Melbourne Conservatorium of Music - Theses
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ItemA critical edition and exploration of Percy Grainger's The warriors - music to an imaginary ballet( 1996-10)Commissioned by Sir Thomas Beecham for the Ballets Russes, during their London season, but ultimately completed and premiered in the United States, The Warriors - Music to an Imaginary Ballet is Grainger’s most ambitious and experimental orchestral composition. Written in a traditional full score format, by the time it was published ten years later, The Warriors had been altered to conform to Grainger’s unique compressed score layout. The concessions and omissions needed for such a drastic alteration were not true to the composer’s ideas. Along with a comprehensive historical introduction to the work, the notion of the compressed score is placed into the context of Grainger’s own scoring methods, as well as the greater context of avant-garde score layout in the twentieth century. A detailed chronology of The Warriors autograph and printed sources provides a working model of how a ms. study of Grainger’s music may be undertaken. 2 vols. xi +124 pp., 5 illustrations, 45 examples, bibliography, discography, appendices. Full orchestral score and critical commentary, 125pp. (A3), with additional programme note, composer’s analysis, notes to conductors, list of instrumentation and CD recording of edition’s premiere performance.
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ItemFritz Bennicke Hart: an introduction to his life and music( 1993)This thesis presents a broad study of the life, times and creative output of the English born Australian composer Fritz Bennicke Hart (1874-1949) concentrating on the formative period of Australian cultural history in which he lived and contributed. It examines and evaluates Hart's particular personal achievements, relationships with his contemporaries, and his work for various Melbourne and Hawaiian musical institutions. It argues that the creative output of Hart, particularly that associated with the Celtic revival, reveals much about contemporary perceptions of Australian identity and culture. The thesis includes an introductory contextual examination of Hart's music. A comprehensive cross-referenced catalogue of all known manuscript sources of Hart's music, including a detailed description of the manuscript sources of his operas, is included as an Appendix.
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ItemThe title Toward the shining light as an influencing factor on the basic form and structural components in Broadstock's first symphony( 1994)A study of Broadstock's first symphony, Toward the Shining Light directed from an analytical perspective. The composer is greatly inspired by the use of evocative titles, which provide him with images and symbols that can be translated into musical terms. Believing that his music must reflect his own personal social concerns, Broadstock entrusts expression of the most pressing of these to the symphonic genre; a genre he considers profound, and wanting to make some sort of statement. Toward the Shining Light relates both autobiographically and biographically to the birth of his son Matthew in 1983, and the gradual realisation of the severity of the child's handicap. The work is deeply personal and powerfully communicative, reflecting Broadstock's concern for the injustice of human inequality, and his struggle to accept, if not understand his son's condition. Evidence is drawn from the score in support of the contention that Broadstock used the title, together with its extra-musical significance, to influence his choice of basic form; and that this in turn affected the nature of the thematic material employed and associated structural components (namely treatment of large-scale harmonic structure, texture - orchestration and density -, dynamics, tempi, general rhythmic activity, and tessitura).
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ItemOrchestral, chamber, electronic and visual compositions( 1999)This folio of orchestral, chamber, electronic and visual compositions collectively document a research period based on experiences with performance, free and structured improvisations, technology and visual art practices. The technical and aesthetic diversity of the material arises from opportunities and resources afforded by the research program. Of the many ideas traversed in these works, the principle focus has been towards the use of extended techniques for wind instruments and experiences from live performances. In pursuing these objectives, this research charts multiple performance practices, and diverse compositional techniques through traditional acoustic music to studio electronic soundscapes. Although the ordering of the compositions in this folio suggest that the acoustic works were completed first, many of the electronic compositions were produced in between. Consequently, compositional processes tended to inform each other in complex and often subtle ways. The two orchestral works and the quintet represent instances where extended clarinet techniques have been reconceptulized and orchestrated for larger ensembles. These techniques have also found a place together with traditional styles and intuitive performance experience in the suite for clarinet and piano, the trio and the guitar solo work. The five remaining electroacoustic works represent a rethinking of acoustic sound and performance practices not found in the approaches taken with the traditional acoustic compositions. The studio enabled a focus on issues such as context and space that do not have pre-eminence in the composition phase of traditional instrumental music. This is evident in the fact that the sounds, existing as recordings, could be subject to processing and arrangements in ways that are physically impossible through traditional musical world. The sounds in the computer based context assert a need for a different compositional outlook to that presented in the previous compositions. Finally the inclusion of visual imagery is intended to convey another creative input into the process of each musical work.
