School of Historical and Philosophical Studies - Research Publications

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    Introduction: War and Memory in Russia, Ukraine, and Belarus
    Fedor, J ; Lewis, S ; Zhurzhenko, T ; Fedor, J ; Kangaspuro, M ; Lassila, J ; Zhurzhenko, T (Palgrave Macmillan, 2017-01-01)
    This introductory essay begins with a discussion of World War II memory in Russia, Ukraine, and Belarus, in light of the recent and ongoing war in Ukraine. It outlines the main contours of the interplay between “memory wars” and real war, and the important “post-Crimean” qualitative shift in local memory cultures in this connection. Next, the essay sketches out the specifics of the war memory landscapes of the region, and then of each of the three individual countries, before moving on to introduce the key organizing themes and findings of the book.
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    Memory, Kinship, and the Mobilization of the Dead: The Russian State and the “Immortal Regiment” Movement
    Fedor, J ; Fedor, J ; Kangaspuro, M ; Lassila, L ; Zhurzhenko, T (Palgrave Macmillan, 2017-01-01)
    This chapter examines a new addition to the repertoire of Victory Day commemorative traditions in post-Soviet space: the newly invented annual “Immortal Regiment” parade, in which people march bearing photographs of their ancestors who fought in the Great Patriotic War of 1941–1945. The chapter focuses on attempts by the state authorities and their supporters to instrumentalize the new ritual and to appropriate the Red Army’s war dead, and the emotions they evoke. It explores the ways in which the figure of the dead Red Army soldier is being brought back to life in new ways as part of the current regime’s authoritarian project.
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    Why do we find Bohr obscure? Reading Bohr as a philosopher of experiment
    Camilleri, K ; Faye, J ; Folse, H (Bloomsbury Academic, 2017)
    Niels Bohr's philosophical view of quantum mechanics has been the subject of extensive scholarship for the better part of five decades. Yet Bohr’s writings have remained obscure, as evidenced by the variety of different scholarly interpretations of his work. In this chapter, I review the historiography of Bohr scholarship, arguing that his meaning has remained elusive because his central preoccupations lay not so much with an interpretation of the quantum-mechanical formalism, which many commentators see as the problem of quantum theory, but rather with the epistemological question of how we can acquire empirical knowledge of quantum objects by means of experiment. Bohr’s doctrine of classical concepts, I argue, is therefore best understood as a philosophy of experiment.
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    Bohr and the problem of the quantum-to-classical transition
    Schlosshauer, M ; Camilleri, K ; Faye, J ; Folse, H (Bloomsbury Publishing, 2017-10-19)
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    Considering Evidence in Art Fraud
    SLOGGETT, R ; Chappell, D ; Hufnagel, S (Routledge - Taylor & Francis, 2016)
    Securing the evidential link between the work and the artist who is purported to have produced it requires a rigorous analytical approach; one that not only accepts particular evidence that may support the assertion of authenticity, but which can also contest evidence that is not correct. Such an approach is by its very nature multidisciplinary, often bringing together knowledge of art history, the art market, cultural materials conservation, chemistry, law and policing. What constitutes evidence of authenticity is generally based on considerations of provenance, art historical context, including facts about the artist and scientific enquiry. Building the chain of evidence for art authentication is a complex and carefully constructed activity that ensures that works can be legitimately, and verifiably, linked to the artist who is purported to be their source.
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    The Triple Helix of Tang Dynasty Mural Painting Study: Art History, Archaeology and Materials Conservation
    Eckfeld, T ; Zhou, T (The Commercial Press (HK), 2017)
    Deep understanding of Tang Dynasty tomb mural painting can only be achieved through multi-disciplinary study using a ‘triple helix’ approach combining archaeology, materials conservation and art history. Cooperation between these three professions and their particular disciplinary perspectives can provide comprehensive insight into the mural paintings and reflect their original state as the combined product of patrons, artists, architects and engineers. This paper discusses how a triple helix approach may answer some of the more challenging questions about the murals, including the identity of the painters, workshop practices, methods of production and painting techniques, and shed light on the lost corpus of above ground Tang Dynasty mural paintings.
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    The Practical Tradition of Dutch Newtonianism
    Wiesenfeldt, G ; Boran, EA ; Feingold, M (Brill, 2017-06-15)
    Dutch natural philosophers played a crucial role in interpreting and disseminating Isaac Newton's ideas throughout Europe. The chapter discusses how their views of Newton related to older Dutch traditions, most notably the so-called Dutch Mathematics - practical mathematics taught at universities in the vernacular for aspiring surveyors and military engineers. Within this field, a new understanding of natural philosophy had emerged, into which Newtonian science could be easily integrated.
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    Egyptosophy in the British Museum: Florence Farr, the Egyptian Adept and the Ka.
    Tully, C ; Ferguson, C ; Radford, A (Routledge - Taylor & Francis, 2017)
    "Egyptosophy" refers to "the study of an imaginary Egypt viewed as the profound source of all esoteric lore" and reflects the idea – prevalent since antiquity – that the ancient Egyptians were a race of mysterious sages. The academic discipline of Egyptology split from Egyptosophy in 1822 with Jean-Francois Champollion's decipherment of the Egyptian hieroglyphs. By identifying Mutemmenu as an "Egyptian Adept" equivalent to a Golden Dawn initiate of high degree, Florence Farr foregrounded the role of the priestess in modern Hermetic magic. Where Farr's encounter with Mutemmenu does echo the wider corpus of mummy fiction is in its occurrence in the British Museum, as museums are often the setting for mummy reanimation. Warwick Gould suggests that Farr may have either associated the last syllable of Nenkheftka's name with the idea of the ka, or else thought she had been the wife of Nenkheftka in a previous incarnation.
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    The Making of a Global Activist: The Indonesian Human Rights Campaigner, Carmel Budiardjo
    McGregor, K ; Edberg, S ; Scalmer, S (Palgrave Macmillan, 2018)
    Using a biographical approach, this chapter analyses why Carmel Budiardjo, a British-born woman of Jewish background, became a transnational activist. It examines her life during the Second World War and its aftermath and the transnational camaraderie she developed through her participation in the International Union of Students. The chapter also examines how her critical engagement with politics following her move to Indonesia, and her subsequent imprisonment because of her alleged ties with the Indonesian Communist Party, shaped her activism upon release and return to Britain to free Indonesian political prisoners.