School of Languages and Linguistics - Research Publications

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    Крылатые выражения из советских кинофильмов как элементы национальной идентичности
    Kabiak, N (Издательство "Научный консультант", 2019)
    The paper is dedicated to the questions of the reflection of national identity in the headlines of newspapers Komsomol'skaya Pravda – Moscow, Izvestiya and Literaturnaya Gazeta for the period from 1st January 2017 until 1st July 2018, drawing upon examples of winged words adapted from Soviet films. Specific winged phrases considered uniquely reflective of Russian culture are highlighted. An attempt is made to explain the main reasons behind winged phrases transformations. The paper stresses the value of learning winged phrases from Soviet films in practical classes of Russian taught as a foreign language.
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    Prosodically Conditioned Consonant Duration in Djambarrpuyŋu.
    Jepson, K ; Fletcher, J ; Stoakes, H (SAGE Publications, 2019-03-01)
    Cross-linguistically, segments typically lengthen because of proximity to prosodic events such as intonational phrase or phonological phrase boundaries, a phrasal accent, or due to lexical stress. Australian Indigenous languages have been claimed to operate somewhat differently in terms of prosodically conditioned consonant lengthening and strengthening. Consonants have been found to lengthen after a vowel bearing a phrasal pitch accent. It is further claimed that this post-tonic position is a position of prosodic strength in Australian languages. In this study, we investigate the effects of proximity to a phrasal pitch accent and prosodic constituent boundaries on the duration of stop and nasal consonants in words of varying lengths in Djambarrpuyŋu, an Australian Indigenous language spoken in northeast Arnhem Land, Northern Territory, Australia. Our results suggest that the post-tonic consonant position does not condition longer consonant duration compared with other word-medial consonants, with one exception: Intervocalic post-tonic consonants in disyllabic words are significantly longer than word-medial consonants elsewhere. Therefore, it appears that polysyllabic shortening has a strong effect on segment duration in these data. Word-initial position did not condition longer consonant duration than word-medial position. Further, initial consonants in higher-level prosodic domains had shorter consonant duration compared with domain-medial word-initial consonants. By contrast, domain-final lengthening was observed in our data, with word-final nasals preceding a pause found to be significantly longer than all other consonants. Taken together, these findings for Djambarrpuyŋu suggest that, unlike other Australian languages, post-tonic lengthening is not a cue to prosodic prominence, whereas prosodic domain-initial and -final duration patterns of consonants are like those that have been observed in other languages of the world.
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    Conundrums and consequences: doing digital archival returns in Australia
    BARWICK, L ; Green, J ; Vaarzon-Morel, P ; Zisserman, K ; Barwick, L ; Green, J ; Vaarzon-Morel, P (Sydney University Press, 2019)
    The practices of archival return may provide some measure of social equity to Indigenous Australians. Yet priceless cultural collections, amassed over many decades, are in danger of languishing without ever finding reconnection to the individuals and communities of their origin. The extensive documentary heritage of Australian Indigenous peoples is dispersed, and in many cases participants in the creation of archival records, or their descendants, have little idea of where to find these records. These processes of casting memories of the past into the future bring various conundrums of a social, political, and technical nature. They raise questions about the nature and dynamics of ongoing cultural transmission, the role of institutional and community archives in both protecting records of languages, song, and social history and disseminating them, and the responsibilities of researchers, organisations, and end users in this complex intercultural space. These questions are perforce framed by ethical and legal questions about access, competing ideas of ownership, and shifting community protocols surrounding rights of access to and the dissemination of cultural information. This paper arises from a project designed to reintegrate such research collections of Central Australian cultural knowledge with the places and communities from which they originally emanated. While we show that the issues raised are seldom neutral and often complex, we also argue for the power that culturally appropriate mobilisation of archival materials has for those that inherit the knowledge they embody.
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    i-Tjuma: The journey of a collection - from documentation to delivery
    Ellis, EM ; Green, J ; Kral, I ; BARWICK, L ; Green, J ; Vaarzon-Morel, P (Sydney University Press, 2019)
    In 2018, a collection of some 60 edited and subtitled films, resulting from a documentation project (2012–2018) in the Ngaanyatjarra Lands on verbal arts of the Western Desert, was ready to be returned to the Ngaanyatjarra community. In this case study, we describe the journey of this return and the cultural, ethical, and technological issues that we negotiated in the process. From the archived collection lodged with PARADISEC (Pacific and Regional Archive for Digital Sources in Endangered Cultures), we developed a workflow that harvested selected media and their associated metadata and transferred them to LibraryBox, a portable digital file distribution tool designed to enable local delivery of media via the LibraryBox wi-fi hotspot. We detail here the return of the curated collection in a series of community film festivals in the Ngaanyatjarra communities and via the delivery of media from LibraryBox to individual mobile phones. We also discuss the return of a digital collection of historical photographs of Ngaanyatjarra people and strategies to re-inscribe such old records for new purposes. These endeavours are motivated by the imperative to ‘mobilise’ our collection of Western Desert Verbal Arts by making the recordings available to the Ngaanyatjarra community. We anticipate that the lessons we learnt in the process will contribute to better design for local solutions in the iterative cycle of documentation, archiving, and return.
