School of Historical and Philosophical Studies - Research Publications

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    Bernard Smith, cold warrior
    BARKER, H. ; Green, C. ( 2005)
    Bernard Smith’s canonical book, Australian Painting 1788–1960, was shaped by the Cold War, and this forced the emerging discipline of Australian art history onto a trajectory that would not be shaken for another two decades. More than art history determined Smith’s innovations. This paper proceeds from that obvious but easily overlooked point, that Smith and his book were deeply conditioned by the intellectual climate of Cold War Australia. The appearance of Smith’s book and, henceforth, Australian art history’s concerns with postcoloniality and anxiety about nationality derive from this. Smith’s particular Cold War shaped Australian art history ever since.
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    European vision and Aboriginal art: blindness and insight in the work of Bernard Smith
    LOWISH, SUSAN ( 2005)
    Presently, Australian art histories do not adequately account for the existence of Aboriginal art. They tend to re-present and accentuate European constructions of difference, otherness and isolation, rather than explore sites of intersection or look for similarities. A radical readjustment of perspective is needed in order to address this imbalance. This article suggests that although Smith’s writing on Aboriginal art does not provide a suitable basis for this revision, his evaluation of European visual culture during the early exploration of the Pacific might form a useful starting point for an art historical reassessment of the relationship between Aboriginal and Australian art.