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ItemThe Castilian composer Antonio José Martínez Palacios (1902-1936): a biographical study with a catalogue of works( 1995)A study of the Spanish composer Antonio Jose Martinez Palacios (1902-1936), one of the most promising composers, conductors and folklorists of his generation, who was assassinated in Burgos at the outset of the Spanish Civil War. Extensive use of the city's two most important newspapers of the period, the Diario de Burgos and El Castellano, has been made and has provided many new biographical and bibliographical details. These, together with the incorporation of material from unpublished and autobiographical manuscripts, have revealed the extent and significance of Antonio Jose's critical and musicological activity for the first time. Each of the four main periods of Antonio Jose's life is presented in a new light: from his childhood in Burgos and studies in Madrid, to his four-year term as a music teacher in Malaga and his return to Burgos in 1929 to conduct the Orfe6n Burgales. These four periods are discussed in the four sections of the main body of the thesis. Possible reasons for his death, which is now known to have taken place on 8 October, three days earlier than has previously been thought, are explored in the conclusion. A compilation of his writings and interviews, as well as an extensive catalogue of works, complements these findings. 2 volumes, vii + 134, 336pp, bibliography, discography, catalogue of works, collection of texts.
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ItemMusic and physiotherapy: evaluation of a program developed for caregivers of infants and toddlers with cystic fibrosis( 1998)Cystic fibrosis is an inherited pathological condition which can be treated but not cured and is ultimately life threatening. Those affected by cystic fibrosis require daily treatment to minimize the symptoms of the illness and retard the progression of pulmonary deterioration. An important component of the prophylactic therapy regime is chest physiotherapy which enhances the clearance of lung secretions. However, chest physiotherapy is time consuming and not always enjoyable, particularly for infants and toddlers. This study utilized an independent and repeated measures design to evaluate the effect of recorded music as an adjunct to daily routine chest physiotherapy on children's enjoyment, caregivers' enjoyment and caregivers' perception of time taken to complete the routine. Participants were caregivers of one or more children with cystic fibrosis who were aged between 4½ months and 24 months at the commencement of the clinical trial and required chest physiotherapy on a daily basis. The children's cystic fibrosis care was managed by the Department of Thoracic Medicine at the Royal Children's Hospital in Victoria. Participants were randomly allocated into treatment and control groups and were involved in the study for 12 weeks. Participants in the treatment group were given the treatment tape: a specifically compiled music tape consisting of instrumental music and children's songs, newly composed for use as an adjunct to chest physiotherapy. Participants in the control group received no tape for the first 6 weeks, then received their choice from two commercially available, children's audiocassettes) both of which were familiar to the participants. Enjoyment and perception of time were assessed at the commencement of the trial and then twice more at 6-week intervals. After 6 weeks of using the treatment tape, children's and caregivers' enjoyment of chest physiotherapy increased significantly compared to no music. There was no change in perception of time taken to complete the chest physiotherapy after using the treatment tape. Use of the familiar music tape was not associated with significant increases in enjoyment for children or caregivers. Familiar music did not alter the perception of time taken to complete the routine. The results suggest that recorded music is an effective adjunct to daily chest physiotherapy which enhances caregivers' and children's enjoyment, particularly when that music is specifically compiled for use with the physiotherapy.