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    Embodying kin-based respect in speech, sign, and gesture
    Green, J (John Benjamins Publishing, 2019-12)
    In Australian Indigenous societies the means for demonstrating kinship-based respect are rich and varied, and mastery of their ideological and contextual dimensions is highly valued and an indication of communicative expertise. Special speech registers, sometimes referred to as ‘mother-in-law’, ‘brother-in-law’, or ‘avoidance’ languages, are one aspect of this complexity. Another dimension of respect is afforded by Australian Indigenous sign languages, used in contexts where speech itself is disallowed as well as in everyday interactions where signing is practical and useful. What is lacking from the majority of accounts of these special semiotic repertoires is an investigation of the ways that speech and communicative actions, such as sign or gesture, may work together in such contexts. Also neglected is the possibility that the articulation of signs and gestures may be modified to indicate a respectful stance towards avoided kin. Drawing on both archival sources and recent fieldwork, this paper delineates some of the articulatory dimensions of signs and gestures used in this domain.
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    Epistemic authority and sociolinguistic stance in an Australian Aboriginal language
    Mansfield, J (De Gruyter Open, 2019-04-01)
    Abstract Murrinhpatha, an Aboriginal language of northern Australia, has an initialk-alternation in verbs that has hitherto been resistant to grammatical analysis. I argue thatk-does not encode any feature of event structure, but rather signals the speaker’s epistemic primacy over the addressee. This authority may relate to concrete perceptual factors in the field of discourse, or to socially normative authority, where it asserts the speaker’s epistemic rights. These rights are most salient in the domains of kin, country and totems, as opposed to other topics in which speakers are habitually circumspect and co-construct knowledge. My analysis of thek-alternation thus brings together the typology of epistemic grammar (Evans, Bergqvist, & San Roque, 2018a, 2018b), and a sociolinguistic perspective on stance (Jaffe, 2009).
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    Comparing the Same Task in ESL vs. EFL Learning Contexts: An Activity Theory Perspective
    Storch, N ; Sato, M (Wiley, 2019-07-11)
    This classroom-based study examined the role of context in task-based interaction. Identical tasks were implemented in university-level classes in two contexts: Australian ESL (n = 27) and Chilean EFL (n = 19). The learners engaged in discussion tasks, as part of the regular classroom activities. Data included audio-recorded task-based interactions, observations, and a survey. Data analysis was guided by activity theory, examining how learners approached the tasks, including deliberations about language (actions), the group dynamics, and their use of mediating tools (e.g., L1). Our findings revealed differences in the learners' actions in these two contexts, both expected (e.g., use of L1) and unexpected (e.g., the nature of assistance provided). Our study shows that in different contexts, the same tasks represent different learning activities.
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    Violent Women: Photographic Evidence, Gender and Sexology in Wilhelmine and Weimar Germany
    Lang, B (Wiley, 2019)
    This article provides the first analysis of constructions of female criminality in sexological photography in Wilhelmine and Weimar Germany by comparing Erich Wulffen’s Der Sexualverbrecher (1910, The sex offender) and Das Weib als Sexualverbrecherin (1923, Woman as sex offender). It explores the new potential that photographic images in the Wilhelmine era had for illustrating notions of gendered criminality, portraying women mainly as victims and only in a handful of cases as exceptional criminals. In the Weimar Republic an entirely new type of criminal emerged – that of the ‘female sex offender’. Photographs in this period served both as evidence and as a warning to professional readerships about the violent threat these women posed to the fabric of German society. This article explores the intellectual context for this shift, and thereby speculates on how the photographs in question could be reinterpreted as contributions to a history of female violence.
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    You can't be Shakespearean talking about the institutionalisation of sex offenders: Creativity and creative practices of multilingual doctoral writers
    Thurlow, S ; Morton, J ; Choi, J (PERGAMON-ELSEVIER SCIENCE LTD, 2019-03)
    The enigma of creativity is rarely discussed in doctoral education, yet it nestles snugly against the term originality, a key criterion for thesis assessment. This article engages with this occluded topic through an investigation of how four L2/multilingual PhD candidates studying in the Faculty of Arts in an Australian university perceive the presence of creativity in their doctoral writing. It also explores how and when these writers feel they can be creative in their writing practices. Methodological approaches included a workshop program designed around the concept of creativity for Arts doctoral students, followed by individual and group interviews. The findings indicate that while each doctoral writer actively engaged with the idea of creativity they also encountered social, cultural, political and other environmental barriers. These constraints often led to a lack of writer agency which, in turn, led to self-censorship. Nevertheless, several enablers to their creativity were uncovered with participants recognising the usefulness of learning specific writing practices and other strategies to allow creativity to emerge in their work. The article also offers a model of creativity that may provide a useful starting point for others to use in understanding the highly complex role creativity holds for doctoral writing.
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    Developing an authorial voice in PhD multilingual student writing: The reader's perspective
    Morton, J ; Storch, N (PERGAMON-ELSEVIER SCIENCE LTD, 2019-03)
    Most scholars agree about the importance of an authorial voice in academic writing. There is also a growing body of research on how voice is manifested in texts at a word and phrase level, but relatively little that investigates readers’ perceptions of authorial voice (the effect on the reader) or the development of voice over time. In our study, we explored these issues by eliciting the views of five supervisors as they read and evaluated authorial voice, in the texts of three PhD students, writing in English as an additional language (EAL). We used two sets of comparable texts written by the students relatively early and near the end of their PhD to address the issue of voice development. A thematic analysis of the transcribed interviews revealed what constituted evidence of authorial voice for the five expert readers. All were adamant that an authorial voice is crucial in the writing of PhD students, but found the task of defining and locating voice in the students’ texts, and in discerning progress in students’ abilities to articulate a convincing authorial voice very challenging. Of interest was the finding that the supervisors’ language backgrounds, disciplinary specialities, personal histories, and preferences shaped their impressions of voice. These differences in perceptions of what voice entails held by supervisors from the same broad discipline raise questions about how we approach the teaching and assessment of voice.