging sound worlds and exploring the musical possibilities inherent in placing limits on the compositional process. The folio includes two orchestral pieces for varying orchestral forces, a work for clarinet quartet, a duet for trumpet and trombone, a duet for cello and piano, and a trio for flute, cor anglais and piano.
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    Folio of compositions
    Dean, Paul William ( 2015)
    This folio of original music compositions includes 4 new works for: quintet (clarinet and string quartet); song cycle (soprano and instrumental septet), chamber symphony; and solo cello.