School of Languages and Linguistics - Research Publications
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ItemIntroducción a "Los seys libros del Delphin"(Sociedad de la Vihuela, 2019)
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ItemEarly Vihuelas, Iconography, Organology, Theory and Practice(Brepols, 2019)
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ItemLa vihuela desde mi ordenador: la musicología y las humanidades digitales(Sociedad, 2018)From the viewpoint of my own research, this paper explores one of the largest challenges of the musicology of the future, namely, the possibilities that result from harnessing computing to musicology. The possibilities that arise from the storage of large quantities of data, of creating tools that will permit a limitless number of associative, reconstructive, analytical and cataloguing operations are already starting to change indelibly the face of musicology, together with the ways in which we communicate the fruit of our research. Using my own work to create a digital habitat for everything that pertains to the vihuela, this paper presents a vision of the future by menas of a platform created to gather and assemble all that is known about the renaissance instrument, it music, its players, instrument builders, and consumers, together with a complete collection of documentary information, bibliography and discography. Within this panorama, the paper also reflects on the way in which this projects represents the triangulations of the traditional, linear relationship that separates the historian from his or her readers. It also contextualises the project among the international trends of today’s musicology.
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ItemHeteroclito Giancarli and his Composizione musicali of 1602(Brepols, 2018)The first detailed study of an anthology of lute songs published in 1602 by a lutenist singer who had been active during the last 40 years. The style of the songs reflects tastes and performance practices around 1600. It calls into question the novelty value afforded to the music of the seconda prattica in modern historiography.
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ItemSongs without words: the motet as solo instrumental music after Trent(Routledge, 2018-08-16)By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by ...
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ItemSinger Songwriters, the Lute, and the Stile nuovo(Brepols, 2015-01-31)Italian Soundscapes: Souvenirs from the Grand Tour, Dinko Fabris, Musical Encounters Public and Private, Margaret Murata, Singer-songwriters, the Lute, and the Stile Nuovo, John Griffiths, High, Middle, and Low: Singing Monteverdi, Richard ...
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ItemThe Music of Castrato Lutenists at the Time of Caravaggio(Gangemi, 2012)
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ItemJuan Bermudo, Self-Instruction and the Amateur Instrumentalist(Indiana University Press, 2010)