School of Historical and Philosophical Studies - Research Publications
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ItemNo Preview AvailableAuthentication, Attribution and the Art Market: Understanding issues of art attribution in contemporary Indonesia(ACAH: The International Academic Forum, 2018)The widespread circulation of paintings lacking a secure provenance within the Indonesian art market is an increasingly prevalent issue that questions trust, damages reputations and collective cultural narratives. In the long-term, this may impact on the credibility of artists, their work and the international art market. Under the current Indonesian copyright laws, replicating a painting is not considered a crime of art forgery, rather a crime of autograph forgery, a loophole that has allowed the practice of forgery to grow. Despite widespread claims of problematic paintings appearing in cultural collections over recent years, there has been little scholarly research to map the scope of counterfeit painting circulation within the market. Building on this research gap and the themes of the conference, this paper will provide a current understanding of art fraud in Indonesia based on research undertaken on the Authentication, Attribution and the Art Market in Indonesia: Understanding issues of art attribution in contemporary Indonesia. This research is interdisciplinary in its scope and is grounded in the art historical, socio-political and socio economic context of cultural and artistic production in Indonesia, from the early twentieth century to the contemporary art world of today. By locating the study within a regionally relevant framework, this paper aims to provide a current understanding of issues of authenticity in Indonesia and is a targeted response to the need for a materials evidence based framework for the research, identification and documentation of questionable paintings, their production and circulation in the region.
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ItemBundengan: Social media as a space for collaboration in the conservation and revival of an endangered musical instrument(ISI Press, 2017)The widespread use of social media in cultural heritage and conservation projects principally makes use of its capacity for public-facing engagement and the promotion of cultural institutions and events. Its potential as an inclusive, accessible and dynamic research output is less well-established. This paper focuses upon the potential of social media as a complementary form of conservation documentation, in response to the use of interdisciplinary and cross-cultural collaboration between source communities and collecting institutions as a means to preserve both material and intangible cultural heritage. Using the conservation of a rare and endangered musical instrument called bundengan as a case study, this paper will assess the uses of social media platforms in both documenting and enabling collaboration between the source community in Wonosobo, Java, Indonesia, and academic researchers based in Indonesia and Australia.
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ItemInvestigating Vynol: Australia’s first artists’ acrylic and vinyl-acrylic emulsion paints(Pulido & Nunes; ICOM Committee for Conservation, 2017)Vynol Paints, established in 1964, was the first manufacturer of artists’ acrylic paints in Australia. However, it has received minimal recognition in the art historical, conservation and technical art research fields. It is the aim of this paper to address this research gap by considering its relevance to material knowledge and conservation practice, as part of a broader investigation into the relationship between acrylic paints and the Australian colourfield painting movement. Vynol was found to be used by artists featured in the seminal exhibition, The Field (1968), at the National Gallery of Victoria. This interdisciplinary study presents archive material, interview findings and Fourier transform infrared (FTIR) spectroscopy analysis of Vynol paints, showing connections between the movement’s artists and the manufacturer. It reveals that, during the 1960s, Vynol produced vinyl-acrylic paints – copolymers of polyvinyl acetate (PVAc) and an acrylate monomer, a formulation that was likely used by some of the artists associated with The Field exhibition. Hence, identification of the PVAc/acrylic copolymers using FTIR spectroscopy is explored.
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ItemGender system justification predicts decreased blame towards perpetrators of sexual harassment(University of Melbourne, 2020)Sexual harassment is a pervasive social problem with serious physical and psychological repercussions. Whilst the #MeToo movement has shone a spotlight on the issue, public reactions to perpetrators remain divided. Building on system justification theory, we argue that this division can be explained by individual differences in the desire to safeguard the gender hierarchy. To investigate this claim, we conducted a correlational study (n = 185) to examine whether gender system justification predicts perceptions of sexual harassment as unintentional and benign, and whether this leads to decreased blame judgements towards perpetrators. Results largely supported our hypotheses: we found that individuals who are high (vs. low) on gender system justification are more likely to view sexual harassment as unintentional and harmless and are less likely to blame perpetrators. Additionally, our analyses revealed that the effect of gender system justification on blame was mediated by differing perceptions of harm, but not intent. These results suggest that the exoneration of perpetrators may be motivated by a desire to maintain the status quo of gender relations, and that this motivation may result in the interpretation of evidence in a manner that favours exculpating perpetrators.
