School of Art - Theses

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Author: Okamura, Yuria × Type: Masters Research thesis × Subject: painting ×

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    Geometric garden: mapping a holistic worldview through drawing
    Okamura, Yuria ( 2015)
    Building on the utopian language of geometry, my research project explores the potential for abstract drawing installations and immersive wall drawings to construct a holistic vision of the world. Both Japanese gardens and maps are deployed as unifying visual metaphors to conflate diverse geometric patterns and symbols. The forms that appear in my work derive from scientific illustrations and diagrams, esoteric symbolism, and religious architecture and decoration across cultures. They also reference the history of abstract painting. My work imagines a metaphysical harmony in which visual elements of science and religion, and nature and culture, are non-hierarchically combined to create a contemplative space. In other words, my research project interrogates how it might be possible for contemporary abstraction to visualise a worldview that encompasses and integrates diverse modes of knowledge for interpreting the world around us. In this written dissertation, I advocate for the metaphysical and utopian implications of geometric images through some historical examples. I also reveal the limits of the conventional tendency of geometric abstraction towards absolutism. Through the lens of post-structuralism, I problematise fixed, hierarchical and divisive ways of picturing the world characterised by binary modes of seeing. I chart the contemporary revival of abstraction by examining artists who reevaluate geometry's potential to construct more complex worldviews encompassing social, political, and religious themes. They include Emily Floyd, Julie Mehretu, Eugene Carchesio, Haleh Redjaian and Jess Johnson. I also consider how the arbitrary and mediating qualities of abstraction in my own work, embodied through the fluidity and translucency of an aqueous medium, unified colour schemes, and subtle fluctuations of hand-drawn lines, might extend this dialogue. Within the analysis around my unfolding bodies of work, I address how motifs derived from nature, maps, and gardens operate as connective devices between worldviews that are usually separated. As such, my project explores abstraction's potential to generate a more inclusive, complex, and open-ended cultural imaginary.