Melbourne Conservatorium of Music - Theses

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Start date: 2000 × End date: 2019 × Subject: music × Subject: collaboration × Subject: collective identity × Type: Masters Research thesis ×

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    Constructing the collective consciousness: individual player identity within the collective jazz ensemble
    WILLIAMSON, PAUL ( 2009)
    This study investigates the role of the individual improviser within the ensemble context as a means of observing the interplay of the ‘creative language’ between individuals and its manifestation within a group dynamic. Criteria as exemplified by the Miles Davis Quintet were used as a means to ascertain the quality, level of interaction, elasticity of compositions, ensemble ecology, musicianship, playfulness, role-play, and other relevant factors in an improvised music setting. The attributes of the Miles Davis Quintet were used to examine the individual and collective identities within the By a Thread ensemble, with the prime intention being to facilitate the construction and development of a collective consciousness within the ensemble. The research topic arose from the author’s aspiration to obtain a deeper connection and sense of community with other practitioners in which to undertake a collective musical journey. The purpose of approaching the research from a practitioner led perspective was to obtain a greater understanding of the author’s art, to achieve insight into the processes of improvisation, and to create contemporary jazz that was inventive in structure and detail. A review was conducted on current literature pertaining to collective creativity, collaboration and improvisation; additionally, the interaction, creativity, and individual and collective identities within the Miles Davis Quintet. An in-depth examination of this distinguished modern jazz ensemble was undertaken to elucidate their relevance to this research. The preparation, processes and development of the By a Thread ensemble were analysed to establish outcomes for this study. This included an examination of the ensemble’s common language, compositions, rehearsals, cues, co-creation, live performances, elasticizing of the musical parameters, role-play, ecology, exploration and risk taking, simultaneous improvisation, contrasting voices, repertoire variety, performance environments and recording. The process of identifying key attributes of interaction, play, identity, and creativity of the Davis quintet as a model for By a Thread resulted in tangible strategies and outcomes. The strategies facilitated the development of By a Thread’s identity, collective consciousness, cues, co-created language, elasticity of compositional parameters and approach to performance.