School of Languages and Linguistics - Research Publications

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Now showing 1 - 9 of 9
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    Historical Pedagogy and the Lute: Education to Match Aspirations
    Griffiths, J ; Griffiths, J ; Wirth, S (Deutsche Lautengesellschaft and Lute Society of America, 2021-11-11)
    Explores the history of institutional lute learning in Europe since 1900; explores the nineteenth-century pedagogy used in conservatorium and university practical tuition and its limitations for teaching early music, and presents an alternate pedagogical methodology based on sixteenth-century Spanish theorist Juan Bermudo.
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    Introducción a "Los seys libros del Delphin"
    Griffiths, J ; Nieto, J (Sociedad de la Vihuela, 2019)
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    Early Vihuelas, Iconography, Organology, Theory and Practice
    Griffiths, J ; Balmer, Y ; Framboisier, A ; Guilloux, F ; Massip, C (Brepols, 2019)
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    La vihuela desde mi ordenador: la musicología y las humanidades digitales
    Griffiths, J ; Lolo, B ; Presas, A (Sociedad, 2018)
    From the viewpoint of my own research, this paper explores one of the largest challenges of the musicology of the future, namely, the possibilities that result from harnessing computing to musicology. The possibilities that arise from the storage of large quantities of data, of creating tools that will permit a limitless number of associative, reconstructive, analytical and cataloguing operations are already starting to change indelibly the face of musicology, together with the ways in which we communicate the fruit of our research. Using my own work to create a digital habitat for everything that pertains to the vihuela, this paper presents a vision of the future by menas of a platform created to gather and assemble all that is known about the renaissance instrument, it music, its players, instrument builders, and consumers, together with a complete collection of documentary information, bibliography and discography. Within this panorama, the paper also reflects on the way in which this projects represents the triangulations of the traditional, linear relationship that separates the historian from his or her readers. It also contextualises the project among the international trends of today’s musicology.
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    Heteroclito Giancarli and his Composizione musicali of 1602
    Griffiths, J ; Colin, M-A (Brepols, 2018)
    The first detailed study of an anthology of lute songs published in 1602 by a lutenist singer who had been active during the last 40 years. The style of the songs reflects tastes and performance practices around 1600. It calls into question the novelty value afforded to the music of the seconda prattica in modern historiography.
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    Songs without words: the motet as solo instrumental music after Trent
    Griffiths, J ; Filippi, DV ; Rodriguez-García, E (Routledge, 2018-08-16)
    By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by ...
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    Singer Songwriters, the Lute, and the Stile nuovo
    Griffiths, JA ; Murata, M ; Fabris, D (Brepols, 2015-01-31)
    Italian Soundscapes: Souvenirs from the Grand Tour, Dinko Fabris, Musical Encounters Public and Private, Margaret Murata, Singer-songwriters, the Lute, and the Stile Nuovo, John Griffiths, High, Middle, and Low: Singing Monteverdi, Richard ...
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    The Music of Castrato Lutenists at the Time of Caravaggio
    Griffiths, JA ; Macioce, S ; De Pascale, E (Gangemi, 2012)
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    Juan Bermudo, Self-Instruction and the Amateur Instrumentalist
    Griffiths, JAG (Indiana University Press, 2010)