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ItemCybernetic Funeral Systems(IEEE, 2021-01-01)Using Postphenomenology (one of many methods informed by Wiener's cybernetics) as an analytical approach, this paper examines three examples of robot participation in, and mediation of, funerals. The analysis of robot mediation of funerals challenges the idea that death rituals are exclusively human performances and experiences, and instead repositions them as cybernetic systems of entanglement and impact. The paper begins with an introduction to the relevance of postphenomenological theory, then moves to the case of CARL, a robot that enables remote participation in funeral ceremonies. We argue that the [Human-Robot-Funeral] relation and its variants are both engaging and alienating, through revealing-concealing, magnification-reduction and a more generalised enabling-constraining. Technological mediation is also evident in the case of Pepper, a robot that has officiated at funerals as a Buddhist monk. We describe similarities and differences in the way CARL and Pepper manifest the [Human-Robot-Funeral] relation. The final example is AIBO, a companion robot that becomes the locus of a funeral ritual. This offers a radical case that directly challenges humans' self-proclaimed exceptional ontology.
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ItemNo Preview AvailableA Post-Colonial Horrea Piperataria(ASCS, 2022)Rome’s Horrea Piperataria – or ‘Pepper Warehouse’ – receives little more than a passing mention in our discussions of the Imperial Forum. Given the minimal archaeological and textual record, this is not surprising. Within a century of its Domitianic construction, the horrea had all but burned to the ground. When the Basilica of Maxentius was constructed in the early fourth century, the horrea disappeared from view entirely. It would seem that Rome’s emporium of herbs and spices from across the Empire has little to tell us. But is that the whole story? Recent excavations beneath the Basilica have uncovered new details about the warehouse’s internal space. If we consider the visual literacy of Rome’s population, we can situate the horrea within an architectural typology and begin to uncover its presence within the city. And adopting a post-colonial lens both reconstructs the social experience of this site and interrogates its post-classical scholarly reception. Many locations across the Roman world possess an equally fragmentary record. Yet many also enjoy considerably more attention in the literature than the Horrea Piperataria. This paper will reveal the horrea as a site of multicultural exchange and social identity in a diverse ancient city. In this process, it will also question whether eurocentrism incorrectly shaped – or rather diminished – our view of the Horrea Piperataria as being of minimal importance in the imperial power landscape.
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ItemDeveloping Museum to Museum Cultural Engagement Between Australia and Timor Leste(Swinburne Press, 2022-01-12)
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ItemNo Preview AvailableModelling decay in stone heritage using Machine Learning(National Gallery, University College London and Imperial College London, 2022)
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ItemNo Preview AvailableJames Stirling, first governor of Western Australia and imperial investor(Western Australian Legacies of British Slavery Project in collaboration with National Centre for Biography, 2021-03-18)Admiral James Stirling arrived on Noongar land in 1829 to proclaim it the British colony of Western Australia. Officially, he represented the British government. Unofficially, he represented the commercial interests of his family, a collection of British naval officers, East India Company administrators and directors, imperial merchants, shipping magnates, their wives and their descendants. Stirling pursued the colony as an investment opportunity, first with the Colonial Office and then through land selections, the manipulation of market conditions and private capital-raising schemes. This pursuit was shaped by three, interrelated social phenomena. Firstly, numerous strands of his family had become wealthy through transatlantic and Caribbean slavery. Secondly, British government incentives for establishing a colony on the western side of Australia strengthened at the same time as it was shifting away from the ‘slave colonies’ and certain forms of unfree labour. And third, this shift placed pressure on the Stirling family to secure new income streams to maintain affluence and power. This seminar will explore these dynamics and ask: in what ways does the intergenerational biographical method expand and enliven, or alternatively risk reducing, our understanding of the legacies of British slavery in the Australian settler colonies?
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