School of Languages and Linguistics - Research Publications

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2021 - 2024 3
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End date: 2024 × Start date: 2020 × Type: Book ×

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    Explorations des théories de la traduction
    Pym, A (Intercultural Studies Group, 2024)
    Traduction par Hélène Jaccomard de la troisième édition du livre Exploring Translation Theories (2023) portant sur les paradigmes contemporains de la théorie occidentale de la traduction. Cette vue d'ensemble couvre les principales théories d'équivalence, de types de solution, d'objectifs, d'approches scientifiques, d'incertitude, d'automatisation et de traduction culturelle. Entièrement révisée, cette troisième édition ajoute la couverture des théories russes et ukrainiennes, des avancées en matière de traduction automatique et de la recherche sur les processus cognitifs des traducteurs.
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    Cultura y música en la Península Ibérica hasta 1650
    Esteve Roldan, E ; Griffiths, J ; Rodilla, F (Reichenberger, 2023)
    This book highlights the cultural importance of music on the Iberian Peninsula from the Middle Ages to the mid-seventeenth century. Musical events of various kinds are presented as the product of actions generated from within a dynamic and heterogeneous society. The kaleidoscopic vision of the volume aims to increase understanding of the ways that matters of power, gender, dissemination, reception, and musical composition operate in direct correspondence with the attitudes of the society that produced them.
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    "Neider Überall Zwingen Uns Zu Gerechter Verteidigung": Legitimisation and De-Legitimisation of World War I in German Dramatic Literature
    Dorrer, A (Erich Schmidt Verlag, 2021-08-05)
    This first monograph on WWI dramatic literature closes one of the last research desiderata of the German literature on the First World War. The author opens up a hitherto unknown corpus of texts and identifies the most important discourses represented in these WWI plays. Furthermore, he embeds the discourses in contemporary public debates and identifies them in more famous dramatic works of the Weimar Republic. This allows the analysis of the Heimkehrerdramen of Toller, Brecht, and Horváth to focus on the representation of contemporary narratives that have so far been overlooked and embeds these plays in the context in which they were created. Previously, this was only the case for Karl Kraus’s Die letzten Tage der Menschheit, which is also interpreted by the author in a newly established intertextual relationship with early WWI dramas. The approach this book takes not only provides new insights into the WWI drama between 1914 and the end of the Weimar Republic, but also new points of departure for research in a number of literary and cultural studies fields.