Melbourne Conservatorium of Music - Theses
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Item"Speaking in tongues": an investigation into a compositional practice informed by intercultural exploration( 2019)There is an existing context for contemporary composers engaging in intercultural exploration through creative work, both in Australia and internationally. Taking a practice-led research approach, this study by composer Tim Dargaville investigates the ways that ceremonial forms and ritual practices can inform the creation of new music and the development of a personal compositional language. A folio of five compositions for solo instrument, string quartet, chamber ensembles and orchestra, with scores and recordings will be accompanied by a dissertation that aims to contextualise the process of creation, locating the development of the works within a broader understanding of approaches to intercultural exploration undertaken by Australian and international contemporary composers.
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ItemFolio of compositions( 2018)Folio of 6 compositions including orchestral, choral and chamber music. The works traverse a stylistic spectrum, moving freely between the simple and the complex, synthesising liturgical choral traditions with instrumental modernism, resulting in a unique approach to harmonic and rhythmic materials.
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ItemFolio of compositions( 2018)The works within this portfolio represent the culmination of my Master of Music candidature at the University of Melbourne. Commencing in February 2016, my two years of study have allowed for a meticulous examination of my compositional practice, resulting in a widening of how I approach writing and a greater focus upon my chosen musical language.