School of Historical and Philosophical Studies - Research Publications
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ItemRobot death care: A study of funerary practice(SAGE PUBLICATIONS INC, 2021-07)Across the globe, human experiences of death, dying, and grief are now shaped by digital technologies and, increasingly, by robotic technologies. This article explores how practices of care for the dead are transformed by the participation of non-human, mechanised agents. We ask what makes a particular robot engagement with death a breach or an affirmation of care for the dead by examining recent entanglements between humans, death, and robotics. In particular, we consider telepresence robots for remote attendance of funerals; semi-humanoid robots officiating in a religious capacity at memorial services; and the conduct of memorial services by robots, for robots. Using the activities of robots to ground our discussion, this article speaks to broader cultural anxieties emerging in an era of high-tech life and high-tech death, which involve tensions between human affect and technological effect, machinic work and artisanal work, humans and non-humans, and subjects and objects.
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ItemThe disposition of the destitute(Council to Homeless Persons, 2019)The final disposition is a term used by people in the funeral industry to refer to the burial or cremation of a dead person. The final disposition is a profoundly important event, not simply a pragmatic or material process, and its significance is expressed through ritualised performances. The disposition and its rituals are shared and communal, involving ceremonies attended by the deceased’s family, friends, and community, whilst less indirectly the disposition is shared by wider social norms and values around the proper treatment of the deceased body. Although the disposition is common to us all, then, it is also a personalised event in which the particularity of the life lived is recognised. Similarly, the place of interment, whether body or ashes, is named and marked to recognise the individual life of the deceased. Places of interment are thus not only identified, but are also accessible to family, friends and community, for the purpose of ongoing visitation and remembrance.
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ItemNo Preview Available‘Death by Twitter’: Understanding false death announcements on social media and the performance of platform cultural capital(University of Illinois Libraries, 2019)In this paper, we analyse false death announcements of public figures on social media and public responses to them. The analysis draws from a range of public sources to collect and categorise the volume of false death announcements on Twitter and undertakes a case study analysis of representative examples. We classify false death announcements according to five overarching types: accidental; misreported; misunderstood; hacked; and hoaxed. We identify patterns of user responses, which cycle through the sharing of the news, to personal grief, to a sense of uncertainty or disbelief. But we also identify more critical and cultural responses to such death announcements in relation to misinformation and the quality of digital news, or cultures of hoax and disinformation on social media. Here we see the performance of online identity through a form that we describe, following Bourdieu as ‘platform cultural capital’.
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ItemAutomating Digital Afterlives(Oxford University Press, 2021-08-26)The question of how the dead “live on” by maintaining a presence and connecting to the living within social networks has garnered the attention of users, entrepreneurs, platforms, and researchers alike. In this chapter we investigate the increasingly ambiguous terrain of posthumous connection and disconnection by focusing on a diverse set of practices implemented by users and offered by commercial services to plan for and manage social media communication, connection, and presence after life. Drawing on theories of self-presentation (Goffman) and technological forms of life (Lash), we argue that moderated and automated performances of posthumous digital presence cannot be understood as a continuation of personal identity or self-presentation. Rather, as forms of mediated human (after)life, posthumous social media presence materializes ambiguities of connection/disconnection and self/identity.
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ItemDeath and the Internet: Consumer issues for planning and managing digital legacies (2nd edition)(Australian Communications Consumer Action Network, 2017-12-01)
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ItemResearching Death Online(Routledge, 2017)Death now knocks in a digital age. When the time is nigh, whether from natural causes at a ripe age, or from accidents or illness when young, the word goes out through a range of technologies and then various communities gather offline and online. Digital ethnography in this “death” sphere has been growing in form and possibility over the past two decades as various platforms are designed and become occupied with the desires of the living and dying. Online funerals and commemorative activities are now often arranged alongside the perhaps more somber rites of burial or cremation (Boellstorff 2008, 128). Services such as LivesOn promise that we shall be able to “tweet” beyond the grave; members of online communities encounter each other on commemorative online sites where they grieve for a shared friend but never meet each other “in person”; and it is predicted that soon there will be more Facebook profiles of the dead than of the living.
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ItemFacebook and the Other: Administering to and Caring for the Dead Online(Melbourne University Press, 2012)
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ItemSocial Media in the Funeral Industry: On the Digitization of Grief(Broadcast Education Association, 2017)
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ItemRemembering Zyzz - Distributed Memories on Distributed Networks(Palgrave Macmillan, 2015)In times when public and private spheres are mediated more than ever, this volume looks at the way personal and collective memories are employed to revise and reconstruct old and new forms of individual and social life.
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ItemPosthumous personhood and the affordances of digital media(Taylor and Francis, 2015-01-01)This article identifies and outlines some of the more prominent ways that digital media can extend one’s personhood following death. We consider three examples: when the digital persona of the deceased continues to interact with the living through a human surrogate; the emergence of autonomous and semi-autonomous software enabling the dead to use social media to intervene in current events; and finally the operation of algorithmic presence services like Eterni.me, where artificial intelligence creates a re-enlivened form of the deceased. Situating these examples in relation to sociological, anthropological and cultural literature foundational to ideas of distributed personhood and posthumous symbolic immortality, we suggest that digital codes and computational texts stand as key sites for contemporary forms of ‘distributed personhood’, including posthumous personhood. We then extend this body of literature by examining how the discursive politics of social media contributes to a social and commercial context, which supports ongoing interactions with the dead online. Through this process, we suggest that the persona of the dead, which remains after bodily death, can continue to maintain meaningful posthumous relationships with the living, presenting a new perspective on how we interact with the dead through digital media.